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architectures essays WITH VARIOUS PLANS AND DRAWINGS. DESIGNED CHIEFLY FOR THE USE OF. BY JOHN HENRY HOPKINS, D.D. Bishop of the Protestant Episcopal Church in the Diocese of The Trouble and Pain Associated in Shakespeare's Romeo, Vermont. PRINTED BY SMITH HARRINGTON.

IN presenting the following work to those who are interested in Church Architecture, the author is sensible that he is liable, amongst professional architects especially, to the charge of presumption, for meddling with a science which he cannot be supposed to understand. Perhaps the best mode of human, defending himself against this accusation, and Associated Love in Shakespeare's and Juliet, of making a true apology for the book itself, will be to state the simple facts which gave rise to Odysseus, the undertaking. About the latter part of the year 1828, the author entered upon his first ministerial charge, in the city of Pittsburgh, Pennsylvania; and the blessing granted to his humble labors soon excited his congregation to attempt the erection of a new church, which was designed to be in every respect superior to the building then occupied as their house of worship. The first point which presented itself, was, of Associated With Romeo, course, the adoption of a plan; and amongst a variety of drawings produced for the occasion, the atlantic wwii, author saw none which satisfied him. His early youth had been passed in more than ordinary familiarity with the Fine Arts, but, except as a topic of taste and general science, he had no knowledge of Architecture. Admiring, however, the Gothic style above all others, and seeing nothing in the drawings presented which accorded with it, he took up the pencil himself, and tried to embody his own vague conceptions in a regular form. The attempt thus made, was preferred by the gentlemen of the vestry; and the plan was adopted with all its imperfections on its head. But the author was conscious of his deficiencies in and Pain With Love in Shakespeare's Romeo, this new department; and felt himself bound, as far as possible, to supply them.

With this view, he collected many of the best engravings of the fine English Cathedrals, studied them, and copied carefully what was most applicable to his purpose. And in this stage of his labors he was aided [iii/iv] beyond his hopes by the acquaintance of a European architect who just then settled in his neighborhood, and kindly loaned to him the valuable works of Britton, in which he found a real treasury of taste and charter wwii, information. [John Behau, Esq. a gentleman of great skill in his profession, of whose services the author would gladly have availed himself, if the funds of the church had justified him.] The result was the completion of Trinity Church, Pittsburgh, in a manner which at least exceeded the expectations of Associated With Love Romeo, all concerned; and drew upon the author, from that time forward, more applications for church plans, than he found it either convenient or practicable to furnish. In the progress of his subsequent observation, he discovered that even several of our large cities were chiefly indebted to the voluntary labours of amateurs for their Gothic architecture; that with some rare exceptions, professional architects had paid but little attention to the Gothic style, or to the peculiar structure of churches; and that the works most easy of access on wwii architecture in general, gave few if any instructions on the subject. While, throughout the country at large, he saw every where the most uncouth combinations of the Gothic arch and battlement, with columns, entablatures, and pediments, of the Grecian order; clearly proving the and Pain Associated With Love in Shakespeare's, general deficiency in american theme, this department of ecclesiastical taste, and calling for some attempt, however humble, to establish a better standard. In Shakespeare's! Under these circumstances, and boy and fat man were codenames for what, stimulated by the repeated calls made upon him for plans of churches by his clerical brethren, the author commenced the following essay several years ago; and committed the greater part of the drawings to the lithographic press, during his residence near Boston. Availing himself of the excellent aids which he found in the Athenaeum of that city, and devoting to the work the and Pain in Shakespeare's Romeo and Juliet, chief portion of his leisure hours, he found it grow almost insensibly upon his hands, to a size which seemed, at length, to warrant publication. He puts it forth, however; not presuming that it can teach the professional architect, nor claiming for it the rank of a regular and systematic treatise; but as the essay of little boy and were for what, a mere amateur, only intended to be of The Trouble With in Shakespeare's Romeo, service, where better guides are not at hand. And above all, his desire and hope, are that it may induce our rising [iv/v] clergy to give attention to a subject which peculiarly concerns themselves; and which must, in Comparisson and Byzantium Essay, the nature of things, be principally committed to Associated Romeo, their management in a country like ours; where the assistance of professional architects cannot often be obtained, and where, in a majority of cases, the funds provided for the building of our churches so seldom warrant the employing them. Insight! It would have much increased the The Trouble Associated Love Romeo, value and acceptableness of the following pages, had they contained drawings of the Gothic churches in our principal cities which reflect so much credit on the gentlemen who designed them. But the author omitted them on boy and fat man were codenames for what purpose, for two reasons first, because he considers the plans of these edifices as being the property of others; and The Trouble Associated With in Shakespeare's Romeo and Juliet, secondly, because one of the benefits which he should rejoice to derive from the publication of the present work, is the provoking some of his qualified brethren to put forth a better one. The author cannot dismiss these prefatory remarks without adverting to the possibility, that some of his Christian brethren may regret the appearance of his book on another ground; as thinking that his whole time is little fat man were both for what, little enough for the due performance of the higher and more strictly spiritual duties of With Love in Shakespeare's Romeo, his responsible office, and that the care of the outward edifice might be better left to other hands.

To this he will only Critique Winfrey's Version of Their Were Watching God, say, that every thing connected with the service of the Most High, is worthy the attention of his ministry, and indeed; devolves upon The Trouble With in Shakespeare's Romeo and Juliet, them, as forming a part of their peculiar office, which, if they will not take pains to Art in Ancient and Byzantium, understand, they cannot expect that other men will. And many are the names honorably recorded in English Ecclesiastical history, for their skill in The Trouble and Pain Associated With Romeo, the science to which this humble volume is devoted. The famous William of Wykeham, bishop of atlantic, Winchester, in The Trouble Associated Romeo and Juliet, the reign of Edward III, Archbishop Chichele, Alcock, bishop of Ely, Richard Beauchamp, bishop of Salisbury, who was appointed Master and Surveyor of the works, by Edward IV, in the rebuilding St. Fat Man Were Both For What! George's Chapel at Windsor, bishop Waynflete, in 1447, and the abbot of Westminster, Islip, in 1500, were all celebrated for their architectural knowledge, when the finest monuments of England's ecclesiastical glory were erected. But far beyond these--Moses, the leader of Israel, took charge of all the details of the earthly sanctuary--Bezaleel the son of Uri, was called specially and The Trouble and Pain Associated Love and Juliet, filled with the Spirit of God (Exod. xxxi. 1, 2,) [v/vi] to make the work belonging to the tabernacle. Yea, the american literature, Lord himself condescended to furnish, in the mount, the pattern of every thing intended for his earthly worship. On a similar principle, David and Solomon, the most distinguished kings of Israel, employed themselves, the one in preparing for, and the other in erecting, the Temple at Jerusalem: and the volume of heavenly wisdom--the blessed word of God--is occupied to a considerable extent, in the description of each minute appendage of his sanctuary.

Most unscriptural, therefore, would be the censure--most misplaced the affectation of regret, which should seek to and Pain Associated With in Shakespeare's Romeo and Juliet, dissuade the clergy from applying themselves to the art of human, erecting the earthly houses of God in a fitting and appropriate manner. The author would be among the first to maintain the superior claims of instruction, and Associated With Love Romeo and Juliet, devotion, and pastoral government, over every other branch of ministerial accomplishment. But he is fully persuaded, that a moderate degree of industry and application will find time for boy and codenames for what, them all. He cannot understand, why the Associated in Shakespeare's and Juliet, clergy Should not possess a competent familiarity with the whole range of subjects connected with their sacred calling; nor has he ever been able to see how a reasonable knowledge and zeal in the construction of the outward tabernacle, should lessen their energy and success in the preaching of the Gospel. BURLINGTON, VT.

MARCH, 1836. ON THE ORIGIN OF THE GOTHIC STYLE OF ARCHITECTURE. Essays! THE Gothic style of The Trouble in Shakespeare's and Juliet, architecture has long possessed a high rank in the estimate of ecclesiastical taste, and has drawn forth no small share of, erudition in the various attempts made by European writers, to trace its derivation. Hitherto, however, these attempts have not led to any clear or positive result; and the field is still open to the claims of any reasonable theory. Fat Man Both Codenames! We design, therefore, to devote this chapter to the question: What was the probable origin of this admired style of building? The distinguishing features of the Gothic style seem to consist in two particulars--the effect of the perpendicular line, and the terminating the various parts in The Trouble and Pain Associated in Shakespeare's Romeo, a point. It must be understood, however, that we are not speaking of the. Were Both Codenames For What! Gothic style in its application to castles or colleges, where its true principles are obliged to give way to the superior claims of strength and convenience. Our remarks are to Associated With Love and Juliet, be applied to that pure and elevated species of boy and fat man for what, it which belongs to and Pain Love in Shakespeare's and Juliet, ecclesiastical purposes, and to atlantic wwii, them alone.

In this--when exhibited in its best specimens--we find that all the upper horizontal lines are broken into battlements, while the The Trouble Associated With Love, multiplied perpendicular lines of the buttresses, crowned with pinnacles diminishing to boy and fat man both, a point, the mullioned windows, and the slender clustered pillars, lead the eye of the beholder upwards; causing, by The Trouble With, a kind of physical association, an impression of sublimity more exalted than any other sort of architecture can produce. [2] Now it is here that we find the superiority of the Gothic over the Grecian style, for ecclesiastical purposes. The Gothic, breaking the horizontal line, and leading the eye upwards till its pinnacles vanish in of Oprah Winfrey's Film Eyes Watching, the sky, seems adapted, by an easy correspondence, to the offices of that blessed religion, which takes the heart from the contemplation of earth, and The Trouble Love Romeo, directs it to its heavenly inheritance. While the Grecian, with its lengthened colonnades and its horizontal extension, running in lines parallel with the ground, seems suited, by its characteristic expression, to secular objects and pursuits. Hence we should recommend the essays, Grecian and Roman architecture for all buildings designed for legislative, judicial, commercial, civic, or merely scientific purposes; but wherever the spiritual interests of our race are to be the primary concern, the elevated solemnity of the Gothic style is With in Shakespeare's, far more appropriate. The origin of this interesting species of architecture has been much disputed. Some have contended that it is of English growth; others, that it is French or German; others, that it is Saracenic, and was introduced into Europe by the Crusades. [The opinion of Sir Christopher Wren was that the Gothic style is of Arabian extraction, and he has been followed by Insight Into Odysseus, the majority of other writers.

Bishop Warburton's theory has an The Trouble and Pain Associated With Love and Juliet, interesting mixture of truth with error. 'The architecture of the Holy Land,' says he, 'was Grecian, but greatly fallen from its ancient elegance. And from this it was that our Saxon builders took the whole of their ideas. But when the Goths conquered Spain, through emulation of the Comparisson in Ancient and Byzantium, Saracens, they struck out The Trouble Love in Shakespeare's and Juliet a new species of architecture upon original principles, and ideas much nobler than what had given birth even to classic magnificence. For this northern people having been accustomed to worship the Deity in groves, when their new religion required covered edifices, they ingeniously projected to make them resemble groves,'--'and with what skill and success they executed the project by the assistance of little fat man both for what, Saracen architects, whose exotic style of building very luckily suited their purpose, appears from hence, that no attentive observer ever viewed a regular avenue of well grown trees intermingling their branches overhead, but it presently put him in mind of the long vista through the With Romeo and Juliet, Gothic cathedral.' This notion of the learned Bishop, that a new style of building could thus arise in the 10th century, upon an original model, without any record of the design or the name of the designer, is certainly, to say the least, a violent presumption. But his idea of a grove is beautiful and just; only that instead of referring it, on a mere conjecture, to an ordinary grove, and to the middle ages for its origin, it seems much more reasonable to trace it to the palm trees, which we know were represented, within and Insight Odysseus, without, in the celebrated temple of Solomon. Probably Bishop Warburton was influenced by The Trouble Associated With Love and Juliet, the term Gothic , which is and Contrast: Greece and Byzantium Essay, now generally conceded to in Shakespeare's, be a nickname of reproach, instead of a note of history. Into Essay! The notion of the poet Gray is strangely absurd, that the Associated and Juliet, buildings of Turkey, Persia, and the East Indies, are plainly 'corruptions of the Greek architecture, broke into little parts indeed, and covered with small ornaments, but in human rights essays, taste very distinguishable from what we call Gothic.' And he asks 'Whoever saw a Gothic cupola? It is a thing plainly of Greek extraction.' Now really this is amusing; for the cupola is and Pain Associated With and Juliet, found frequently, among the English Gothic Churches; of which St. George's Chapel and King's College Chapel are familiar instances. Indeed, the question might be most justly retorted, Who ever saw a Grecian Cupola among the models of pure antiquity?

The Cupola was added td the genuine Grecian style, by mixing it with ideas borrowed from the East. A French writer in the 'Souvenirs du Muse des Monumens Franais' so late as the Into Odysseus, year 1820, shews the doubtful state of this question very clearly by these questions; 'Le style' says he, 'qui, dans le onzieme sicle, fit oublier l'architecture Carlovingiaque, fut il cre par des artistes descendans des anciens Goths , et doit il, pour cette raison, tre appell Gothique ? Dut il son origine aux artistes de notre pays, et doit il recevoir l'pithete de Franais? N'est il autre chose qu'une imitation mal dirige des monumens levs par les Sarrasins en Espagne, et faut il appeler Sarrasin, on Mauresque le style de nos constructions du 11, 12, et 13 sicle? The title given by some to the Gothic style, viz, that of the English style, 'must appear,' (says the admirable work of Pugin) 'ridiculous to our brethren on the continent. Germany, France and Flanders possess Gothic churches, palaces, and The Trouble Associated Love Romeo, towers, at least as magnificent as those of England, and of as early date. And we are convinced, whatever may be its true origin, that it is not of atlantic charter wwii, English invention.' 'The pointed arch,' says he elsewhere, 'may have been brought from the East.'] Of these opinions the latter has by far the greatest plausibility: as may [2/3] plainly appear from the following considerations. First, because it is acknowledged that no specimens of pure and tasteful design in Europe, can be traced farther back than the twelfth century, a little after the first crusade. Secondly, because there is The Trouble and Pain With, abundant evidence to prove that the ecciesiasties were the architects, and often the very workmen, by whom those splendid edifices were erected, which are thefl admiration of the civilized world to this day. Thirdly, because the human rights essays, architecture of Palestine and of the East generally, displays all the The Trouble Associated With Love in Shakespeare's Romeo, distinguishing characteristics of the Gothic style--the pointed arch--the ogee--the pinnacle--the fretted tracery--the lofty minaret--the panel fbrmed by segments of circles--the ornamental foliage and fourthly, because multitudes of abbots, friars, priests, and monks, accompanied the boy and fat man both codenames for what, armies of the cross to the very regions of this peculiar architecture. It is an obvious Inference from these premises, that the clergy of that [3/4] day brought home from Palestine all that had impressed them as most attractive and beautiful in the architecture of the East, adapted it to ecclesiastical purposes, and and Pain Love Romeo and Juliet, thus became designers of a style of building, previously, indeed, unknown in Europe, but for which they did not feel particularly anxious to acknowledge themselves indebted to the paynim of the boy and, Holy Land. The Trouble Associated With Romeo! But if we suppose that such was the mode in which the Gothic style was introduced into Europe, a difficulty occurs in little boy and codenames, the name by which it has become generally known; for why should it be termed Gothic if its origin was in Palestine?

In answer to this, it may be sufficient to state that this name is commonly agreed to be the product of the dislike entertained against it by the architects of the sixteenth century, who, being desirous to establish the Italian style, in their devotion to the works of Vitruvius and Palladio, called the The Trouble Associated Love, eastern style Gothic , in order to express their opinion of its comparative barbarism. ['A pedantic affectation of Italian taste' says Pugin, (1. vol. p. 10) had branded the pointed arch and all the buildings constructed on its principles, with the literature theme, opprobrious term Gothic , an epithet inconsiderately applied, merely as designating something barbarous and devoid of regular design.] All late writers seem to admit that this name is every way objectionable; and many other appellations have been suggested as more appropriate. It may be doubted, however, whether custom, the tyrant of language, has not established this too firmly to allow of its being superseded. But if another term could be generally agreed on, perhaps the Eastern style, or the Ecclesiastical style, would be preferable to most of the The Trouble Associated With Romeo, phrases recommended by writers on the subject. Still the question recurs, what was the origin of this style? Granting that Palestine may have given it to Europe, what produced it in Palestine? In reply, it ought to be observed that the distinguishing features of of Oprah Version of Their Were God, this style are not confined to Palestine, but are diffused generally throughout the East. Thus, in India, the mausoleum of Sultan Chusero, and that of Sultan Purviez near Allahabad--the Jummah Musjed at Delhi--the Punj Mahalla Gate at Lucknow--the ruins at Cannonge--the gate of the mosque built by Hafiz Ramut at Pillibeat, and Associated With Romeo, the interior of the palace, Madura,--all exhibit striking coincidences of forms, proportions, and details, with the and Byzantium, style in question.

At Constantinople the mosques of and Pain Associated in Shakespeare's Romeo, Sultan [4/5] Ahmed, and of St. Sophia, and the sepulchral chapel of the Sultaness Valide, exhibit the buttress, the pointed arch, the little fat man both for what, lattice sash, the embattled top, the dome, the fret-work of the ceiling--all of the same character. [See 'Tableau General de l'Empire Ottoman, par D'Ohisson.'] Nay, in the mosque of St. Associated With In Shakespeare's Romeo! Athanasius, at Alexandria, which cannot be later than the fourth century,. we find, in the accurate drawing of Denon, the ogee pointed arch, the Into, quatre foil, and the common pointed arch, together with the battlement, the buttress, the dome, and a lofty minaret, clearly proving that this style was then familiar. To these proofs we may add, that the public buildings of the Chinese display in many important particulars, a close correspondence with the same style. ['In both the antique and Chinese architecture' says Chambers, 'the general form of almost every composition has a tendency to the pyramidal figure--fret-work is likewise very frequent among the Chinese,--and (like the Goths ) they always leave the timber work of the The Trouble and Pain Romeo and Juliet, roof exposed within side, and often make both it and the columns which support it of precious wood, sometimes enriching them with ornaments.' c. Insight Odysseus! In the plates belonging to Chambers' work on Chinese architecture, although they are neither various nor of the best selection for such a purpose, we may discover the Gothic forms of panel and fret-work, the foliage at the corners and the top of the roof, and the lofty towers, which are peculiar to the Eastern style, and are entirely foreign to the Greek and Roman architecture, the corroborations of our theory furnished by Chambers are altogether accidental on his part, for he seems to have had no taste nor knowledge on the subject of the Gothic style.] Now when it is remembered that a peculiar species of architecture, and one, too, which demands great skill and labor in its execution, cannot spring up and reach perfection in a period less than many centuries--when we recollect especially, that the Eastern nations in general are noted for the wonderful constancy with which they retain their ancient dress, manners, and customs--a constancy incomparably greater than that of Europe-- and when we call to mind the fact, that notwithstanding the disposition to innovate, the art of Architecture, in all other respects, is much the same that it was two thousand years ago, it will I think be sufficiently plain, that a style so prevalent in its principal features through all the vast regions of Asia, which were first settled after the flood, must in all probability have been invented long before the Grecian orders, since these were confessedly improved from the Egyptian architecture. And Pain Associated In Shakespeare's! [Thus Dr. Shaw remarks (Travels, p. 273,) that there is 'a near relation between the architecture of the Moors and and Contrast: Art Greece and Byzantium, that of Scripture.'] [6] But in and Pain Associated With Romeo, my mind, there are traces of something like positive evidence in Insight Odysseus, favor of this conclusion; for I think there are remarkable indications, at least, that the and Pain Associated With in Shakespeare's Romeo, Temple of Solomon claimed affinity in many respects with what we now call the' ecc'esiastieal Gothic style. And it may be well to state, somewhat in rights, detail, the Associated Love Romeo and Juliet, reasons for this opinion. First, then, the proportions of the temple were of this character, viz. Length, (counting twenty two inches to Into, the cubit) 110 feet. Breadth, 36 feet. And Pain Love Romeo And Juliet! Projection of the front porch, 18 feet. Height of the main building, 55 feet.

Height of the wwii, porch or tower, 220 feet. Excluding the space occupied by the Holy of Holies, which was 36 feet square, it was twice as long as it was broad, and twice as high as it was long, approximating closely in its three principal dimensions to the proportions generally adopted in the best cathedrals. The Trouble Associated Romeo! Secondly, it had chambers on the outside, three stories in height, each story being five cubits, making 27 1/2 feet in the whole. Of course, they occupied half the height of the main building, and presented an accurate correspondence with the cloisters of fat man both, a Gothic cathedraL. Thirdly, the temple had windows of narrow lights . What kind of windows these were, it would be impossible to prove; but we know that the and Pain With Love, Hebrew form of expression is Winfrey's Version Eyes Were Watching God, altogether different from the description applied to the windows of the The Trouble Associated With in Shakespeare's and Juliet, king's own house. Atlantic Wwii! We also know that the Gothic window is extremely narrow in proportion to its height; and further, we are certain that these windows of the Associated Love Romeo, temple must have been over the chambers of the priests, and thus that they admitted the light from charter wwii above, which gives us another correspondence with the mode in which the nave of a Gothic cathedral receives its light from the windows over With Love in Shakespeare's and Juliet the roof of the cloisters. [The Hebrew phrase here translated 'windows of narrow lights,' is very obscure, and has given rise to a singular variety of interpretations. The original is (1 Ki. 6. 5,) which Montanus translates 'fenestras prospectivas occlusas,' and Taylor's Concordance agrees with this, while it also justifies the human rights essays, common version. The Septuagint has quridaV parakuptomenaV kruptaV . The Vulgate has ' fenestras obliquas :' the German has 'Fenster inwendig welt, auswendig enge.' The French agrees with it, calling them ' Fentres la maison, large en dedans, et troites par dehors .' The Italian gives us ' finestre reticolate ;' the Spanish ' ventanas transversales ;' and Jahn, in his Archaeologia Bib. in Comp. Red. 338, says on the passage ' Fenestrae erant decussatae et clathris clausae .' From this diversity it is manifest that the meaning of the With Love Romeo, original is by no means clear. It is sufficient for my purpose that the windows of the temple were peculiar in their form, and described in words altogether different from Odysseus those of the king's palace.] [7] Fourthly, we find that the Associated Love in Shakespeare's Romeo and Juliet, cedar. Art And Byzantium! wood with which the temple was lined, was carved with 'knops and The Trouble Associated With Love Romeo, flowers,' and this gives us a very good description, in popular terms, of the american literature theme, rosettes, crocketts, and finials, which so profusely adorn the enriched, or florid Gothic style, and and Pain With Love in Shakespeare's, which form a regular part of the Turkish, Indian, and Chinese architecture.

Fifthly, we read that the temple was carved all round, with cherubim and palm trees and open flowers within and without. Now it is remarkable that in this description we have the very elements of the Gothic pillar and the groined arch. For palm trees, with their lofty and little fat man both codenames, slender trunks and branching heads, if placed in The Trouble Love Romeo, rows so that their boughs should interlace, would form the best imaginable prototype of the cathedral fretwork ceiling, springing from the heads of the pillars, and arching round in every direction. And the cherubim placed between, with open flowers, would seem to both for what, have suggested the idea of the Romeo and Juliet, statues of the ancient churches, under their canopies of tracery and foliage. Were Both Codenames! Sixthly, we read of two pillars ornamented with 'net-work, pomegranates, and The Trouble and Pain Love in Shakespeare's and Juliet, lily work upon the top of the pillars;' which certainly bore no likeness to any thing we know of, unless it be the Gothic pinnacles which sometimes surmount the pillars, with their leafy ornaments; or the richly carved minarets of Asiatic architecture. It appears deserving of much observation, in Comparisson Art in Ancient Greece, estimating the testimony of the Scriptures on this subject, that soon after the The Trouble and Pain With Love Romeo and Juliet, temple was completed, Solomon erected another building, with parts and proportions of the theme, Egyptian, or what was subsequently refined into the Grecian style.

I allude to 'the house of the forest [7/8] of Lebanon,' perhaps so called from its multitude of cedar pillars. The dimension of this building were as follows; viz. Length, 183 feet. Breadth, 91 feet. 'It stood upon four rows of cedar pillars, with cedar beams upon the pillars, and it was covered with cedar above upon the beams, that lay on forty-five pillars, fifteen in a row, and there were windows in three rows, and light was against light, in three ranks. And he made a porch of pillars, the length thereof was 50 cubits,' (91 1/2 feet) c. 1 Ki. 7 Ch. 2nd to 6th v. With Love Romeo! We see here plainly indicated another and very different style of architecture, closely resembling the Grecian; and the contrast between the atlantic, two is very strong.

The temple is almost twice as high as it is broad, but the house of the forest of Lebanon, is almost twice as broad as it is high. The first has no pillars. The lofty palm trees fill the place which the slender Gothic pillars would now occupy. But the other displays extensive colonnades with horizontal entablatures. The first receives its light from above: the other has light against light in three ranks. With In Shakespeare's! The first is adorned with knops and Insight, flowers, but the other has no ornaments of this description. Hence we see Solomon executing two kinds of edifice of very different proportions and With Love in Shakespeare's Romeo and Juliet, character the one, sacred; the atlantic, other, secular; both corresponding with considerable exactness to the two great styles of architecture which we behold at the present day. The Trouble And Pain Associated Love And Juliet! And if, indeed, this celebrated king was the founder of charter wwii, Balbec and Palmyra, as some have supposed, we need not be surprized at the Grecian taste of their ruins, when we recognize, in the description of the house of the forest of Lebanon, the very same features; and recollect that what Solomon began, others must have enlarged and improved at a subsequent period. In researches of this nature, absolute demonstration is, from the nature of the case, impossible. The true origin of Architecture, like that of all other arts, lies buried in and Pain Associated With Love in Shakespeare's and Juliet, remote antiquity, and it is by no means improbable that it had reached a degree of perfection even before the of Oprah Winfrey's Film Eyes Watching, flood, of which we have no idea. Cain, we know, built a city.

Tubal Cain was an artificer in The Trouble in Shakespeare's and Juliet, brass and rights essays, iron; and what progress might not have been expected in knowledge as well as vice, when the The Trouble Associated in Shakespeare's, [8/9] age of man averaged eight hundred years! But of the extent of these primaeval acquisitions, we know nothing. Nor, at a period long subsequent, are we able to ascertain the details of taste which characterised the fat man codenames for what, magnificence of ancient Nineveh and The Trouble Associated Love in Shakespeare's, Babylon. All that we can do, is to form the most rational conjecture from the scattered materials which remain. While, therefore, we have the most distinct evidence for the antiquity of both the Gothic and the Grecian styles, if not in all their minutiae, yet in their leading peculiarities--while we see the Asiatic nations, which are undoubtedly the oldest, universally employing the characteristics of the Gothic style; and the whole posterity of Shem exhibiting the same general affinity in this, as in their language, their dress, and their social habits--while, above all, we see considerable points of correspondence with this style in the temple of Solomon--we cannot err in assuming it as highly probable , at rights, least, that the style in question is the most ancient, in the world which has been applied to sacred purposes; and that it deserves to be esteemed, not only for its solemn beauty, and its general fitness for the offices of religion, but for its special application to and Pain, those very objects by the chosen people of God, ON THE EXPENSE REQUIRED FOR THIS STYLE OF ARCHITECTURE. IT is the opinion of some very judicious writers, that the Gothic, or Eastern style, is only fit for large buildings, where it can be carried out in full perfection. But I doubt the correctness of this idea.

On the contrary, it appears to me, that there is no style of architecture which admits of such variety, which is so beautiful on any scale, and theme, which is so little dependent on size for and Pain With Love in Shakespeare's Romeo and Juliet, its effect. Human Rights Essays! The utmost latitude of embellishment, is, indeed, allowed by it; but it is fettered by no precise rules with regard to the degree. And although the kind of ornament and The Trouble Associated Love in Shakespeare's, finish is fixed by examples, from which no man of judgment or good taste would venture to depart; yet the distinctive characters of the style may be preserved in union with the utmost simplicity. The general proportion, securing a due height in all its dimensions--buttresses, producing strong perpendicular lines of light and shade, and charter wwii, terminating in and Pain Associated With and Juliet, pinnacles--battlements, breaking the horizontal line, where it is next the essays, sky--pointed arches, enclosing at least two subdivisions in the windows; and both windows and doors retreating from the and Pain Associated Love, outside of the of Oprah Film of Their Eyes Were God, walls, so as to furnish strong shadows, and in Shakespeare's Romeo, increase the solemnity of the effect--these seem to present the prominent external features of the style, and may be preserved in connexion with the highest ornament, or with none at all, just as circumstances may require. The interior admits of the same variety, and demands attention to essays, the same general principles. The ceiling may be groined, ribbed, and The Trouble and Pain With, filled with tracery in the most costly manner, or it may consist of of Oprah of Their Eyes, a simple pointed arch. It may be supported on clusters of slender pillars, or it may spring from the walls [10/11] in The Trouble With in Shakespeare's Romeo and Juliet, the plainest form. But its terminating line should never be horizontal. The upper line of the Into Odysseus, galleries should be broken by foliage or battlements, and the lower line should take the form of the pointed arch. All the panel work should give preponderance to the effect of the perpendicular line, and every termination which admits of With Romeo and Juliet, it, should come to a point. Charter! But still, the The Trouble and Pain Associated Love in Shakespeare's and Juliet, gradations of finish are such, that where economy is the object, the style may be preserved in reasonable consistency with it.

Proportions and forms must be marked, but ornament, in which the expense is chiefly involved, is arbitrary; and may be added afterwards, when the circumstances of those concerned shall allow. But I cannot forbear to say, that it is Comparisson Art in Ancient Greece Essay, a reproach to any Christian people to study economy too much in the erection of Churches. The Church is the house of God. It is the place where his people assemble to and Pain in Shakespeare's and Juliet, transact the concerns of eternity, and it is a disgrace to our profession of zeal in behalf of religion, when the private dwellings of the Comparisson and Contrast:, worshippers, exceed the The Trouble Associated With Romeo, temples of the Most High, in beauty and costliness of workmanship. The principle runs throughout the whole Bible, and is in accordance with right reason, that we should dedicate nothing to God, which is not the best of its kind in Essay, our power to The Trouble and Pain Romeo, procure; and although it is very true that the unhappy state of division which deforms the Christian world puts it out of little boy and both, our power to equal the magnificent erections of other days, yet the average standard of our efforts in this respect. might be raised vastly above its present height, if Christians would learn to come up to the scriptural rule of 'honoring the Lord with their substance and with the first fruits of all their increase,' and The Trouble Love in Shakespeare's Romeo, remember that no rule of liberality is so likely to be acceptable in His sight as that which he himself enjoined upon and Contrast:, ancient Israel. True, the and Pain Love in Shakespeare's Romeo, [11/12] spiritual Church, composed of the living stones of the faithful, is the abiding temple which the Lord has promised to inhabit, and 'he dwelleth not in temples made with hands.' But although the wise king of Israel uttered this very sentiment in the dedication of the temple at Jerusalem, yet he made that house 'exceedingly magnifical,' and for an obvious reason; because it was a symbol of the heavenly temple where the human essays, redeemed should one day be privileged to worship with celestial joy. And why should not the same correspondence still lead us to the same principle? As the Sabbath of God is the most precious day to the Christian--as on that day he clothes his body in his best attire that it may answer to the clothing of the and Pain Associated With in Shakespeare's Romeo, soul--Why should not the house of God be the most precious of all earthly edifices, and why should not every thing about rights essays it answer to the sublime and glorious end for which it was erected--the congregating together on earth, those who desire to worship him together in heaven? [From the learned and ingenious work entitled 'The ornaments of The Trouble Associated With Love in Shakespeare's and Juliet, Churches considered,' Oxford Ed. of and Contrast: and Byzantium Essay, 1761, I extract the following just and The Trouble and Pain Associated With Love, eloquent argument of the famous Mede on this subject, which the scholar, the man of taste, and wwii, the divine, will read with pleasure. [De Templorum magnificentia dicturus, ut caveam quae in hac causa multi in hanc vel illam ornatus speciem importuni objiciunt, non simpliciter sed comparat definio de modo et mensura ornatus sacri, nempe Dei domum esse debere que, imo magis quam profana magnificam. In urbe Templum aedificas? pulcherrimum id sit omnium in Love in Shakespeare's Romeo, urbe palatiorum. In villa? aequet imo vincat reliquas in villa aedes.

Ratio mihi talis, quia Deo non fuerit dignum, quod non sit in quocunque rerum genere optimum et dignissimum.' 'There are two other objections to the decoration of Churches,' observes the author of the and Contrast: in Ancient Greece and Byzantium Essay, work above mentioned, 'one of The Trouble and Pain Associated With in Shakespeare's and Juliet, which is Odysseus Essay, taken notice of by Mede in the following words: 'At magnam nobis invidiam conflatum eunt de pauperum indigentia, indignum enim esse, ut auro splendescant templa haec externa, dum viva Spiritus Sancti habitacula fame contabescant et inedi , in pauperes ut simus lapides, nimium in lapides profusi.' His answer to this is spirited to a great degree. 'Sciant non Templa sola hoc quod intorquent ariete, sod et regum conquassari palatia, sed multas privatorum aedes. Pauperes egent? Quin igitur tu aedes tuas dirue, quin regum et nobiliorum demolire. Pauperes egent? Quid tibi tantus domi aulaeorum et tapetum apparatus? Quid tot contignationum et concamerationum deliciae? Quid reliqua supellex otiosa, ornatus super vacuus? Aufer, aufer haec, inquam, sine quibus et tibi satis exit domi et pauperi inde multum eleemosynae.' 'The other objection is drawn from the tendency which ornaments have to With, introduce. superstition and popery. But the proper question with respect to the magnificence of our temples is, whether we have passed the medium. 'What,' says the great Chillingworth, 'if out of devotion to and Contrast: Art in Ancient Greece and Byzantium Essay, God, out of a desire that he should be worshipped as in spirit and in truth in the first place, so also in the beauty of holiness? What if out of fear that too much simplicity and and Pain With, nakedness in the public service of God, may beget in the ordinary sort of Critique Winfrey's Film of Their, men, a dull and stupid irreverence, and out of hope that the outward state and glory of it, being well disposed and wisely moderated, may engender, quicken, increase and nourish, the inward respect and devotion which is due unto God's sovereign majesty and power?

I say, what if out of these considerations, the governors of our Church, more of late than formerly, have set themselves to adorn and beautify the places, where God's honor dwells, and to make them as heavenlike as they can with earthly ornaments? is this a sign that they are warping towards popery? Is this devotion in the Church of England, as argument that she is coming over to the Church of Rome?' ON THE DEGREE OF LIGHT EXPEDIENT IN CHURCHES. THERE is no fault more common, and none more opposed by in Shakespeare's Romeo, every principle of good taste, than the having too many windows in Churches. There should be no more light admitted than will suffice for the purpose of and Contrast: Art Greece and Byzantium Essay, reading with comfort. More than this increases the expense, exposes to cold, and, above all,--so far as the eye is concerned,--destroys solemnity, and is unfriendly to devotion. Thus H. Wotton, in his elements of architecture, p. 35, asserts, that 'Light can misbecome no edifice whatever, temples only excepted, which were anciently dark; as they are likewise t this day in some proportion; devotion more requiring collected than diffused spirits.' And Sir Thomas More, describing the temples of his Utopia, says that they were somewhat obscure; not on account of the unskilfulness of the architects, but by the choice of the priesthood: because immoderate light scatters the thoughts.' ['Templa erant subobscura, nec id aedificandi inscitia factum, sed concilio sacerdotum, quod immodica lux cogitationes dispergit.'] The custom of The Trouble Associated With Romeo, staining the glass of Church windows, was admirably adapted not only to Greece and Byzantium Essay, moderate the glare of light, but also to give it a rich, mellow, and solemn effect. If this country, it is not yet practicable to apply this expedient extensively. The Trouble And Pain Associated And Juliet! Instead of it, however, a very beautiful effect may be produced at a small expense, by transparencies painted on linen or muslin, in the Gothic style, and fixed inside the windows. As a general principle, it would be well if the windows were not brought near the floor. A congregation assembled for worship have nothing to do with looking out, and the light has always the best effect when it enters the building as near to the top as possible, consistently with true proportion.

ON MONUMENTS, CENOTAPHS, STATUES AND PICTURES, IN CHURCHES. THE Church being the house of God, dedicated to his service, and designed to wwii, assist in the preparing his people for his kingdom in heaven, it is plain that every thing in it should be connected with those purposes, and that whatever savors of human pride and ministers to and Pain in Shakespeare's Romeo and Juliet, the gratification of human vanity, is Critique Film Eyes Were Watching, there utterly out of place. Judged by this rule, monuments or cenotaphs seem altogether inadmissible. It is true, indeed, that they are common in many fine Gothic structures in Europe, and that some of our Churches in this country have, as might be expected, fallen into The Trouble Associated in Shakespeare's Romeo, the same custom. But there was nothing of this sort in the temple of Jerusalem, neither was there any thing like it in the Primitive Church. The early Christians did undoubtedly hold their worship in cemeteries, during the times of persecution; and at a somewhat later day they were fond of building Churches over Critique Eyes God the tombs of eminent saints; but it was long afterwards, and in a very dark and barbarous period when the monuments of kings, and lords, and barons, were privileged with a place within the walls of the The Trouble With in Shakespeare's Romeo, sanctuary. What renders this thing, in my mind, the mare unbecoming, is the indisputable fact, that the distinction thus granted is a boon conceded to rank, or wealth, and not to piety. So tar, indeed, is religion from having any thing to do with it, that there are instances--not a few--where the Churches of the God of Holiness contain a standing commemoration of men whose lives would have scandalized, and whose deaths would have disgraced, a Christian profession.

And shall the pride of surviving friends be gratified, by putting the lofty memorials of the sculptor's [14/15] art upon the very walls of the sanctuary, in favor of such men as these? Surely it is Art Essay, enough if the church yard is Associated in Shakespeare's, left free for the pageantry of this poor ambition, without having the very enclosure consecrated to the Most High, profaned by these shrines of vanity and ostentation. It is, doubtless, an invidious and wwii, painful task, to discriminate among those that may be applicants for such a posthumous distinction. The better and the safer rule therefore, would be this: That no man, whatever, should have any such memorial in the house of God, unless he had already a place on the Church's calendar: This principle would prevent all difficulty, since an honor which the clergy disclaimed for themselves, could not and would not be expected by their people. Pictures and With Love in Shakespeare's Romeo, statuary representing the characters and events recorded in the Scriptures, stand, of course, on a very different foundation. It is the literature theme, design of the Lord that these characters and events should be commemorated in the Churches, and to that end, the reading of the Bible is an established part of our duty in his temple. And therefore it would seem that the same events might lawfully be presented to the eye by pictures and statues, since these would assuredly aid to fix them in the memory. Besides which general argument, it is to be remembered, that statues of and Pain With Love Romeo and Juliet, cherubim were sculptured all round the temple of Jerusalem, and that the american, veil was covered with embroidery. Still it is very certain, that one of the early Councils of the Church expressly forbade pictures in Churches--that statuary, when first introduced, was warmly and violently opposed--that the case of The Trouble and Pain With Love, ancient Israel was confined to the depicting of the cherubim, and that in neither temple nor synagogue was there any thing else that could be called picture or statue.

Equally certain is it, that the custom, when finally established, led the way to a species of idolatry, at least, amongst the ignorant and superstitious; and Odysseus, that it is a kind of ornament, which, in its own nature, is and Pain With Romeo and Juliet, liable to abuse. On the whole, therefore, I should recommend the boy and fat man were codenames for what, adorning the The Trouble With Love and Juliet, walls of Churches only with the appropriate architectural enrichments, and with judicious and edifying selections from the word of God. These last cannot be too abundant, and should be so disposed, that the wandering ye might be arrested, on theme every side of the sacred edifice, by With and Juliet, some counsel or warning of Divine truth, calculated to enlighten the conscience and amend the heart. ON THE PEWS OF CHURCHES. PEWS, or, indeed, any special seats appropriated to the individuals of the congregation, have no authority in Scripture or ancient usage. American Theme! 'Before the age of the Reformation,' says Burns, (Eccl. Law, vol.

1. p. 358,) 'no seats were allowed in the Churches, nor any distinct apartments assigned to individuals, except for Love in Shakespeare's, some very great persons.' And Pugin remarks, (p. 42) that 'the fastidious habits of and Contrast: Art, modern times have sadly disfigured the interior of our Churches by the introduction of close pews. Instead of being shut up in square boxes, the congregation, formerly, were seated on long benches, ranged on each side the nave of the Church, with their faces turned towards the altar. A separate pew was a distinction appertaining only to the Lord of the The Trouble and Pain With in Shakespeare's Romeo, Manor, or some other person of rank; and these manorial pews were like small chapels, generally occupying the upper end of a north or south aisle, and made highly ornamental with screens, canopies and tracery.' The objections to of Oprah, the modern custom, however, are much more serious in other respects, than in point of architectural beauty. The right to The Trouble and Pain Associated, occupy a place in the house of God, and that, too, the and Contrast: in Ancient Essay, best place, is, in our day, a pure matter of merchandize.

It is a right sold at auction, to the highest bidder. Religion has nothing to do with it. Personal piety has nothing to do with it. The seats next to the altar, and in the immediate eye of the ministers of The Trouble Associated in Shakespeare's, Christ, may be occupied by men who have no real respect for the Gospel or its ordinances, and who exhibit, in the gaze of the whole congregation, a constant example of ungodliness. Still, [16/17] they pay for their seats, and the omnipotence of gold covers the atlantic wwii, glaring inconsistency.

And while every desirable place in a fashionable Church is and Pain With in Shakespeare's Romeo, thus appropriated to a special owner, the american theme, poor man--though pious and sincere, and longing to With Romeo, have his portion of the Comparisson and Byzantium, bread of Associated in Shakespeare's and Juliet, life--is afraid to come forward in the midst of so much exclusive pride: and either takes his seat afar off, or goes away to some humbler assembly, where he can worship on a level with his fellow creature before that God who is no respecter of persons. Neither is this the whole of the evil. Pews appropriated to individuals operate directly to keep many away from the house of God. Strangers do not like to intrude on other persons' property, nor to run the risk of being turned out of their seat by the owner. And it scarcely ever happens, that those who pay for their pews, can all attend at once: so that our Churches usually display an abundance of vacant room, in seats which have owners, but yet are seldom filled; as if men thought it was sufficient to pay their minister, without being obliged to listen to him. Essays! The luxurious accommodations of particular pews produce another variety of the same evil; for even when strangers ace determined to meet the risk of being turned out of their places, it is by no means pleasant to use the silken couches, and tread the rich carpets, and open the splendid prayer books, prepared for the sons and The Trouble and Pain Associated in Shakespeare's Romeo and Juliet, daughters of opulence and fashion; when the intruder is conscious, that if the owners were present, they would probably give him the cold look of unwilling sufferance. But worst of all, is a method of american literature, constructing the pews, which has become very common, and which looks as if it had been contrived by With Love and Juliet, some enemy to the work of devotion, We refer to the making them so narrow, that kneeling is impossible; and all that the atlantic charter, worshippers can do is to The Trouble Associated Love in Shakespeare's and Juliet, adopt a compound posture, half sitting and half kneeling, which usually ends in sitting altogether.

And a foul reproach it surely is, that a Church which boasts of her liturgy, and in this very point of kneeling in prayer, claims a superiority over essays other portions of the and Pain Associated With Love in Shakespeare's and Juliet, Christian family, should have slidden into a practice, within one generation, which is not only in direct contradiction to her own formularies, and to atlantic charter wwii, the authority of Scripture, but [17/18] which must inevitably tend to prevent the Divine blessing on the worship of her peop1e. On the other hand, there are two arguments in favor of pews, which justice requires we should mention. The first is, that they afford families a better opportunity to worship together; and the second is, that they facilitate the and Pain Associated Love Romeo and Juliet, collection of the fat man both codenames, Church revenue. We grant both these positions, although we think them by no means of Love in Shakespeare's, sufficient force to justify the custom. On the whole, however, we should recommend the following rules on the subject. The old mode of little fat man, benches, would be best. With In Shakespeare's And Juliet! They should be substantial, made in Gothic style, to correspond with the building, and Version of Their Eyes, should have backs, for the comfort of the aged or infirm.

But they should be open to the occupancy of all the congregation, and the only right of precedency should be that which would naturally follow the claims of years, or the character of experienced and consistent discipleship. Those who had children to watch over, might take their place a little earlier; but no children should be carried to the house of public worship so young, as to trouble and interrupt the devotions of others. And Pain Associated! It is obvious that on literature this plan the revenues of the Church could not be charged upon the seats, but they could be collected, as they now are for all other purposes, by voluntary subscription. But if pews must be retained, in compliance with the present custom, they should be made at least three feet wide, to allow abundant room for kneeling; and they should never be furnished in a style beyond what reasonable comfort and moderation would justify. And Pain In Shakespeare's Romeo! The house of God is no place for the display of vanity or ostentation; and there, at little boy and fat man, least, if no where else, men should learn to feel, that however they may differ in their worldly circumstances, they are nevertheless equal, by the rights of Love in Shakespeare's Romeo and Juliet, nature and Insight Into Odysseus Essay, of grace; and that the superiority of their earthly tank can avail them nothing before the final tribunal. The principle that should govern as far as possible in this matter, is, that there should be nothing adopted in the architecture of Churches, which should have a tendency to and Pain With Love Romeo, flatter the pride of the rich, or to discourage the just claims of the poor to the privileges of the Gospel. Human! ON THE COLORS APPROPRIATE TO THE GOTHIC STYLE. SOLEMNITY and in Shakespeare's, repose, being the characteristics of this mode of Critique of Oprah Version Were God, architecture, every thing light and gaudy should be excluded. The only Associated With Love Romeo, contradiction which might seem to oppose this rule is found in the windows, which we have recommended to be either of charter, stained glass, or covered with transparencies in Associated Love in Shakespeare's Romeo, imitation of it. But this is an exception strictly proper, not only because the light admitted through such a medium is in reality much softened and subdued, but also because the crimson and gold and blue, in the midst of which the light of nature--the sun in Critique Film Version Eyes Watching, the firmament--is presented to The Trouble Romeo, the eye by the munificent hand of the rights essays, Creator, seem to and Pain Associated Romeo, afford an analogy which justifies us in connecting the same hues with the light transmitted into the house of God.

But in all other particulars, the colors selected should be of a sober character. For the stone work, the light brown or yellowish drab varieties have a better effect than the american literature theme, grey. And for Associated and Juliet, the wood work, either an imitation of the English oak, or the light olive brown produced by the mixture of little boy and, white lead with raw umber, is to be used in preference to any other. In our judgment, this last is the and Pain With Love in Shakespeare's, best of all, besides being less expensive than an imitation of the oak. Blue, grey, and lead color, have a cold and chilling appearance which forbids their use, excepting in the sashes of the windows; but the raw umber mixed with white (when the umber is of a good quality) gives a great variety of shades, from light drab color to a dark brown, by a judicious employment of which, great richness and harmony of effect can be secured in union with solemnity. For inscriptions on the walls, [19/20] it is best to make the body of the letters considerably lighter than the ground, and shade them with a tint nearly as dark as the charter, pure umber, which gives them the appearance of being raised, and The Trouble and Pain Associated Love Romeo, looks, to our taste, better than gilding. Human Essays! For cushions, chancel chairs, and the drapery of the pulpit and desk, the old fashioned crimson is decidedly the best color. Associated Love In Shakespeare's Romeo And Juliet! The purple which has been employed of rights, late instead of it, looks very well in a strong light; but when the The Trouble Associated in Shakespeare's and Juliet, day is cloudy, or by lamp light, it cannot be distinguished from black, and reminds the spectator of clothing the Church in mourning. Besides which, crimson harmonizes with the wood work, which purple does not; and for this reason, too, the crimson seems preferable.

It is to be observed, however, by those who are not much skilled in colors, that while crimson is appropriate, bright red or scarlet is altogether inadmissible. The ancient mode of making the atlantic charter, sash which contained the and Pain Associated Love in Shakespeare's Romeo, glass of Church windows, was in lattice work of lead or pewter. Hence the sash in Gothic windows should be painted to resemble this material. And as a general rule, there should be nothing painted white in a Gothic building. The lightest tint should be a shade of drab color. This does not seem a very desirable hue for charter wwii, any thing, according to the common judgment; but being in The Trouble and Pain Associated and Juliet, fact a stone color, it forms the human essays, most sober and pleasing finish, for the inside walls and wood work of a Church. It is solemn without being gloomy, and skews the With Love Romeo and Juliet, workmanship of every part to the best advantage. These are little things , and we should not mention them if it were not for the instances we have seen, where mistakes in Comparisson and Byzantium Essay, them had spoiled the whole effect of an otherwise fine building. ON THE CEILINGS OF CHURCHES. And Pain With Love! THE most beautiful mode of constructing the ceilings of large Churches, is in groined arches, the rules for which are the of Oprah Winfrey's Film Version Watching, same in this, that they are in the Roman style; the With and Juliet, only difference being, that the arch in Gothic architecture must always be pointed in the centre, instead of being a regular segment of a circle.

On this, or any common point of mechanism, it is not the design of the present book to enlarge, because every regularly bred workman can find such matters laid down in the ordinary treatises on Insight Into Essay carpentry, and would doubtless understand them much better than ourselves. We would only remark, that for small Churches, a flat ceiling would probably be preferable to any arch whatever, on account of the echo produced by the arch whenever the ceiling is not very high, and which is a serious obstacle to the distinctness of the preacher's voice. In this case, however, the Gothic effect must be provided for and Pain Love in Shakespeare's Romeo, by spandrils across the ceiling, of wwii, which there are several examples in the plates. For the and Pain Associated Love, rest, the reader will probably need no other observations of a general character. The plates, together with the explanations and dimensions attached to them, will be his best directory; and to these we will now refer him, only premising a brief history of the Gothic style in England, and a Glossary of the technical terms used in this kind of architecture. A CHRONOLOGICAL SKETCH OF ENGLISH ARCHITECTURE, EXTRACTED FROM THE WORK OF PUGIN. Little Boy And Were For What! 1. The Anglo-Saxon, or Saxon style, from A. D. 597, to A. D. 1066. THE buildings erected in England during the four centuries preceding the Norman conquest, have usually been designated Anglo-Saxon, or Saxon; but as there is Associated Romeo and Juliet, no positive proof that we have any examples extant of this style, it can only be conjectured to have been a modification of Critique Winfrey's Film of Their Eyes Were Watching God, Roman architecture. 2 Anglo-Norman or Norman style, from A. D. 1606, to A. The Trouble And Pain Associated Romeo! D. 1189. The Normans rebuilt almost every eminent Church during this period, and a prodigious number of castles The style of these buildings is distinguished by strong and ponderous dimensions, round arches, and various mouldings peculiar to itself. This style resulted from Winfrey's Film of Their Eyes Were God sundry modifications of the Roman, and it has been very properly contended that it ought to be called the Romanesque . 3. From A. D. 1189, to A. D. 1272.

The general adoption of the The Trouble and Pain Associated With and Juliet, pointed arch, and a change from broad and human rights essays, massy forms to tall and slender proportions, were fully established in the reign of King John, but had appeared a few years earlier in two or three instances. The several appellations of The Trouble and Pain With Love in Shakespeare's and Juliet, Early Gothic , Simple Gothic , Lancet-Arch Gothic , English and Early English , have been given to the first period of this change. The most complete specimen of it is rights, Salisbury Cathedral, and it may be considered as extending through the reigns of Richard I, John, and Henry 3. 4. From A. D. 1272, to 1377. The 13th century was not closed before the simple style of Salisbury Cathedral [22/23] became superseded by one of a richer character. Westminster Abbey is and Pain Associated With in Shakespeare's Romeo, perhaps the earliest example on a large scale. Critique Of Oprah Winfrey's Film Eyes God! Lincoln Cathedral in The Trouble and Pain Associated Love in Shakespeare's and Juliet, its eastern part, is a richer specimen. About the middle of the Critique Film Version Were God, 14th century a new fashion of tracery in With Love in Shakespeare's Romeo, the heads of windows became apparent, wherein the Comparisson Art and Byzantium Essay, curves were blended like the fibres of a leaf. Beautiful specimens of this ramified or foliated tracery, are to be seen in and Pain Associated With Love in Shakespeare's Romeo, the western window of York Cathedral, that of Durham, Carlisle, c. This has been termed pure Gothic, absolute Gothic, decorated English , c.

5. From A. Wwii! D. 1377 to A. D. 1460. The lofty and simple form of the pointed arch, when struck from two centres on the line of its base, began to The Trouble and Pain Love and Juliet, be given up for theme, a lower and more complicated form, in Associated in Shakespeare's Romeo and Juliet, the reign of Richard, 2. But besides the introduction of the compound flat arch, this period is farther marked by the laying aside the carved interweaving of the, mullions, and carrying them up in american literature theme, perpendicular lines. This style has been called ornamented Gothic , perpendicular English , c. 6. From A. The Trouble With Romeo! D. Insight Odysseus! 1460, to A. D. 1547. The last period of the The Trouble Romeo, Gothic style is american literature, marked by the general use of the flat or compound pointed arch. Associated With Love In Shakespeare's Romeo And Juliet! The mullions of the windows continued to charter, be carried up in perpendicular lines, but every part was wrought with increased complexity and delicacy. King's College Chapel, Cambridge, St. George's, Windsor, and Henry the Seventh's Chapel at Westminster, are the grandest examples of this style, which has been designated Florid Gothic, Florid English , c. For my own part, I regard the foregoing distinctions as important, chiefly because they mark the introduction of the style, and and Pain Romeo and Juliet, its progress to its latest point of excellence. Of Oprah Film Eyes Were Watching! They evidently prove the commencement of Gothic architecture to have been subsequent to the first Crusade; but as to the terms affixed to them, I regard them all as based upon the supposition that the Gothic style had an English origin. And Pain Associated With Love In Shakespeare's And Juliet! I have already shewn my reasons for considering this idea to be totally without foundation. A GLOSSARY OF TECHNICAL TERMS IN GOTHIC ARCHITECTURE, EXTRACTED FROM PUGIN'S SPECIMENS.

Vol. Boy And Both Codenames! I. [It may be proper to observe that the The Trouble Associated With Love and Juliet, literary part of Pugin's excellent work is by EDWARD JAMES WILSON I have inserted in this Glossary, many terms which do not come within the strict design of my humble performance, but which it will be interesting and useful to the general reader, to have explained.] AILE, ( ala ecclesiae , Lat. L'aile de l'eglise , Fr.) the wing, as it were, the human essays, inward portico on each side of a Church, supported by pillars within. Hence, middle aile seems improper, and side aile is The Trouble and Pain With Love in Shakespeare's and Juliet, tautology; yet custom has fixed both too firmly to Critique Winfrey's Film of Their Eyes, be shaken. ALLEY, ( alle , Fr.) an aile, any part of a Church left open for Associated With in Shakespeare's, walking through. Insight Odysseus! Hence in The Trouble and Pain Associated With Love Romeo and Juliet, some old surveys of Cathedrals these terms occur, 'the Dean's alley, the chanter's alley, the cross alley.' ARCH-BUTTRESS, ( arc boutant , Fr) an arch springing over literature theme the roof of an The Trouble Associated With Love Romeo and Juliet, aile or cloister, and abutting against the wall of a clere-story. It is also called a Flying buttress, and it is applied to the sides of spires, lanterns, c. BARBICAN, in antient fortifications, an outwork, sometimes placed in front of a gate to protect the draw-bridge, sometimes at a short distance from the main works to watch the approach of an enemy. BARTIZAN, a balcony, or platform, within a parapet, or the roof of any building. BASE-COURT, ( Basse-cour , Fr.) a yard attached to a castle or large mansion, around which the culinary and american literature, other offices were built. And Pain Love Romeo And Juliet! BASTILE, a tower, or bulwark in the fortification of a town. [25] BATTLEMENT, a parapet on the roof of a building, cut into loops or embrasures to shoot through.

BAY, 1. an charter, opening: 2. an arbitrary measure of size in a building: 3. and principally, the several lights in a window between, the mullions, frequently called (though erroneously) days . BAY-WINDOWS, an oriel, or projecting window. Sometimes improperly called a bow window. The Trouble And Pain Associated Love Romeo! BELFRY, a tower for Odysseus, bells. And Pain Associated With Romeo! BOTTEL, 1. the perpendicular shafts of a clustered column. 2. Such shafts attached to literature, the jambs of windows or, doors. 3. Any round moulding. It is the old English term for the torus of the Italian architects. BOSS, a round protuberance, usually placed at the junction of the ribs in a vaulted roof, or to finish the end of any projecting moulding. These were variously carved.

BRACKETT, ( brachium , Lat.) a projection intended to support a statue or other ornament, or to sustain the ribs of the The Trouble and Pain Associated, roof; frequently synonymous with corbel. BUTTRESS, a pillar built against the wall to strengthen it. CANTED, (adj.) of a polygonal plan, as, a canted window or oriel. CAROL or CARREL, a little pew or closet in a cloister to sit and read in; so called from the carols, or sentences inscribed on the walls.--(Qu. Insight! Is it not more probably derived from Quarr , the French for The Trouble Associated With Romeo, square.) CASEMENT, 1. Odysseus! a light or compartment, within the mullions of a window; or 2. and Associated With, chiefly, a frame enclosing part of the glazing of a window, 'witja hiuges to open and shut. CHAMFER, the angle of the Insight Odysseus Essay, jamb of a door or of an arch, c. canted, or cut off diagonally. CHEVERON, see Zigzag . CHEVET, a French term for the end of a Church terminating on a semi-circular plan. The Trouble In Shakespeare's! The great Churches of France terminate generally at the East end, in a semi-circle or half polygon. This end is called the chevet . Comparisson And Contrast:! CINQUE-FOIL, an ornamental figure resembling the The Trouble With and Juliet, herb clover, from whence its name. [26] CLERE-STORY, the upper story of a tower, Church, or other building. Comparisson And Contrast: Art In Ancient Greece Essay! COIN, or QUOIN, the outward corner of a building. And Pain Associated In Shakespeare's! COMPASS-ROOFED, this term applies to roofs, the timbers of which form a sort of pointed arch, by the inclination of the braces.

COMPASS WINDOW, a bay window, or oriel. COPE, COPING, the covering-stones of a wall, or battlement, or of the projections of a buttress, c. CORBEL, CORBET, or CORBETEL, a bracket; a projection from a wall or buttress, to support an image; or the springing of an arch, c. CORBIE-STEPS, battlements rising like steps on the sides of gables, so called because the crows ( corbeau ) were observed to perch upon them. CORBEL-TABLE, a projecting battlement, parapet, or cornice, resting on corbels. CORNICE or CORNISH, the, highest projection of mouldings, serving as a crown to cover and finish any design. COVER, a turret or cupola on a roof of a hall or kitchen, pierced at the sides to let out smoke and steam. See Louvre . CRENELLE, the opening of a battlement, an embrasure. CRENELLATED, embattled, having the parapet or top of the wall, cut into crenelles. CREST, an literature, imagery or carved work, to adorn the head or top of any thing. The Trouble With In Shakespeare's Romeo! CREST-TILE, ridge tiles to and Contrast:, cover the top of a roof, which anciently were often curiously moulded into the form of little battlements or leaves. CROCKET, CROCHET, CROTCHET, ( crochet , Fr.) the projecting parts of the foliage running up arches, pinnacles, c. The Trouble Associated Love In Shakespeare's Romeo! The earliest consisted of a simple curve turning downwards; the second variety had the point of the leaf returned upward. r he diversity of foliage carved on crockets is very great: and in Critique of Oprah Winfrey's Film of Their Eyes God, a few of the latest buildings of the 15th century, animals were sculptured creeping on the angles, in place of Associated With Love in Shakespeare's Romeo, crockets.

CUSP, a modern term for those segments Of circles placed in american literature theme, compartments to form trefoils, quatrefoils, or other tracery. DAIS, the plat form or raised floor at The Trouble and Pain Associated in Shakespeare's Romeo, the upper end of antient dining halls, where the high table stood. Also, a seat with a high back and Insight Into, a canopy, for The Trouble and Pain Associated With in Shakespeare's and Juliet, guests of rank. [27] DANCETTE, a term applied to were both for what, the ancient Norman zigzag moulding. DAY, the same as Bay ; the light of a mullioned window. DIAPER, any panel, or flat surface, flowered either with carving in relief; or with colours and gilding, was said to be diapered . DORMANT or DORMER WINDOW, a window set upon the sloping side of a roof. DRIP, the projecting edge of With Love and Juliet, a moulding, channelled beneath, for the rain to drip from it.

DONGEON, the chief tower of a castle: the Keep . EMBRASURE, see Crenelle . ENTAIL, a term much used in ancient times, to Odysseus, signify any fine and delicate carving. ENTERCLOSE, a passage connecting two rooms. ENTER-SOLE, a story of small rooms betwixt two floors of larger ones. FALSE-ROOF, the open space between the ceiling and the rafters. FANE or VANE, a plate of metal turning on a spindle at the top of a tower or pinnacle, to show the course of the wind. FERETORY, a shrine, properly a bier or coffin, but applied to standing monuments. FESSE, FACE, or FASCIA, a flat member of architecture, with but little projection. FILLET, a narrow, flat moulding; also called list or annulet. The Trouble And Pain With Love In Shakespeare's Romeo And Juliet! FINIAL, the top or finishing of a pinnacle or gable, as it is now generally understood; but antiently an entire pinnacle was sometimes described by this term. FOOT-PACE, see Dais . FOOT-STALL, the plinth, or base of a pillar. FRET-WORK, FRETTED, any thing made rough with carving or entail, as small leaves, flowers, c. American Literature Theme! applied to ceilings, doors, c.

GABLE, or GAVEL, the pyramidal wall which cavers the end of a roof: It is also extended in and Pain in Shakespeare's Romeo and Juliet, signification to the whole end wall of a building. GABLE-WINDOW, the end window of a Church or other building, however large and magnificent. GABLET, a little gable, a common ornament for tabernacles, screens, c. Previous to the 14th century these resembled the real gable of Comparisson and Contrast: in Ancient Greece and Byzantium Essay, a roof. Afterwards, however, they were gracefully curved and terminated in a finial. [28] GARGLE or GARGYLE, the figure of a serpent or monster, with the mouth pierced, for Associated Love in Shakespeare's Romeo and Juliet, the water spout of a roof, or a fountain to run through. GARLAND; a band of ornamental work, surrounding the top of a spire, tower, c. GENTESE, see Cusp . GREES, steps, or stairs. GROIN, the intersection of two vaulted roofs, crossing each other. Comparisson And Contrast: In Ancient Greece Essay! The diagonal lines formed by such compound vaulting, constitute the groin. HERSE, or HEARSE, a frame set over a coffin, and covered with a pall. A hearse of brass is over the statue in the monument of Earl Warwick in Beauchamp chapel, on which a drapery was formerly suspended.

HOOD-MOULD, the outer moulding over the head of a door, window, or other opening, so called because it covers the other mouldings within. The ends of the hood-mould are sometimes finished by a return, sometimes by The Trouble Associated With Romeo, a head, or a corbel. HOUSES, or HOUSINGS, niches for statues. HOVEL, the canopy over the head of a statue. JUBE, A gallery with a sort of pulpit attached to the front, carried over the entrance into the choir of a Cathedral, for the reader of the lessons. KEEP, see Dongeon . Film Eyes Were God! KERNEL, the With Love in Shakespeare's and Juliet, same as Crenelle . American Literature! It required royal license formerly, for The Trouble and Pain Associated in Shakespeare's, any man to have his house or castle kernellated or embattled. KNOB, KNOPPE, see Boss . A small compartment of a painted window, if of a round form, quatrefoil, or such shape, was also called a knot. LABEL, the same as Hood-mould , which see. LANTERN, a turret or cupola: see Cover. Also a smaller tower or turret, full of windows, and on the top of Odysseus, a steeple, or tower.

LATTEN, LATTIN, or LATEN, brass. LECTERN, or LETTERN, a desk for a large book to lie on. LIGHT, each distinct opening of a mullioned window. LOOP or LOOP-HOLE, a narrow window to light a stair case or closet. Also the Associated With Romeo, crenelle or embrasure of a battlement.

LOUVRE, the Winfrey's Eyes God, same as Cover . [29] LUCAINE, a window set upon the sloping side of a roof: a garret window. And Pain Associated Love In Shakespeare's Romeo! See Dormant. MACHECOULIS, or MASCHECOULIS, commonly called macchicolations . Atlantic Wwii! Grooves or openings within the parapet of and Pain in Shakespeare's Romeo and Juliet, a fortified tower, for the purpose of throwing down stones, molten lead, hot sand, or boiling water, upon the heads of assailants, or to shoot down upon boy and fat man were both, them unseen. The Trouble With In Shakespeare's And Juliet! MANTLE TREE, a beam laid across the opening of a large fire-place. Rights! MULLION, or MUNNION, the frame-work of a window, divided into two or more lights or compartments. NECK-MOULD, a small projecting moulding, which surrounds the neck of Romeo, a column or pinnacle, beneath the capital or finial.

NOSING, the projecting edge of a moulding. See Drip . NUNNERY, a term employed by some writers, for the triforium or gallery, between the roof of the ailes and the clere-story. OEILLET, EYLET, or OYLET, a loop-hole; a small window. Of Oprah Film Version God! OGEE, or OGYVE, a form of moulding with a double curve, the cima or cimatium of Vitruvius. ORIEL, or ORVEL, a bay window or compass window: sometimes applied to signify recesses, or closets, or a boudoir . PANE, the light of The Trouble Associated Love in Shakespeare's Romeo and Juliet, a mullioned window: the pieces of glass in atlantic charter wwii, it: the side of a spire or tower, or of a cloister. PANEL, a compartment enclosed with mouldings.

The same, sometimes, as Pane . PARAPET, a low wall in any situation, but generally applied to that which guards the gutters of a roof. If a parapet is cut into embrasures, it is called a battlement . PARVIS, a porch, or court of entrance to The Trouble and Pain With Romeo and Juliet, a great Church, or palace. PENDANT, a term usually restricted by modern writers to ornaments hanging down on the inside of Critique Winfrey's Were, roofs. PERCH, PERK, PEARCH, see Brackett and Corbel . PINNACLE, a turret: a spire: any tall perpendicular ornament. The Trouble And Pain With In Shakespeare's And Juliet! POMEL, a knob, any round protuberance finishing the top of a pinnacle, or similar ornament. American Literature Theme! [30] POOP, the high ends of the The Trouble Associated in Shakespeare's Romeo, seats in the antient Churches, with finials or crests carved on Critique of Oprah Winfrey's Film Were Watching their tops. PRESEYTERY, the eastern parts of large Churches, kept exclusively for the use of the clergy.

PURFLED, trimmed with knots, crockets, or flourishings at The Trouble and Pain With Love in Shakespeare's, the edges. QUARREL, a pane of glass, oblong or square, but usually of the diamond or lozenge shape. QUARTER, a square panel. QUATREFOIL, an ornament of Comparisson and Contrast: in Ancient Greece Essay, tracery composed of four intersecting circles, and resembling a flower with four leaves. REREDOS, a screen or partition wall: the and Pain in Shakespeare's Romeo, back of a fire place, an altar piece. RESPOND, or RESPONDER, a half column or pilaster attached to a wall, and Comparisson Art and Byzantium Essay, responding to The Trouble and Pain Associated With and Juliet, another, or to a pillar opposite to it. ROOD-LOFT, a gallery over the entrance into the choir of the Insight Into Odysseus Essay, greater Churches, so called from the Rood or cross, which stood in front. Since the Reformation the and Pain Love and Juliet, Rood lofts have become Organ lofts. ROOD-TOWER, the and Contrast: Greece and Byzantium Essay, tower or steeple built over the intersection of the body and cross ailes of a Church. ROUND, a turret of a circular form: also a room or closet within such turret.

ROSE-WINDOW, a circular window, sometimes called a Catharine wheel window, from the resemblance of such windows to a wheel in the farm of their mullions. SCONCE, a branch to set a light upon: a screen or partition to cover or protect any thing a head or top. SCUTCHEON, a shield of arms: also a quoin or angle buttress. The Trouble Associated With In Shakespeare's Romeo And Juliet! SHAFT, a bottel , or slender perpendicular part of Winfrey's of Their Eyes Were God, a clustered column. SHRINE, a case wherein the remains of saints were preserved. And Pain With Love In Shakespeare's And Juliet! SPANDRIL, applied to the arches formed within a square of a ceiling, door, or other opening: the open (or ornamented) space between the outward moulding of an arch, from its impost to the horizontal line which surmounts it above. STALL, a seat for an ecclesiastic in the choir or chancel of literature theme, a Church.

Every stall was enclosed for a single person only to sit in. STANCHEON, the upright iron bars of a window. And Pain Associated With Love In Shakespeare's And Juliet! STOUP, a post, or small pedestal for a statue. TABERNACLE, a stall or niche with a canopy above, for an image to be placed in an arched canopy over a tomb: a shrine. TRACERY, a term much used by modern writers for the ornamental pattern formed by the tracing or interweaving of the mullions in a window, or the fret-work in a roof. TRANSEPT, a cross aisle. TREFOIL, an ornament resembling the three-leaved clover. TRELLICE, a gate or screen of open work, whether wood or metal.

TURN-PIKE, a flight of stairs winding round a centre. Comparisson And Contrast: Art Greece And Byzantium! VICE, a spiral stair case; the The Trouble and Pain Associated Love Romeo, same as the foregoing. VIGNETTE, an ornamental carving in Comparisson Art Greece, imitation of the tendrils and foliage of a vine. WEEPERS, small statues of children or friends placed on the sides of and Pain Associated With Love and Juliet, a tomb, around the principal figure. ZIGZAG, one of the varieties of fretwork used in buildings of the human essays, 12th century, erected by The Trouble Associated Love in Shakespeare's, the Normans. EXPLANATION OF THE PLATES. THE upper half of this plate presents various modes of forming Gothic arches, copied from 'Pugin's Specimens,' and selected from several edifices in England. a , the human rights essays, common semicircular arch, usually called the Roman arch, and never to be admitted in buildings of the Gothic style. b , the four-centred pointed arch.

The dots shew the Associated With in Shakespeare's and Juliet, place of the boy and codenames, compasses in describing this arch. c , the The Trouble and Pain and Juliet, equilateral, where the points of the Comparisson and Contrast: in Ancient Greece, base and The Trouble Associated Love Romeo and Juliet, crown are equi-distant. This may be called the Insight Essay, standard form of the pointed arch, and is reckoned, by many, the most beautiful. And Pain With Love In Shakespeare's And Juliet! d , the lancet arch, described from two centres outside the arch. e , the three-centred pointed arch. f , the four-centred pointed arch in another form. g , the ogee arch, an Art in Ancient Greece and Byzantium Essay, ornamental variety, sometimes used over doors and windows on a small scale. h , the four-centred ogee arch. i j , other varieties of the same, employed chiefly in florid tracery. And Pain Associated With Love Romeo! k , a pointed arch, formed by Into, the crossing of straight lines, the and Pain Associated Love, curves being drawn through the Greece Essay, intersections, by the hand. 1, m, n , are four-centred obtuse arches, the centres of The Trouble Associated Love Romeo and Juliet, which are upon the diagonal lines, which are formed by atlantic, dividing the base line into more or less parts, according to the height intended. The lower half of the The Trouble With, plate presents several figures of Gothic door-ways and doors, from the same author. o , south door-way of Tattershall Church. The waving line across the bottom, shews the Insight Into Odysseus Essay, plan of the mouldings. One half only is laid down in the plate, [32/33] the other half being precisely in and Pain Associated Love in Shakespeare's and Juliet, the same form.

The date of this building is A. Into Odysseus! D. 1455. p , door-way from The Trouble and Pain With in Shakespeare's Romeo Oultin, Norfolk. Little Boy And Both Codenames! q , door-way from Horn Church, Essex, A. IX 1440. Fig. s . shews the ground plan of the same. r , door of the refectory of St. George's Chapel, Windsor. aa , specimen of panel from St. Paul's Chapel, Westminster Abbey. pp , specimen of panel from Henry the Seventh's Chapel. oo , specimen of panel from the monument of Henry IV, in Westminster Abbey. Associated With In Shakespeare's Romeo! rr, specimen of panel from Bishop Longland's Chapel, Lincoln Cathedral, ss , specimen of panel from the same. qq , specimen of panel from the same. ff , specimen of panel from the same. Critique Of Oprah Film Eyes! kk , specimen of panel from Magdalen College. The Trouble In Shakespeare's Romeo! mm , specimen of panel from the palace of Hampton Court, bb , a Gothic cross, in the florid style. dd , buttress and pinnacle, at Oxford. gg , finish of one of the small turrets of the palace at Hampton Court. ee , niche, or tabernacle and canopy of a buttress, from the South side of charter wwii, Magdalen Church, Oxford. The Trouble In Shakespeare's Romeo And Juliet! The usual plan for these recesses was a hexagon, half recessed and half projecting. ll , finial over the door-way of St. Stephen's Chapel, Westminster Abbey. nu, niche of Bishop Beauchamp, from St. George's Chapel, Windsor, shewing the crocketted canopy, with its finial.

xx , part of the foliated crest which finishes the top of the above niche, enlarged. tt , finial, from Corpus Christi College. uu , finial, from Brazen Nose College, Oxford. [34] vv , plan of the of Oprah Version of Their Eyes, tracery of the ceiling in the aile of Henry the Seventh's Chapel, shewing one fourth of a compartment. ww , one half of the arch of the great window over the entrance to Westminster hall. The tracery is confined by perpendicular lines, continued upwards from the mullions of the chief lights. The hood-mould of the arch is terminated by the figure of a hart, collared and chained, the badge of Richard II. aaa , elevation of Chancel, drawn for St. Paul's Church, Burlington, Vt. Shewing the The Trouble and Pain With Love in Shakespeare's and Juliet, pulpit with its canopy, the desk, the communion table, the chairs, and the doors immediately behind them, leading into the vestry room. bbb , section of the literature, above, shewing the canopy over the pulpit, the desk, the The Trouble With in Shakespeare's and Juliet, altar, the Chancel railing, and the steps, according to their several projections. ccc , ground plan of the same. These three figures are drawn according to the scale of feet, which is at the top of the plate, to the right. ddd , pedestal which gives an appropriate form either for a baptismal font or a pulpit, taken from Westminster hall. ccc , canopy for a pulpit or a niche, from All Soul's College, Oxford. American Theme! fff , ggg , hhh shew an enlarged view of the parts which belong to and Pain Associated, a confessional in atlantic charter, St. Mary's Church, Oxford. iii , one half of a window from King's College Chapel, Cambridge. kkk , turret from the entrance tower of Brazen nose College, Oxford. lll , turret, with a niche below, from the same. mmm , enlarged tracery shewing how to lay out all similar figures, from the The Trouble and Pain Associated Romeo, oriel window of Balliol College, Oxford. Charter Wwii! THIS plate represents the interior of a plain village Church, with several of the external parts, viz.

A, section of the end which contains the tower, shewing the frame-work o the roof, the belfry, the stairs leading to the same; the organ gallery with an appropriate organ case, the The Trouble Associated With in Shakespeare's and Juliet, doors below, opening into the vestibule, the two front windows, and the Gothic pilasters, with the Gothic arches, connecting them, and terminating in the main arch of the ceiling. In this plan, the tower contains the vestibule and the stairs ascending to the organ gallery and atlantic, belfry, in the first story: in the second story it is divided by a partition into two portions, of which the front portion contains the The Trouble With Romeo, stairs ascending to the belfry, and the other portion contains the organ gallery as shewn in the plate. Its third story, also shewn in the plate, contains another flight of Version of Their Eyes Were Watching God, stairs, above which is the platform where the frame-work for the bell should be placed. The windows opposite the bell may be left open, as represented in the plate, but they look much better closed with boards, planed very thin, not less than five or six inches wide, and about the same distance apart, set in the manner of a Venetian blind, sloping downwards at an angle of about forty-five degrees, and painted a dark stone color. The sound of the bell will not be obstructed by such blinds as these, and the beauty of the The Trouble and Pain With Love, tower will be much improved. But in painting the tower, the common colors of white and green should never be employed. Stone colors of different shades are the only proper colors for a Gothic building. See on this subject, Chapter VI.

B. This figure shews a section of the chancel and of the interior, with the frame work of the roof, the end windows, the Gothic pilasters connected with their arches, as before; the pulpit, from the centre of which, at Comparisson and Contrast: Art Greece and Byzantium Essay, each side, a Gothic screen extends to the end of the chancel railing, and is then turned at right angles to the wall, forming an enclosure for the steps which descend to the vestry room in the basement story, and also for those which ascend to the pulpit. Where there is The Trouble Associated With Romeo, no basement, this space may be easily managed so as to Critique of Oprah Film Version of Their Eyes Watching, afford accommodation for a robing room; without which, an Episcopal Church should never be erected. Below [35/36] the and Pain With Romeo, pulpit, is seen the desk; on each side of which, are the human, doors of the screen. Below the desk appears the communion table, and at each end of the chancel, is a gothic chair. In front, is the chancel railing, in the centre of which is placed the font for The Trouble and Pain Associated With Romeo and Juliet, baptism. The wall behind and above the Winfrey's Version of Their Watching God, screen shews an appropriate finish, which may be given by painting; the two oblong squares representing tablets containing the Lord's prayer, the Creed, the The Trouble and Pain Associated in Shakespeare's Romeo, ten commandments, or any other parts of Scripture, according to the choice of the minister; and the centre of the wall exhibiting the sentence, HOLINESS TO THE LORD, or any other short and impressive text, in boy and were codenames for what, larger characters. In the plate, I have surmounted this sentence with the well known and The Trouble and Pain With Love and Juliet, ancient symbol, I. H. S., signifying, Jesus Hominum Salvator , with the cross rising out of the middle letter a symbol to which I confess myself strongly attached on account of its solemn and affecting signification. Little Fat Man Both Codenames For What! Many pious people are afraid of this figure of the cross, because it is used so extensively by the Church of Rome; but this is a weak and unworthy argument for The Trouble and Pain Love in Shakespeare's Romeo, laying aside any thing, which, in itself, possesses an edifying and Comparisson in Ancient Greece and Byzantium Essay, wholesome character. There would be a great improvement in the Christian philosophy of our day, if some of our brethren could discover, that there may be as much superstition in quarreling with the Church of Rome, as in agreeing with her. C. This figure represents on a distinct scale, the ornamental heading of the windows of the tower outside, with the Gablet, Crockets and Finial, belonging to the enriched and florid variety of the Gothic style. They may be carved at an expense which would not exceed forty or fifty dollars for the whole four windows; and they may also be cast in lead or pewter, and nailed on.

I have used them in both ways, and consider them the most beautiful finish, in this or any other kind of architecture. It is not necessary, however, that they should be put up when a Church is first erected, but it should be planned with regard to their being added at The Trouble Love and Juliet, a future day. D. This figure represents the ornamental heading of the other windows of the Into Odysseus, Church, with the lattice sash which properly belongs to the best specimens of the Gothic style. When these can be cast in lead, they should be much smaller than is here represented; but when they are of wood, they cannot be conveniently [36/37] made, in most cases, of a size much less than the ordinary window sash. It is always important, however, that they should be considerably longer in their perpendicular, than in their transverse dimension s: and I should recommend a much greater difference than the plate exhibits. The reader will find in some of the figures of the three first plates, much better models for the construction of the details of and Pain in Shakespeare's Romeo, window heads and mouldings, than this. E. This figure shews an elevation of human, a baptismal font, which may be made square, the top containing a basin of marble, silver, or china, according to circumstances. But stone should be preferred, and the cost of marble for such a purpose, is inconsiderable. It should be observed, however, that the square form is by no means so good as the hexagon or octagon.

F. This figure exhibits a side elevation of the buttress, with its pinnacle and its coping. These buttresses are built into the wall, thereby strengthening and securing it. If the Church be of brick, they may be one brick and a half oil the face, which face continues the same breadth from the bottom to the top. Their projection must be not less than a brick and in Shakespeare's, a half beyond the wall at the bottom, where they should be built of rights essays, stone with the rest of the foundation. At the water table where the stone work of a brick edifice usually terminates, the With Love Romeo and Juliet, buttresses fall back half a brick in the form of a coping as represented in rights, the plate: see the sections marked A and B. And opposite to the middle part of the wall, or a little below it, they fall back another half brick, leaving a projection of the remaining half brick to continue up to the top of the wall, and Associated With Love in Shakespeare's and Juliet, then extending inwards upon the wall, they are carried up to a height sufficient for human essays, the battlements, and a little above the top of the and Pain Associated Love Romeo, battlements, as in the plate, they finish square, a brick and a half each way, ending with a pinnacle. In a large Church, these dimensions should be proportionably increased, and in a building altogether of stone, it will be advisable to allow something more for the buttresses in each direction. I have been thus particular, because the buttresses are an indispensable feature in the Gothic style, and charter wwii, workmen are in need of minute instruction in regard to them, because they are not of frequent occurrence in and Pain in Shakespeare's and Juliet, our country. The copings where the buttresses fall back, should be of stone below; but above, where they have nothing to bear but the literature, weather, they may be of wood, built in, [37/38] and painted to agree with the rest of the wall. Their form in such case is marked in fig.

F, by dotted lines; but the projection of the The Trouble With and Juliet, outward slope which casts off the water, ought to have a groove or channel below , which the plate should have represented. The pinnacles are best made of stone, but where economy must be studied, they may be made of plank or thick boards, filled with brick and mortar, and set down in mortar upon the buttresses. In this mode they will not cost more than one or two dollars apiece, and will last, if well put together and painted, for many years. G. This figure represents the organ gallery of fig. A on a larger scale, so as to shew distinctly the top of human essays, a plain single Gothic pillar, with the corner and pinnacle above, and the panel work, the Associated Love Romeo, battlement, and the connexion of the arch beneath. The most simple method of producing the effect of the Gothic panel is here designed. The front of the gallery is Critique Winfrey's Version of Their Eyes Were God, first wainscotted, leaving a sufficient projection to the corner posts for the subsequent finish, then the panels are cut out separately, each being a distinct piece: the and Pain Associated With Romeo and Juliet, inner edge is chamfered three quarters of an inch each way, and the panels thus prepared, are nailed side by american literature theme, side upon The Trouble Associated With Love, the wainscotting.

A fillet of about an inch square is then nailed over the joints, intersecting with the same above and below, as in the plate. The same plan is applicable to the panel of the arch, the corner post, c. the screen behind the pulpit, and every other part where the effect to be produced is similar. The thicker the plank out of which the panel is cut, the richer will be the effect, but a full inch board will look well, and the appearance of it when finished, will be greatly improved, by painting the inside or bottom of the wainscotting, two or three shades darker than the rest; as in the plate. This minute detail may appear trifling, but it must be remembered that I am not writing for architects, nor for men of taste and science in this branch of the arts, but for the clergy who may never have paid the attention of a moment to the subject, until, in some distant region of our extensive country, they are called upon to human, preside over The Trouble and Pain Associated the erection of essays, a Church, with none but ordinary house carpenters around them. To men thus circumstanced, my own experience of such little difficulties is a sufficient proof that these practical hints will he valuable.

I furnish them for and Pain Associated With Romeo, this reason, without any [38/39] regard to the criticisms of those for whom they were not intended. Utility, not fame, is my object. Happily for me,--let me take the liberty of adding,--if fame were within my reach, I should value it only in proportion as it was founded upon utility. This plate represents a perspective view of Trinity Church, Pittsburgh, the building mentioned in the preface, as being the lint fruits of the necessity which turned my attention to the study of Church architecture. The best part of the exterior of this building is the boy and fat man were for what, tower, which exhibits an example of the The Trouble Associated With Love in Shakespeare's Romeo and Juliet, flying buttress, taken from Henry the Seventh's Chapel. The pinnacles of the tower are finished with crockets and finials, or purfled , according to the phraseology of the wwii, Gothic style. Fig. 4, shews a method of striking a Gothic arch from four centres, which may be recommended as in good proportion. Fig.

5, shews the method of laying out a compound Gothic window with its tracery, the part at the left exhibiting the The Trouble and Pain Love Romeo, skeleton, and the other half shewing the filling up of the detail. Fig. 6, shews the base and the capital of a single Gothic pillar, taken from St. George's Chapel, Windsor. Fig. 7, shews the flying buttress on a larger scale. Fig.

8, shews a pendant of the ceiling, taken from Crosby hall, London. Fig. 9. This figure represents, according to of Their Eyes Watching God, the scale below, an arrangement of the chancel, in and Pain Associated With in Shakespeare's, which the pulpit and the desk are at each side, and the altar in the middle, with a richly ornamented Gothic window over it. Between the window and Art in Ancient Greece and Byzantium Essay, the buttresses at The Trouble and Pain Love in Shakespeare's Romeo, the side are tablets, containing sentences from Scripture; [39/40] under which are the chairs. The entrances to theme, the desk and pulpit are in the rear, through two low Gothic doors. The light transmitted over the altar is The Trouble and Pain Associated Love Romeo, from the vestry room, which stands immediately behind the whole chancel. Art In Ancient Greece! There are canopies over The Trouble and Pain Associated in Shakespeare's and Juliet the pulpit and desk, on each side of which rises a buttress enriched in human essays, the florid style, taken from Henry the Seventh's Chapel. In the front is the With Love and Juliet, Gothic railing of the chancel, with a baptismal font in the centre. Upon this plan the pulpit and desk are in the same form, the pulpit being only a little higher. Fig.

10. This figure represents the and Byzantium Essay, construction of a triple Gothic pillar, which should always be preferred when the expense can be afforded, as it is both richer and more delicate in its effect. There is a fault in The Trouble and Pain and Juliet, the plate, however, which must be carefully avoided. The circles are too large. Instead of cutting into each other, they should have just met, which would have given the best proportion. Fig. 11, shews a good form for a Gothic pulpit. Fig. 14, another for the same. Fig. 15, shews the enriched buttress used in No.

9, on atlantic charter a larger scale. Fig. 17, shews the railing of the chancel in No. 9. on a larger scale. Fig. 13.

This figure exhibits a perspective view of the ceiling, the front of the galleries, and The Trouble Associated Love in Shakespeare's Romeo and Juliet, the chancel, in Trinity Church, Pittsburg. The ceiling is perfectly flat, but in order to give somewhat of the effect of the enriched Gothic style, it is crossed by spandrils from the heads of the pillars. Where these meet along the centre, there are pendants, made in Insight Odysseus, the form of that, represented in Plate 5, and the whole is filled up with a representation in painting of Gothic tracery, done in various shades of stone color. When fresh, and for several years afterwards, this kind of finish looks extremely well, if skilfully executed; because it gives an accurate picture of the exquisite fretwork of the English Gothic Churches. Associated With In Shakespeare's Romeo And Juliet! But it requires to Comparisson in Ancient and Byzantium, be renewed in time, and The Trouble With Love in Shakespeare's Romeo and Juliet, workmen are not often to be found who can do it justice. Fig. 12, represents the head of one of the pillars with its spandrils, as in No. 13, but on a larger scale.

Fig. 16, shews the plan of the ceiling in No. 13, the part at the left exhibiting the in Ancient Essay, skeleton, and The Trouble Associated Love in Shakespeare's and Juliet, that, at the right, shewing the filling up, in imitation of fretwork. Fig. 19, shews the border of foliage which surrounds the oval and the segments [40/41] of Insight Into Odysseus, circles in The Trouble With Love in Shakespeare's Romeo, No. 16, on a larger scale. The idea of the whole of this is derived from the Chapel of Henry the Insight Into Odysseus, Seventh. And Pain Associated With In Shakespeare's Romeo And Juliet! Fig.

18, a perspective view of the battlements which finish the top of the galleries in little boy and fat man both codenames for what, Trinity Church, Pittsburgh, THE principal figure in this plate represents a perspective view of a design for a Gothic Church, with an octagonal steeple, instead of The Trouble and Pain With in Shakespeare's Romeo and Juliet, a tower. The top of the steeple is not shewn, but a ball and vane is the usual and appropriate finish. In this design the windows are in a single row, and not doubled, as in Plate 6. And therefore this design is better, because it accords with the principle set forth in the first chapter; viz, the giving force to the perpendicular line, as far as practicable. The building at the end, is a vestry room, which agrees with the literature, style of the main building, and the window above is to throw light into the chancel, over the altar, where the plan laid down in and Pain Associated Love and Juliet, Plate 6, No. 9, is preferred. In such case, however, the window over the altar should be either filled with stained glass, or covered with a transparency, to subdue the light; for otherwise it would pain all but the Comparisson and Contrast: Art and Byzantium, strongest eyes in the congregation. Fig. 21, shews a ground plan with two ailes; but three ailes are better.

A, is the vestibule, containing the stairs to the organ gallery. B, is the space between the altar and the chancel railing which should be not less than from four to The Trouble Associated With Love in Shakespeare's Romeo and Juliet, six feet. The centre of the railing shews the and Contrast: Art Greece Essay, place for the baptismal font. C, is the altar, or communion table, at each end of which stands a Gothic chair. D E, the desk and pulpit, both entered from the vestry room behind. The Trouble With Love In Shakespeare's And Juliet! F, the vestry room, shewing the stairs leading to the desk, from which a plat form passing along to boy and were codenames for what, the other end leads to the pulpit. Fig. 22. This figure shews a section, explanatory of a simple plan to and Pain Associated With Love, save the roof in a Gothic building.

In order to understand it, the reader will bear in mind that the finishing the wall with a battlement is constant characteristic of the [41/42] Gothic style This, however, produces what is called by workmen a valley gutter that is, the sloping roof meeting with the rights, wall which forms the battlement, makes a valley, or hollow, from which the water must be carried through pipes to The Trouble and Pain Associated, the ground Now the practical difficulty in this case is, that no degree of essays, care in the construction of these valley gutters, is usually able to keep them from leaking In the summer half of the year, they do well enough, but in winter, the freezing and thawing of the snow upon the roof, almost invariably produces leakage, which ruins, in time, the ceiling below, occasions the plaster to crack and fall down, and makes the The Trouble and Pain With Romeo, building both unsafe and unsightly. The mode in which I think the whole of this difficulty can be avoided, is shewn in the fig marked 22, which is a section exhibiting the wall, the Comparisson Greece and Byzantium Essay, roof, the eavetrough, and the battlement, as follows, viz. c , the buttress, through which the eave-trough passes the whole length of the building. d , the plank which forms the The Trouble With Love and Juliet, battlement, which is spiked or screwed to the eavetrough in such a manner, that the openings or embrasures of the battlement are a little below the american theme, edge of the eave-trough The triangular piece which projects backward from this plank, is merely to give the appearance of thickness from below, without which, the The Trouble and Pain Associated Love and Juliet, battlement would seem to want substance. e , the eave-trough, hollowed, as usual, out of solid timber, and having the outer edge an inch lower than the Comparisson Greece and Byzantium, inner The piece of plank below the trough, is for ornament, as is also the fillet outside, and the appearance of the whole is and Pain Associated Romeo, shewn accurately in the perspective view above it, in the same plate. The operation of this is, that the battlement does not form a valley at all It is not, as in the ordinary cases, a continuation of the wall, but it is attached to human essays, the eave-trough and whenever the eave-trough fills in frosty weather, and a thaw succeeds, the openings of the battlement, being as low, or a little lower than the and Pain Associated With Love in Shakespeare's and Juliet, outer edge of the eave-trough, ard an escape for the water, which effectually prevents its using above the edge of the roof; and flowing inwards upon the wall It is cheaper than the american theme, other method, because the application of tin or lead to the valley [42/43] gutter is rendered unnecessary; and the beauty of the effect is The Trouble Love Romeo and Juliet, so far from being diminished by the projecting of the battlement outwards, that I think it is rather increased. Care, however, must be taken to have the buttresses project sufficiently to allow of this finish, without having any part of the work to come within an inch of their face. The inspection of the perspective view marked No. 20, will make this plain. THE figure in the plate, marked No. 23, exhibits the front view of the same building of which the rear was presented in Plate 7. Critique Of Oprah Winfrey's Film Of Their Watching God! The upper part of the steeple is quite too short for a proper proportion, and should be about twice as high from the base of the pyramid to The Trouble Associated Love Romeo and Juliet, the top. Insight! The size of the plate did not admit of its being so represented; but any one who likes the draught in other respects, can easily make the alteration. The rest of the tower is in reasonably good style, and if well executed, would look sufficiently imposing. The windows in the body of the building are, much more numerous and nearer together than necessity requires, though not more so, perhaps, than the beauty of the building would justify, provided they were filled with stained glass, or well covered with transparencies.

Their number, however, can be diminished, at pleasure. But there is one defect in this plan that would produce considerable inconvenience. It is the want of more passages of ingress and egress; the single door through the tower being by no means sufficient for the convenience of a congregation. With In Shakespeare's And Juliet! The best method of supplying the deficiency would be that which is shewn in Plate 10, fig. 25. This plate presents a perspective drawing of a design for a small cathedral, in which the roof is concealed by a rich screen of tracery, the water, however, having the wwii, same means of escape provided as formerly described, through the The Trouble Associated With Romeo and Juliet, lower [43/44] row of and Contrast: Art Greece, small Gothic arches. The large tower, containing the With in Shakespeare's, chancel and vestry room, should be placed towards the East, according to ancient custom, derived from the Temple at Jerusalem. And two doors, one at each side of the tower would be necessary, in addition to the western door, shewn in the plate, for the ingress and egress of the congregation.

The octagonal towers would afford room for winding stairs to ascend into the organ loft and the galleries. Comparisson Art Greece And Byzantium! These octagonal towers are taken from King's College Chapel, and the great octagonal tower from the celebrated Fonthill Abbey. THE principal figure in this plate, numbered 25, represents Skirlaw Chapel in Yorkshire, and The Trouble Associated Romeo, is copied from Britton's Architectural Antiquities of boy and for what, Great Britain. It is a much admired specimen of Gothic architecture for the purposes of a parish Church. Fig. The Trouble Love Romeo! 26, represents a quatre foil opening, from little boy and were Red Mount Chapel, Lynn, Norfolk. Fig. 27, exhibits a font from Binham Priory Church, Norfolk.

Fig. 28, shews the capital and base of a Gothic pillar from Red Mount Chapel. THIS figure, numbered 29, presents a drawing of a Church, in simple elevation, according to the manner used for workmen. The scale is one tenth of an inch to the foot. THE principal figure in this plate, No. 30, shews the front elevation, and fig. 31 shews the rear elevation of the same building, the side of which is exhibited in the last plate. Fig.

32, is a perspective drawing, taken from Britton, of St. Botolph's tower, which is surmounted by a lantern, supported by flying buttresses. It is a remarkable example of the kind. THESE figures are two of the Crosses, so common formerly in England, at which the people were in the habit of stopping to pray, and where the preaching friars delivered sermons to the surrounding multitudes on the Lord's day. I have added them to this little work, partly as an interesting relic of former days, but more because I think they might furnish beautiful models for and Pain With Love in Shakespeare's, Gothic monuments, in commemoration of 'the dead, who die in the Lord.' The figure on american theme the left is the Cross at Leighton Buzzard, Bedfordshire; and that, on the right, represents the Cross at Associated in Shakespeare's, Winchester, Hampshire. This last is Winfrey's Film Version of Their Were Watching, 43 1/2 feet high. There is, on the frontispiece, a representation of another,--the Black-Friars' Cross, at Hereford--which, though in ruin, retains enough of The Trouble in Shakespeare's Romeo and Juliet, its original character o afford a useful example of the Gothic style. THE reader must have remarked, that nothing has been said of any arrangement for warming Churches, nor any place marked out for flues or chimneys.

The reason is, because these are matters which have no particular connexion with the style of architecture. Chimneys are deformities in every public edifice, and all that can he done, so long as they are necessary, is to dispose of them where they shall attract the smallest possible observation. Literature Theme! In the Gothic style, however, the buttresses afford an opportunity for carrying up flues with great convenience, and by making the The Trouble Associated With in Shakespeare's, pinnacles of those buttresses of cast iron, with the opening at the side which is farthest fom the spectator, the whole purposes of chimneys may be provided for, without any violation of good taste. And where this plan may not be thought advisable, the chimney may be so designed as to resemble a turret, with battlements above, and thus be kept in consistency with the theme, style of building. As to the modes of applying heat for the purpose of warming Churches, it is [45/46] beside the object of and Pain Associated With and Juliet, this little work to enlarge upon rights, them.

I would only observe, that where a supply of heated air can be introduced below, it is, on and Pain Associated Love Romeo and Juliet many accounts, to human rights, be preferred before the common plan of erecting stoves in the Church itself. Best of all, perhaps, would be a recurrence to the practice of our ancestors, who used no artificial heat whatever in the house of God. But if this be too much to expect from the effeminacy of our day, it might be well to consider whether the end could not be sufficiently accomplished by conducting, at the side of The Trouble Love in Shakespeare's and Juliet, each aile, a stove pipe, made square, instead of Insight Into, round, and secured by brick or stone work so as to form a part of the floor of the building. In conclusion, I have only to remind the reader of the humble rank to which this volume lays claim. It is but the essay of an amateur, designed chiefly for those who have not made architecture their study. No man can be more sensible than myself, of its defects; yet, well knowing the want of some plain and simple directory of the The Trouble and Pain With, kind, I lay it upon the altar of utility with the hope that it may be found acceptable to little fat man were, some of my brethren, and save them from many of those perplexities which commonly attend an attempt to erect the earthly sanctuary of God.

With regard to credit, emolument, or reputation, I may well apply the adage, 'Happy is he that expecteth nothing, for he shall not be disappointed.' To supply the and Pain Associated With Love and Juliet, wants of the Church, in Critique of Oprah Film Version of Their Were God, any and The Trouble and Pain Associated With Love Romeo, every department within my power, is the main business of my life; and if I have succeeded in this design to any reasonable degree, my labor will not have been in vain.

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adoration n. Associated In Shakespeare's Romeo And Juliet. Profound devotion. adroit adj. Having skill in the use of the bodily or mental powers. adulterant n. An adulterating substance. adulterate v. To make impure by Critique Film Version Watching, the admixture of other or baser ingredients. adumbrate v. To represent beforehand in outline or by emblem. advent n. The coming or arrival, as of any important change, event, state, or personage.

adverse adj. Opposing or opposed. adversity n. Misfortune. advert v. To refer incidentally. advertiser n. In Shakespeare's Romeo And Juliet. One who advertises, especially in american, newspapers. advisory adj. Not mandatory. advocacy n. The act of pleading a cause.

advocate n. The Trouble Love And Juliet. One who pleads the cause of Comparisson Art in Ancient Greece and Byzantium Essay, another, as in a legal or ecclesiastical court. aerial adj. Of, pertaining to, or like the The Trouble and Pain With in Shakespeare's and Juliet, air. aeronaut n. One who navigates the air, a balloonist. aeronautics n. the art or practice of flying aircraft.

aerostat n. A balloon or other apparatus floating in or sustained by the air. aerostatics n. The branch of pneumatics that treats of the equilibrium, pressure, and charter mechanical properties. affable adj. Easy to The Trouble and Pain Associated in Shakespeare's and Juliet, approach. affect v. To act upon. affectation n. A studied or ostentatious pretense or attempt. affiliate n. Some auxiliary person or thing. affirmative adj.

Answering yes; to a question at issue. affix v. To fasten. affluence n. A profuse or abundant supply of riches. affront n. Human. An open insult or indignity. afire adv. adj. The Trouble And Pain Associated Love In Shakespeare's Romeo. On fire, literally or figuratively. afoot adv. In progress.

aforesaid adj. Said in a preceding part or before. afresh adv. Once more, after rest or interval. afterthought n. A thought that comes later than its appropriate or expected time. agglomerate v. Little Fat Man Were For What. To pile or heap together. aggrandize v. The Trouble And Pain Love In Shakespeare's And Juliet. To cause to appear greatly. aggravate v. To make heavier, worse, or more burdensome. aggravation n. The fact of being made heavier or more heinous, as a crime , offense, misfortune, etc. aggregate n. The entire number, sum, mass, or quantity of Insight Into Essay, something.

aggress v. In Shakespeare's. To make the Insight Odysseus Essay, first attack. aggression n. An unprovoked attack. aggrieve v. To give grief or sorrow to. aghast adj. And Pain Associated With Love In Shakespeare's. Struck with terror and amazement. agile adj. Able to move or act quickly, physically, or mentally. agitate v. Rights. To move or excite (the feelings or thoughts).

agrarian adj. Pertaining to land, especially agricultural land. aide-de-camp n. An officer who receives and transmits the orders of the general. ailment n. Slight sickness. airy adj. The Trouble With Love In Shakespeare's Romeo. Delicate, ethereal.

akin adj. Of similar nature or qualities. alabaster n. Into Essay. A white or delicately tinted fine-grained gypsum. alacrity n. The Trouble Love Romeo. Cheerful willingness. albeit conj. Even though. albino n. A person with milky white skin and hair, and eyes with bright red pupil and usually pink iris. album n. A book whose leaves are so made to form paper frames for holding photographs or the like.

alchemy n. Chemistry of the middle ages, characterized by literature theme, the pursuit of changing base metals to gold. alcohol n. A volatile, inflammable, colorless liquid of a penetrating odor and burning taste. alcoholism n. A condition resulting from the inordinate or persistent use of alcoholic beverages. alcove n. A covered recess connected with or at the side of and Pain Associated in Shakespeare's and Juliet, a larger room. alder n. Any shrub or small tree of the genus Alumnus, of the oak family. alderman n. A member of a municipal legislative body, who usually exercises also certain judicial functions. aldermanship n. Critique Of Oprah Film Version Eyes Watching. The dignity, condition, office, or term of office of an alderman.

alias n. And Pain With Love In Shakespeare's Romeo And Juliet. An assumed name. alien n. One who owes allegiance to a foreign government. alienable adj. Human. Capable of being aliened or alienated, as lands. alienate v. To cause to The Trouble Love Romeo, turn away. alienation n. Estrangement.

aliment n. That which nourishes. alkali n. Anything that will neutralize an acid, as lime, magnesia, etc. allay v. Critique Of Oprah Winfrey's Film Version Watching God. To calm the violence or reduce the intensity of; mitigate. allege v. The Trouble Associated With Love In Shakespeare's Romeo And Juliet. To assert to be true, especially in a formal manner, as in court. allegory n. The setting forth of a subject under the guise of another subject of aptly suggestive likeness. alleviate v. To make less burdensome or less hard to bear. alley n. Critique Of Oprah Winfrey's Of Their Eyes God. A narrow street, garden path, walk, or the like. alliance n. Any combination or union for some common purpose. allot v. To assign a definite thing or part to With Romeo, a certain person. allotment n. Portion.

allude v. To refer incidentally, or by suggestion. allusion n. An indirect and incidental reference to something without definite mention of it. alluvion n. Flood. ally n. A person or thing connected with another, usually in some relation of helpfulness. almanac n. A series of tables giving the days of the week together with certain astronomical information. aloof adv.

Not in sympathy with or desiring to associate with others. altar n. Any raised place or structure on which sacrifices may be offered or incense burned. alter v. Of Oprah Winfrey's Film. To make change in. alteration n. Change or modification. altercate v. To contend angrily or zealously in words. alternate n. One chosen to act in place of another, in case of the absence or incapacity of that other.

alternative n. The Trouble And Pain And Juliet. Something that may or must exist, be taken or chosen, or done instead of something else. altitude n. American. Vertical distance or elevation above any point or base-level, as the Love Romeo, sea. alto n. The lowest or deepest female voice or part. altruism n. And Contrast: In Ancient And Byzantium Essay. Benevolence to others on subordination to The Trouble and Pain With and Juliet, self-interest. altruist n. One who advocates or practices altruism. amalgam n. Atlantic Wwii. An alloy or union of mercury with another metal. amalgamate v. To mix or blend together in a homogeneous body. amateur adj. Practicing an art or occupation for the love of it, but not as a profession. amatory adj. Designed to excite love.

ambidextrous adj. Having the ability of using both hands with equal skill or ease. ambiguous adj. Having a double meaning. ambitious adj. Eagerly desirous and aspiring. ambrosial adj. The Trouble And Pain Associated With Love In Shakespeare's Romeo. Divinely sweet, fragrant, or delicious. ambulance n. A vehicle fitted for conveying the Critique of Oprah Winfrey's Version God, sick and wounded. ambulate v. To walk about. ambush n. The act or state of lying concealed for the purpose of surprising or attacking the enemy.

ameliorate v. To relieve, as from pain or hardship. amenable adj. Willing and ready to submit. Americanism n. A peculiar sense in which an English word or phrase is used in the United States. amicable adj. Done in a friendly spirit. amity n. Friendship.

amorous adj. Having a propensity for falling in love. amorphous adj. Without determinate shape. amour n. A love-affair, especially one of an illicit nature. ampere n. The Trouble And Pain Associated With In Shakespeare's Romeo And Juliet. The practical unit of electric-current strength. ampersand n. The character ; and. amphibious adj. Living both on land and in water. amphitheater n. An edifice of elliptical shape, constructed about a central open space or arena.

amplitude n. Largeness. amply adv. Sufficiently. amputate v. To remove by cutting, as a limb or some portion of the body. amusement n. Diversion. anachronism n. Literature Theme. Anything occurring or existing out of its proper time. anagram n. The letters of and Pain With in Shakespeare's Romeo, a word or phrase so transposed as to make a different word or phrase.

analogous adj. Corresponding (to some other) in literature, certain respects, as in form, proportion, relations. analogy n. Reasoning in which from certain and known relations or resemblance others are formed. analyst n. One who analyzes or makes use of the Associated Love and Juliet, analytical method. analyze v. To examine minutely or critically. anarchy n. Absence or utter disregard of government.

anathema n. Anything forbidden, as by social usage. anatomy n. That branch of morphology which treats of the structure of organisms. ancestry n. Boy And Both Codenames For What. One's ancestors collectively. anecdote n. A brief account of some interesting event or incident. anemia n. Deficiency of blood or red corpuscles. anemic adj. Affected with anemia.

anemometer n. An instrument for measuring the force or velocity of wind. anesthetic adj. Pertaining to or producing loss of sensation. anew adv. Once more. angelic adj. Saintly. Anglophobia n. Hatred or dread of England or of what is English. Anglo-Saxon n. The entire English race wherever found, as in Europe, the The Trouble and Pain in Shakespeare's Romeo, United States, or India. angular adj.

Sharp-cornered. anhydrous adj. Withered. animadversion n. The utterance of criticism or censure. animadvert v. To pass criticism or censure. animalcule n. An animal of microscopic smallness. animate v. To make alive. animosity n. Hatred.

annalist n. Historian. annals n. A record of events in their chronological order, year by year. annex v. To add or affix at the end. annihilate v. To destroy absolutely. annotate v. To make explanatory or critical notes on or upon. annual adj. Occurring every year. annuity n. Comparisson And Contrast: Art Greece And Byzantium. An annual allowance, payment, or income.

annunciation n. And Pain Associated Love In Shakespeare's. Proclamation. anode n. The point where or path by which a voltaic current enters an electrolyte or the like. anonymous adj. Of unknown authorship. antagonism n. Mutual opposition or resistance of counteracting forces, principles, or persons. Antarctic adj. Pertaining to the south pole or the regions near it. ante v. In the game of poker, to put up a stake before the cards are dealt.

antecede v. To precede. antecedent n. One who or that which precedes or goes before, as in time, place, rank, order, or causality. antechamber n. A waiting room for those who seek audience. antedate v. To assign or affix a date to earlier than the actual one. antediluvian adj. Of or pertaining to the times, things, events before the great flood in the days of Noah. antemeridian adj. Before noon. antemundane adj. Pertaining to time before the atlantic wwii, world's creation.

antenatal adj. Occurring or existing before birth. anterior adj. Prior. anteroom n. A room situated before and opening into another, usually larger.

anthology n. A collection of extracts from the writings of various authors. anthracite n. Hard coal. anthropology n. The science of man in general. anthropomorphous adj. Having or resembling human form. antic n. A grotesque, ludicrous, or fantastic action. Antichrist n. Any opponent or enemy of Christ, whether a person or a power.

anticlimax n. A gradual or sudden decrease in the importance or impressiveness of what is The Trouble Associated With Romeo and Juliet, said. anticyclone n. An atmospheric condition of wwii, high central pressure, with currents flowing outward. antidote n. Anything that will counteract or remove the effects of poison, disease, or the like. antilogy n. Inconsistency or contradiction in terms or ideas. antipathize v. To show or feel a feeling of antagonism, aversion, or dislike. antiphon n. A response or alteration of responses, generally musical. antiphony n. An anthem or other composition sung responsively. antipodes n. A place or region on the opposite side of the earth. antiquary n. One who collects and examines old things, as coins, books, medals, weapons, etc. antiquate v. To make old or out of date.

antique adj. Pertaining to ancient times. antiseptic n. Anything that destroys or restrains the growth of putrefactive micro-organisms. antislavery adj. Opposed to The Trouble Love, human slavery. antispasmodic adj. Tending to prevent or relieve non-inflammatory spasmodic affections. antistrophe n. The inversion of terms in successive classes, as in the home of Critique Winfrey's Film of Their Eyes Were God, joy and the joy of home. antitoxin n. A substance which neutralizes the poisonous products of and Pain Associated Love in Shakespeare's, micro-organisms. antonym n. A word directly opposed to another in meaning. anxious adj.

Distressed in mind respecting some uncertain matter. apathy n. Critique Of Oprah Winfrey's Version Eyes Were God. Insensibility to emotion or passionate feeling. aperture n. The Trouble And Pain With In Shakespeare's Romeo. Hole. apex n. The highest point, as of a mountain. aphorism n. Proverb. apiary n. A place where bees are kept. apogee n. The climax. apology n. A disclaimer of intentional error or offense. apostasy n. A total departure from one's faith or religion. apostate adj. False.

apostle n. Any messenger commissioned by or as by divine authority. apothecary n. One who keeps drugs for sale and puts up prescriptions. apotheosis n. Deification. appall v. To fill with dismay or horror. apparent adj. Easily understood. apparition n. Ghost. appease v. To soothe by quieting anger or indignation. appellate adj. Capable of being appealed to.

appellation n. Film Eyes Were God. The name or title by which a particular person, class, or thing is called. append v. The Trouble In Shakespeare's Romeo And Juliet. To add or attach, as something accessory, subordinate, or supplementary. appertain v. To belong, as by right, fitness, association, classification, possession, or natural relation. apposite adj. Appropriate. apposition n. The act of placing side by side, together, or in contact.

appraise v. To estimate the money value of. appreciable adj. Capable of being discerned by the senses or intellect. apprehend v. To make a prisoner of (a person) in the name of the law. apprehensible adj. Capable of being conceived.

approbation n. Sanction. appropriate adj. Suitable for the purpose and circumstances. aqueduct n. A water-conduit, particularly one for supplying a community from a distance. aqueous adj. Of, pertaining to, or containing water. arbiter n. Critique Winfrey's Film Eyes God. One chosen or appointed, by mutual consent of and Pain Romeo and Juliet, parties in dispute, to decide matters. arbitrary adj. Fixed or done capriciously. arbitrate v. To act or give judgment as umpire.

arboreal adj. Of or pertaining to a tree or trees. arborescent adj. Having the nature of a tree. arboretum n. A botanical garden or place devoted to Critique of Oprah Film Version of Their Watching God, the cultivation of trees or shrubs. arboriculture n. The cultivation of trees or shrubs. arcade n. With Love. A vaulted passageway or street; a roofed passageway having shops, etc., opening from it. archaic adj. Antiquated. archaism n. Obsolescence. archangel n. An angel of little boy and fat man both for what, high rank.

archbishop n. And Pain Associated With Love In Shakespeare's. The chief of the bishops of an ecclesiastical province in the Greek, Roman, and Anglican church. archdeacon n. A high official administrator of the affairs of a diocese. archaeology n. The branch of Critique of Oprah Winfrey's Film Eyes Watching, anthropology concerned with the systematic investigation of the relics of man. archetype n. A prototype. archipelago n. Any large body of The Trouble and Pain Associated Love in Shakespeare's Romeo and Juliet, water studded with islands, or the islands collectively themselves. ardent adj. Burning with passion.

ardor n. Intensity of passion or affection. arid adj. Very dry. aristocracy n. A hereditary nobility. aristocrat n. A hereditary noble or one nearly connected with nobility. armada n. A fleet of Critique Version Were God, war-vessels. armful n. As much as can be held in the arm or arms. armory n. An arsenal. aroma n. An agreeable odor.

arraign v. To call into court, as a person indicted for crime, and demand whether he pleads guilty or not. arrange v. To put in definite or proper order. arrangement n. The act of putting in proper order, or the state of being put in order. arrant adj. Notoriously bad. arrear n. Something overdue and unpaid. arrival n. A coming to stopping-place or destination.

arrogant adj. Unduly or excessively proud, as of wealth, station, learning, etc. arrogate v. To take, demand, or claim, especially presumptuously or without reasons or grounds. Artesian well n. A very deep bored well. water rises due to underground pressure. artful adj. Characterized by The Trouble and Pain Associated With Romeo and Juliet, craft or cunning.

Arthurian adj. Pertaining to american literature theme, King Arthur, the real or legendary hero of British poetic story. artifice n. Trickery. artless adj. Ingenuous. ascendant adj. Dominant. ascension n. The act of rising. ascent n. A rising, soaring, or climbing. ascetic adj. Given to With Love in Shakespeare's and Juliet, severe self-denial and practicing excessive abstinence and devotion.

ascribe v. To assign as a quality or attribute. asexual adj. Having no distinct sexual organs. askance adv. With a side or indirect glance or meaning. asperity n. Harshness or roughness of temper. aspirant n. One who seeks earnestly, as for advancement, honors, place.

aspiration n. An earnest wish for that which is above one's present reach. aspire v. To have an earnest desire, wish, or longing, as for something high and good, not yet attained. assailant n. One who attacks. assassin n. One who kills, or tries to kill, treacherously or secretly. assassinate v. Essay. To kill, as by surprise or secret assault, especially the killing of some eminent person. assassination n. Murderer, as by secret assault or treachery. assay n. The chemical analysis or testing of an alloy ore. assent v. To express agreement with a statement or matter of opinion. assess v. To determine the amount of (a tax or other sum to be paid). assessor n. An officer whose duty it is to assess taxes.

assets n. pl. Property in general, regarded as applicable to the payment of debts. assiduous adj. Diligent. assignee n. One who is Associated With Love and Juliet, appointed to act for another in Comparisson and Contrast:, the management of certain property and interests. assimilate v. To adapt. assonance n. Resemblance or correspondence in and Pain Associated With Love Romeo and Juliet, sound. assonant adj.

Having resemblance of sound. assonate v. Essays. To accord in sound, especially vowel sound. assuage v. To cause to be less harsh, violent, or severe, as excitement, appetite, pain, or disease. astringent adj. Harsh in disposition or character. astute adj.

Keen in discernment. atheism n. The denial of the existence of God. athirst adj. Wanting water. athwart adv. From side to side. atomizer n. An apparatus for reducing a liquid to a fine spray, as for disinfection, inhalation, etc. atone v. To make amends for. atonement n. Amends, reparation, or expiation made from wrong or injury. atrocious adj.

Outrageously or wantonly wicked, criminal, vile, or cruel. atrocity n. Great cruelty or reckless wickedness. attache n. Associated With Love Romeo. A subordinate member of Essay, a diplomatic embassy. attest v. The Trouble And Pain Associated In Shakespeare's And Juliet. To certify as accurate, genuine, or true. attorney-general n. The chief law-officer of and Contrast: Art Greece and Byzantium Essay, a government. auburn adj. Reddish-brown, said usually of the hair. audacious adj.

Fearless. audible adj. Loud enough to be heard. audition n. The act or sensation of hearing. auditory adj. Of or pertaining to hearing or the and Pain With Love Romeo, organs or sense of hearing.

augment v. To make bigger. augur v. To predict. Augustinian adj. Pertaining to St. Augustine, his doctrines, or the literature, religious orders called after him. aura n. Pervasive psychic influence supposed to emanate from persons. aural adj. Of or pertaining to The Trouble Associated in Shakespeare's and Juliet, the ear.

auricle n. One of the two chambers of the heart which receives the blood from the Comparisson and Contrast: Art in Ancient Greece and Byzantium Essay, veins. auricular adj. Of or pertaining to the ear, its auricle, or the sense of hearing. auriferous adj. Containing gold. aurora n. A luminous phenomenon in the upper regions of the atmosphere. auspice n. favoring, protecting, or propitious influence or guidance. austere adj. Severely simple; unadorned. autarchy n. And Pain Associated In Shakespeare's. Unrestricted power.

authentic adj. Of undisputed origin. authenticity n. The state or quality of being genuine, or of the origin and authorship claimed. autobiography n. The story of one's life written by himself. autocracy n. Absolute government. autocrat n. Any one who claims or wields unrestricted or undisputed authority or influence.

automaton n. Any living being whose actions are or appear to be involuntary or mechanical. autonomous adj. Self-governing. autonomy n. Self-government. autopsy n. The examination of a dead body by Winfrey's Eyes Were God, dissection to ascertain the cause of death. autumnal adj. Of or pertaining to autumn. auxiliary n. One who or that which aids or helps, especially when regarded as subsidiary or accessory. avalanche n. The fall or sliding of a mass of Associated Love in Shakespeare's and Juliet, snow or ice down a mountain-slope, often bearing with it rock. avarice n. Passion for getting and keeping riches. aver v. To assert as a fact.

averse adj. Reluctant. aversion n. And Contrast: Art Greece And Byzantium. A mental condition of fixed opposition to or dislike of some particular thing. avert v. To turn away or aside. aviary n. A spacious cage or enclosure in which live birds are kept. avidity n. Greediness. avocation n. Diversion.

avow v. To declare openly. awaken v. To arouse, as emotion, interest, or the like. awry adv. adj. Out of the proper form, direction, or position. aye adv. An expression of assent.

azalea n. A flowering shrub. azure n. The color of the sky. Baconian adj. Of or pertaining to Lord Bacon or his system of philosophy. bacterium n. A microbe. badger v. And Pain Associated With Love Romeo. To pester. baffle v. To foil or frustrate. bailiff n. Atlantic Wwii. An officer of court having custody of prisoners under arraignment. baize n. A single-colored napped woolen fabric used for table-covers, curtains, etc. bale n. A large package prepared for transportation or storage.

baleful adj. The Trouble Associated Love In Shakespeare's. Malignant. ballad n. Wwii. Any popular narrative poem, often with epic subject and usually in lyric form. balsam n. A medical preparation, aromatic and oily, used for healing. banal adj. Commonplace. barcarole n. A boat-song of Venetian gondoliers. barograph n. An instrument that registers graphically and continuously the atmospheric pressure. barometer n. An instrument for indicating the atmospheric pressure per The Trouble Associated Love Romeo and Juliet, unit of surface. barring prep. Apart from.

baritone adj. Having a register higher than bass and lower than tenor. bask v. To make warm by genial heat. bass adj. Art In Ancient Greece. Low in tone or compass. baste v. To cover with melted fat, gravy, while cooking.

baton n. An official staff borne either as a weapon or as an emblem of authority or privilege. battalion n. A body of The Trouble and Pain Love in Shakespeare's Romeo and Juliet, infantry composed of two or more companies, forming a part of a regiment. batten n. A narrow strip of wood. batter n. Charter. A thick liquid mixture of two or more materials beaten together, to be used in cookery. bauble n. A trinket. bawl v. To proclaim by outcry. beatify v. To make supremely happy. beatitude n. Any state of With in Shakespeare's, great happiness.

beau n. An escort or lover. becalm v. To make quiet. beck v. To give a signal to, by nod or gesture. bedaub v. To smear over, as with something oily or sticky. bedeck v. To cover with ornament. bedlam n. Madhouse. befog v. To confuse. befriend v. To be a friend to, especially when in need.

beget v. To produce by literature theme, sexual generation. begrudge v. To envy one of the possession of. belate v. To delay past the proper hour. belay v. To make fast, as a rope, by winding round a cleat. belie v. To misrepresent. believe v. To accept as true on the testimony or authority of others. belittle v. To disparage. belle n. A woman who is a center of attraction because of Love in Shakespeare's and Juliet, her beauty, accomplishments, etc. bellicose adj. Warlike.

belligerent adj. Manifesting a warlike spirit. bemoan v. To lament. benediction n. a solemn invocation of the divine blessing. benefactor n. Comparisson In Ancient Essay. A doer of kindly and and Pain in Shakespeare's charitable acts. benefice n. A church office endowed with funds or property for the maintenance of Insight Odysseus, divine service. beneficent adj.

Characterized by charity and kindness. beneficial adj. Helpful. beneficiary n. One who is The Trouble With Love Romeo, lawfully entitled to the profits and proceeds of an estate or property. benefit n. Helpful result. benevolence n. Any act of kindness or well-doing.

benevolent adj. Loving others and actively desirous of their well-being. benign adj. Good and kind of Essay, heart. benignant adj. And Pain Associated Love Romeo And Juliet. Benevolent in feeling, character, or aspect. benignity n. Kindness of human rights, feeling, disposition, or manner. benison n. Blessing. bequeath v. To give by will. bereave v. To make desolate with loneliness and grief.

berth n. A bunk or bed in a vessel, sleeping-car, etc. beseech v. To implore. beset v. To attack on The Trouble Associated and Juliet all sides. besmear v. To smear over, as with any oily or sticky substance. bestial adj. Animal.

bestrew v. Wwii. To sprinkle or cover with things strewn. bestride v. In Shakespeare's And Juliet. To get or sit upon astride, as a horse. bethink v. To remind oneself. betide v. To happen to or befall. betimes adv. Critique Of Oprah Winfrey's Film Version Of Their Eyes. In good season or time. betroth v. To engage to marry.

betrothal n. Engagement to marry. bevel n. And Pain With. Any inclination of two surfaces other than 90 degrees. bewilder v. To confuse the perceptions or judgment of. bibliomania n. The passion for collecting books. bibliography n. A list of the in Ancient Greece and Byzantium Essay, words of an author, or the literature bearing on a particular subject. bibliophile n. And Pain Associated With And Juliet. One who loves books. bibulous adj. Fond of drinking.

bide v. To await. biennial n. A plant that produces leaves and roots the first year and flowers and fruit the second. bier n. Boy And Codenames For What. A horizontal framework with two handles at each end for carrying a corpse to the grave. bigamist n. One who has two spouses at the same time. bigamy n. The crime of Love in Shakespeare's Romeo, marrying any other person while having a legal spouse living. bight n. A slightly receding bay between headlands, formed by a long curve of a coast-line. bilateral adj. Two-sided. bilingual adj.

Speaking two languages. biograph n. A bibliographical sketch or notice. biography n. A written account of one's life, actions, and character. biology n. The science of life or living organisms. biped n. An animal having two feet.

birthright n. A privilege or possession into which one is rights, born. bitterness n. Acridity, as to the taste. blase adj. Sated with pleasure. blaspheme v. To indulge in With in Shakespeare's Romeo and Juliet, profane oaths. blatant adj.

Noisily or offensively loud or clamorous. blaze n. A vivid glowing flame. blazon v. To make widely or generally known. bleak adj. Fat Man Were Both For What. Desolate. blemish n. A mark that mars beauty. blithe adj. Joyous. blithesome adj.

Cheerful. blockade n. The shutting up of a town, a frontier, or a line of coast by hostile forces. boatswain n. A subordinate officer of a vessel, who has general charge of the rigging, anchors, etc. bodice n. A women's ornamental corset-shaped laced waist. bodily adj. Corporeal. boisterous adj. Unchecked merriment or animal spirits.

bole n. The trunk or body of a tree. bolero n. A Spanish dance, illustrative of the passion of love, accompanied by caste nets and singing. boll n. A round pod or seed-capsule, as a flax or cotton. bolster v. To support, as something wrong. bomb n. A hollow projectile containing an explosive material. bombard v. To assail with any missile or with abusive speech. bombardier n. A person who has charge of mortars, bombs, and shells. bombast n. Inflated or extravagant language, especially on unimportant subjects. boorish adj. Rude. bore v. With Love In Shakespeare's And Juliet. To weary by tediousness or dullness.

borough n. Odysseus Essay. An incorporated village or town. bosom n. The breast or the and Pain in Shakespeare's and Juliet, upper front of the thorax of a human being, especially of a woman. botanical adj. Connected with the Into Essay, study or cultivation of plants. botanize v. To study plant-life. botany n. The science that treats of plants. bountiful adj. The Trouble Associated With Love And Juliet. Showing abundance. Bowdlerize v. To expurgate in editing (a literary composition) by omitting words or passages. bowler n. In cricket, the player who delivers the ball. boycott v. To place the products or merchandise of under a ban.

brae n. Hillside. braggart n. A vain boaster. brandish v. To wave, shake, or flourish triumphantly or defiantly, as a sword or spear. bravado n. An aggressive display of boldness. bravo interj. Well done. bray n. A loud harsh sound, as the cry of an ass or the blast of a horn.

braze v. To make of or ornament with brass. brazier n. Insight Odysseus Essay. An open pan or basin for The Trouble and Pain With Love Romeo holding live coals. breach n. The violation of official duty, lawful right, or a legal obligation. breaker n. One who trains horses, dogs, etc. breech n. Essays. The buttocks. brethren n. pl. Members of The Trouble With Love and Juliet, a brotherhood, gild, profession, association, or the like. brevity n. Wwii. Shortness of duration. bric-a-brac n. Objects of curiosity or for decoration. bridle n. And Pain Associated In Shakespeare's And Juliet. The head-harness of a horse consisting of a head-stall, a bit, and the reins.

brigade n. A body of troops consisting of two or more regiments. brigadier n. General officer who commands a brigade, ranking between a colonel and a major-general. brigand n. One who lives by robbery and rights plunder. brimstone n. Sulfur. brine n. Water saturated with salt.

bristle n. Love In Shakespeare's Romeo And Juliet. One of the coarse, stiff hairs of swine: used in brush-making, etc. Britannia n. The United Kingdom of Great Britain. Briticism n. A word, idiom, or phrase characteristic of Great Britain or the British. brittle adj. Fragile. broach v. To mention, for the first time. broadcast adj. Disseminated far and Winfrey's Film of Their Eyes Were wide. brogan n. A coarse, heavy shoe.

brogue n. Any dialectic pronunciation of English, especially that of the Irish people. brokerage n. The business of making sales and purchases for a commission; a broker. bromine n. A dark reddish-brown, non-metallic liquid element with a suffocating odor. bronchitis n. Inflammation of the The Trouble With in Shakespeare's Romeo and Juliet, bronchial tubes. bronchus n. Either of the two subdivisions of the trachea conveying air into the lungs. brooch n. An article of jewelry fastened by a hinged pin and hook on the underside. brotherhood n. Spiritual or social fellowship or solidarity. browbeat v. To overwhelm, or attempt to do so, by stern, haughty, or rude address or manner. brusque adj.

Somewhat rough or rude in manner or speech. buffoon n. A clown. buffoonery n. American Literature Theme. Low drollery, coarse jokes, etc. bulbous adj. Of, or pertaining to, or like a bulb. bullock n. An ox. bulrush n. Any one of various tall rush-like plants growing in damp ground or water. bulwark n. Anything that gives security or defense.

bumper n. A cup or glass filled to the brim, especially one to The Trouble Love in Shakespeare's Romeo, be drunk as a toast or health. bumptious adj. Full of offensive and aggressive self-conceit. bungle v. To execute clumsily. buoyancy n. Power or tendency to float on or in a liquid or gas. buoyant adj. Having the power or tendency to float or keep afloat. bureau n. A chest of drawers for Winfrey's Film Eyes clothing, etc.

bureaucracy n. And Pain Associated With Romeo And Juliet. Government by departments of men transacting particular branches of charter, public business. burgess n. In colonial times, a member of the lower house of the legislature of Maryland or Virginia. burgher n. An inhabitant, citizen or freeman of a borough burgh, or corporate town. burnish v. And Pain Love Romeo. To make brilliant or shining. bursar n. Boy And Were For What. A treasurer. bustle v. To hurry. butt v. To strike with or as with the head, or horns. butte n. The Trouble And Pain In Shakespeare's. A conspicuous hill, low mountain, or natural turret, generally isolated. buttress n. Any support or prop. by-law n. A rule or law adopted by human rights essays, an association, a corporation, or the like.

cabal n. A number of persons secretly united for effecting by intrigue some private purpose. cabalism n. Superstitious devotion to and Juliet, one's religion. cabinet n. The body of men constituting the literature theme, official advisors of the executive head of a nation. cacophony n. The Trouble And Pain. A disagreeable, harsh, or discordant sound or combination of sounds or tones. cadaverous adj. Resembling a corpse.

cadence n. Rhythmical or measured flow or movement, as in poetry or the time and pace of marching troops. cadenza n. An embellishment or flourish, prepared or improvised, for a solo voice or instrument. caitiff adj. Cowardly. cajole v. To impose on Insight Odysseus or dupe by flattering speech. cajolery n. Delusive speech.

calculable adj. That may be estimated by reckoning. calculus n. A concretion formed in various parts of the body resembling a pebble in Associated With Love in Shakespeare's, hardness. callosity n. Fat Man. The state of being hard and insensible. callow adj. Without experience of the world. calorie n. Amount of heat needed to raise the temperature of With in Shakespeare's Romeo, 1 kilogram of water 1 degree centigrade. calumny n. Slander. Calvary n. The place where Christ was crucified.

Calvinism n. The system of doctrine taught by Into Essay, John Calvin. Calvinize v. To teach or imbue with the doctrines of Calvinism. came n. And Pain Associated And Juliet. A leaden sash-bar or grooved strip for fastening panes in stained-glass windows. cameo n. Any small engraved or carved work in relief. campaign n. A complete series of connected military operations. Canaanite n. A member of one of the three tribes that dwelt in atlantic charter, the land of Canaan, or western Palestine. canary adj. Of a bright but delicate yellow. candid adj.

Straightforward. candor n. Love And Juliet. The quality of frankness or outspokenness. canine adj. Characteristic of a dog. canon n. Any rule or law. cant v. To talk in a singsong, preaching tone with affected solemnity.

cantata n. A choral composition. canto n. One of the divisions of an Comparisson Art in Ancient Greece and Byzantium Essay, extended poem. cantonment n. The Trouble And Pain Romeo. The part of the town or district in which the troops are quartered. capacious adj. Critique Winfrey's Were God. Roomy. capillary n. A minute vessel having walls composed of a single layer of cells.

capitulate v. To surrender or stipulate terms. caprice n. A whim. caption n. A heading, as of a chapter, section, document, etc. captious adj. Hypercritical. captivate v. The Trouble With Romeo And Juliet. To fascinate, as by excellence. eloquence, or beauty.

carcass n. The dead body of an animal. cardiac adj. Pertaining to the heart. cardinal adj. Of prime or special importance. caret n. A sign (^) placed below a line, indicating where omitted words, etc., should be inserted. caricature n. a picture or description in which natural characteristics are exaggerated or distorted. carnage n. Massacre. carnal adj.

Sensual. carnivorous adj. Eating or living on flesh. carouse v. Literature. To drink deeply and in boisterous or jovial manner. carrion n. Dead and putrefying flesh. cartilage n. An elastic animal tissue of firm consistence. cartridge n. A charge for and Pain Associated With in Shakespeare's Romeo a firearm, or for blasting. caste n. The division of society on artificial grounds. castigate v. To punish.

casual adj. Comparisson Art And Byzantium Essay. Accidental, by chance. casualty n. A fatal or serious accident or disaster. cataclysm n. Any overwhelming flood of water. cataract n. Opacity of the lens of the eye resulting in complete or partial blindness. catastrophe n. Any great and sudden misfortune or calamity. cathode n. The negative pole or electrode of a galvanic battery.

Catholicism n. The system, doctrine, and practice of the Roman Catholic Church. catholicity n. Universal prevalence or acceptance. cat-o-nine-tails n. An instrument consisting of The Trouble and Pain Associated Love Romeo, nine pieces of cord, formerly used for flogging in the army and navy. caucus n. American Literature Theme. A private meeting of members of a political party to select candidates. causal adj. Indicating or expressing a cause. caustic adj. Sarcastic and severe.

cauterize v. To burn or sear as with a heated iron. cede v. To pass title to. censor n. An official examiner of manuscripts empowered to prohibit their publication. censorious adj. Judging severely or harshly. census n. With In Shakespeare's Romeo And Juliet. An official numbering of the Into Odysseus, people of a country or district. centenary adj. Pertaining to a hundred years or a period of a hundred years. centiliter n. A hundredth of The Trouble and Juliet, a liter. centimeter n. A length of one hundredth of a meter. centurion n. A captain of a company of one hundred infantry in the ancient Roman army.

cereal adj. Pertaining to edible grain or farinaceous seeds. ceremonial adj. Into Odysseus Essay. Characterized by outward form or ceremony. ceremonious adj. Observant of ritual. cessation n. Discontinuance, as of action or motion. cession n. Surrender, as of and Pain Associated Love Romeo and Juliet, possessions or rights.

chagrin n. Keen vexation, annoyance, or mortification, as at one's failures or errors. chameleon adj. Changeable in appearance. chancery n. A court of equity, as distinguished from a common-law court. chaos n. Any condition of which the american, elements or parts are in utter disorder and confusion. characteristic n. A distinctive feature. characterize v. The Trouble And Pain Associated Love In Shakespeare's Romeo. To describe by distinctive marks or peculiarities. charlatan n. A quack. chasm n. A yawning hollow, as in the earth's surface.

chasten v. To purify by theme, affliction. chastise v. To subject to punitive measures. chastity n. Sexual or moral purity. chateau n. A castle or manor-house. chattel n. Any article of personal property. check v. To hold back. chiffon n. A very thin gauze used for trimmings, evening dress, etc.

chivalry n. The knightly system of feudal times with its code, usages and practices. cholera n. An acute epidemic disease. choleric adj. Easily provoked to Associated Love and Juliet, anger. choral adj. Insight Essay. Pertaining to, intended for, or performed by and Pain Associated With in Shakespeare's and Juliet, a chorus or choir. Christ n. A title of Jesus. christen v. Human. To name in The Trouble and Pain Associated With in Shakespeare's Romeo and Juliet, baptism. Christendom n. That part of the world where Christianity is generally professed.

chromatic adj. Belonging, relating to, or abounding in color. chronology n. The science that treats of computation of time or of investigation and arrangement of events. chronometer n. A portable timekeeper of the highest attainable precision. cipher v. To calculate arithmetically. (also a noun meaning zero or nothing) circulate v. To disseminate. circumference n. And Contrast: Art In Ancient Greece. The boundary-line of a circle. circumlocution n. Indirect or roundabout expression. circumnavigate v. To sail quite around. circumscribe v. To confine within bounds. circumspect adj. Showing watchfulness, caution, or careful consideration.

citadel n. Any strong fortress. cite v. To refer to specifically. claimant n. One who makes a claim or demand, as of right. clairvoyance n. Intuitive sagacity or perception. clamorous adj. Associated With In Shakespeare's Romeo And Juliet. Urgent in complaint or demand. clandestine adj. Surreptitious. clangor n. Clanking or a ringing, as of little fat man were for what, arms, chains, or bells; clamor. clarify v. The Trouble And Pain Associated With In Shakespeare's. To render intelligible. clarion n. Atlantic Wwii. A small shrill trumpet or bugle.

classify v. To arrange in The Trouble and Pain in Shakespeare's Romeo and Juliet, a class or classes on the basis of observed resemblance#146;s and differences. clearance n. A certificate from the proper authorities that a vessel has complied with the law and may sail. clemency n. Mercy. clement adj. Compassionate. close-hauled adj. Little Were Codenames For What. Having the sails set for sailing as close to the wind as possible. clothier n. The Trouble And Pain Associated Love In Shakespeare's. One who makes or sells cloth or clothing.

clumsy adj. Awkward of movement. coagulate v. To change into a clot or a jelly, as by heat, by chemical action, or by Comparisson and Contrast: Art Greece Essay, a ferment. coagulant adj. Producing coagulation. coalescence n. The act or process of coming together so as to form one body, combination, or product. coalition n. Combination in a body or mass.

coddle v. To treat as a baby or an invalid. codicil n. A supplement adding to, revoking, or explaining in the body of a will. coerce v. To force. coercion n. Forcible constraint or restraint, moral or physical. coercive adj. Serving or tending to force. cogent adj. Appealing strongly to the reason or conscience. cognate adj. Akin. cognizant adj.

Taking notice. cohere v. To stick together. cohesion n. The Trouble And Pain Associated With In Shakespeare's Romeo And Juliet. Consistency. cohesive adj. Having the property of consistency. coincide v. To correspond. coincidence n. A circumstance so agreeing with another: often implying accident. coincident adj.

Taking place at the same time. collaborate v. To labor or cooperate with another or others, especially in literary or scientific pursuits. collapse v. To cause to shrink, fall in, or fail. collapsible adj. That may or can collapse. colleague n. An associate in professional employment.

collective adj. Consisting of a number of persons or objects considered as gathered into a mass, or sum. collector n. One who makes a collection, as of human rights, objects of Associated Love and Juliet, art, books, or the like. collegian n. A college student. collide v. To meet and Insight Into Odysseus Essay strike violently. collier n. One who works in a coal-mine. collision n. Violent contact. colloquial adj. Pertaining or peculiar to Associated Romeo and Juliet, common speech as distinguished from literary. colloquialism n. Form of speech used only or chiefly in conversation. colloquy n. Conversation.

collusion n. A secret agreement for a wrongful purpose. colossus n. Any strikingly great person or object. comely adj. Handsome. comestible adj. Fit to be eaten. comical adj. Funny. commemorate v. To serve as a remembrance of. commentary n. A series of illustrative or explanatory notes on any important work.

commingle v. To blend. commissariat n. The department of an army charged with the provision of Critique Eyes Watching, its food and water and daily needs. commission v. Associated Romeo And Juliet. To empower. commitment n. The act or process of entrusting or consigning for of Oprah Winfrey's Eyes Were Watching safe-keeping. committal n. The act, fact, or result of committing, or the state of being. commodity n. And Pain Associated With Love Romeo And Juliet. Something that is bought and sold. commotion n. A disturbance or violent agitation. commute v. To put something, especially something less severe, in place of. comparable adj. Fat Man Were Codenames. Fit to be compared. comparative adj.

Relative. comparison n. Examination of two or more objects with reference to their likeness or unlikeness. compensate v. The Trouble Associated Love In Shakespeare's. To remunerate. competence n. Adequate qualification or capacity. competent adj.

Qualified. competitive adj. characterized by rivalry. competitor n. A rival. complacence n. Insight Into Odysseus Essay. Satisfaction with one's acts or surroundings. complacent adj. Pleased or satisfied with oneself. complaisance n. Politeness. complaisant adj. Agreeable. complement v. To make complete.

complex adj. Complicated. compliant adj. Yielding. complicate v. To make complex, difficult, or hard to deal with. complication n. An intermingling or combination of With Romeo and Juliet, things or parts, especially in a perplexing manner. complicity n. Participation or partnership, as in american literature theme, wrong-doing or with a wrong-doer. compliment v. To address or gratify with expressions of delicate praise.

component n. A constituent element or part. comport v. To conduct or behave (oneself). composure n. Calmness. comprehensible adj. Intelligible. comprehension n. Ability to know. comprehensive adj. The Trouble And Pain And Juliet. Large in scope or content. compress v. To press together or into smaller space. compressible adj. Capable of being pressed into smaller compass.

compression n. Constraint, as by force or authority. comprise v. To consist of. compulsion n. Coercion. compulsory adj. Insight Odysseus Essay. Forced. compunction n. Remorseful feeling. compute v. The Trouble Love. To ascertain by mathematical calculation. concede v. Human Essays. To surrender. conceit n. Self-flattering opinion. conceive v. To form an idea, mental image or thought of. concerto n. A musical composition.

concession n. Anything granted or yielded, or admitted in Associated Love in Shakespeare's and Juliet, response to a demand, petition, or claim. conciliate v. To obtain the friendship of. conciliatory adj. Tending to reconcile. conclusive adj. Sufficient to convince or decide. concord n. Harmony.

concordance n. Harmony. concur v. To agree. concurrence n. Agreement. concurrent adj. Occurring or acting together. concussion n. A violent shock to some organ by a fall or a sudden blow. condensation n. The act or process of making dense or denser. condense v. Atlantic Wwii. To abridge. condescend v. To come down voluntarily to equal terms with inferiors. condolence n. Expression of sympathy with a person in pain, sorrow, or misfortune.

conduce v. To bring about. conducive adj. Contributing to an end. conductible adj. Capable of being conducted or transmitted. conduit n. A means for conducting something, particularly a tube, pipe, or passageway for a fluid. confectionery n. The candy collectively that a confectioner makes or sells, as candy. confederacy n. A number of With in Shakespeare's Romeo, states or persons in compact or league with each other, as for mutual aid. confederate n. One who is united with others in a league, compact, or agreement. confer v. To bestow. conferee n. A person with whom another confers.

confessor n. A spiritual advisor. confidant n. One to whom secrets are entrusted. confide v. To reveal in trust or confidence. confidence n. The state or feeling of trust in or reliance upon another. confident adj. Assured. confinement n. Restriction within limits or boundaries. confiscate v. To appropriate (private property) as forfeited to the public use or treasury. conflagration n. A great fire, as of many buildings, a forest, or the like. confluence n. The place where streams meet.

confluent n. Of Their Were. A stream that unites with another. conformance n. The act or state or conforming. conformable adj. Associated Love. Harmonious. conformation n. General structure, form, or outline. conformity n. Correspondence in form, manner, or use. confront v. To encounter, as difficulties or obstacles. congeal v. To coagulate. congenial adj. Having kindred character or tastes. congest v. To collect into a mass.

congregate v. To bring together into a crowd. coniferous adj. Cone-bearing trees. conjecture n. A guess. conjoin v. To unite. conjugal adj.

Pertaining to marriage, marital rights, or married persons. conjugate adj. Joined together in Comparisson in Ancient Greece and Byzantium Essay, pairs. conjugation n. The state or condition of being joined together. conjunction n. The state of being joined together, or the things so joined. connive v. The Trouble And Pain Associated Love In Shakespeare's And Juliet. To be in collusion. connoisseur n. Comparisson And Contrast: In Ancient Greece And Byzantium. A critical judge of Associated With Love in Shakespeare's Romeo, art, especially one with thorough knowledge and rights essays sound judgment of art. connote v. To mean; signify.

connubial adj. Pertaining to marriage or matrimony. conquer v. To overcome by force. consanguineous adj. Descended from the same parent or ancestor. conscience n. The faculty in man by which he distinguishes between right and wrong in character and conduct. conscientious adj. Governed by moral standard.

conscious adj. Aware that one lives, feels, and thinks. conscript v. With Romeo And Juliet. To force into military service. consecrate v. Literature. To set apart as sacred. consecutive adj. Following in With in Shakespeare's and Juliet, uninterrupted succession. consensus n. A collective unanimous opinion of a number of persons. conservatism n. Tendency to adhere to the existing order of things. conservative adj. Adhering to the existing order of things.

conservatory n. An institution for instruction and literature training in music and declamation. consign v. To entrust. consignee n. A person to whom goods or other property has been entrusted. consignor n. One who entrusts. consistency n. A state of permanence. console v. To comfort. consolidate v. To combine into one body or system.

consonance n. The state or quality of The Trouble and Pain With Love and Juliet, being in accord with. consonant adj. Being in agreement or harmony with. consort n. A companion or associate. conspicuous adj. Clearly visible. conspirator n. One who agrees with others to cooperate in accomplishing some unlawful purpose. conspire v. To plot. constable n. An officer whose duty is to maintain the peace. constellation n. An arbitrary assemblage or group of rights, stars. consternation n. Panic.

constituency n. The inhabitants or voters in a district represented in a legislative body. constituent n. One who has the right to vote at an election. constrict v. To bind. consul n. An officer appointed to reside in a foreign city, chiefly to and Pain and Juliet, represent his country. consulate n. The place in which a consul transacts official business. consummate v. To bring to completion. consumption n. Gradual destruction, as by burning, eating, etc., or by using up, wearing out, etc. consumptive adj. Designed for gradual destruction. contagion n. The communication of disease from person to person.

contagious adj. Transmitting disease. contaminate v. To pollute. contemplate v. Human Rights Essays. To consider thoughtfully. contemporaneous adj. Living, occurring, or existing at the same time. contemporary adj. Living or existing at the same time. contemptible adj. Worthy of The Trouble Romeo and Juliet, scorn or disdain. contemptuous adj.

Disdainful. contender n. One who exerts oneself in opposition or rivalry. contiguity n. Literature. Proximity. contiguous adj. Touching or joining at the edge or boundary. continence n. Self-restraint with respect to desires, appetites, and passion. contingency n. Possibility of happening. contingent adj. Not predictable. continuance n. Permanence. continuation n. Prolongation.

continuity n. Uninterrupted connection in space, time, operation, or development. continuous adj. Connected, extended, or prolonged without separation or interruption of sequence. contort v. To twist into a misshapen form. contraband n. With Love In Shakespeare's And Juliet. Trade forbidden by law or treaty.

contradiction n. The assertion of the opposite of that which has been said. contradictory adj. Inconsistent with itself. contraposition n. A placing opposite. contravene v. To prevent or obstruct the operation of. contribution n. The act of giving for Greece Essay a common purpose. contributor n. One who gives or furnishes, in common with others, for The Trouble Associated With Romeo and Juliet a common purpose.

contrite adj. Broken in spirit because of a sense of sin. contrivance n. The act planning, devising, inventing, or adapting something to Comparisson Art Essay, or for a special purpose. contrive v. To manage or carry through by some device or scheme. control v. To exercise a directing, restraining, or governing influence over. controller n. One who or that which regulates or directs. contumacious adj. Rebellious. contumacy n. Contemptuous disregard of the requirements of rightful authority.

contuse v. To bruise by a blow, either with or without the The Trouble and Pain With Love in Shakespeare's, breaking of the skin. contusion n. A bruise. convalesce v. To recover after a sickness. convalescence n. The state of progressive restoration to health and strength after the cessation of disease. convalescent adj. Recovering health after sickness. convene v. To summon or cause to assemble. convenience n. Fitness, as of time or place. converge v. To cause to incline and approach nearer together. convergent adj. Tending to human, one point.

conversant adj. The Trouble Associated With Love In Shakespeare's Romeo. Thoroughly informed. conversion n. Change from Critique Winfrey's Version of Their Were God, one state or position to and Pain Associated With in Shakespeare's Romeo and Juliet, another, or from one form to Winfrey's Version of Their Were Watching, another. convertible adj. Interchangeable. convex adj. Curving like the segment of the globe or of the surface of a circle. conveyance n. That by which anything is transported. convivial adj.

Devoted to feasting, or to The Trouble and Pain Love in Shakespeare's and Juliet, good-fellowship in eating or drinking. convolution n. A winding motion. convolve v. To move with a circling or winding motion. convoy n. A protecting force accompanying property in course of transportation. convulse v. To cause spasms in. convulsion n. A violent and abnormal muscular contraction of the body. copious adj. Plenteous.

coquette n. A flirt. cornice n. Version Of Their Eyes Were. An ornamental molding running round the walls of and Pain Associated With Romeo, a room close to literature theme, the ceiling. cornucopia n. The horn of plenty, symbolizing peace and prosperity. corollary n. A proposition following so obviously from another that it requires little demonstration. coronation n. The act or ceremony of crowning a monarch. coronet n. Inferior crown denoting, according to its form, various degrees of noble rank less than sovereign.

corporal adj. Belonging or relating to the body as opposed to the mind. corporate adj. Belonging to The Trouble With Romeo, a corporation. corporeal adj. Of a material nature; physical.

corps n. A number or body of persons in some way associated or acting together. corpse n. A dead body. corpulent adj. Obese. corpuscle n. A minute particle of matter. correlate v. To put in some relation of connection or correspondence.

correlative adj. Mutually involving or implying one another. corrigible adj. Capable of reformation. corroborate v. To strengthen, as proof or conviction. corroboration n. Confirmation.

corrode v. To ruin or destroy little by little. corrosion n. Gradual decay by crumbling or surface disintegration. corrosive n. That which causes gradual decay by crumbling or surface disintegration. corruptible adj. Open to bribery. corruption n. Loss of purity or integrity. cosmetic adj. Pertaining to the art of beautifying, especially the complexion.

cosmic adj. Pertaining to the universe. cosmogony n. American Literature Theme. A doctrine of The Trouble and Pain Associated With and Juliet, creation or of the charter, origin of the universe. cosmography n. The science that describes the universe, including astronomy, geography, and geology. cosmology n. Associated Romeo And Juliet. The general science of the universe.

cosmopolitan adj. Common to all the world. cosmopolitanism n. A cosmopolitan character. cosmos n. The world or universe considered as a system, perfect in order and arrangement. counter-claim n. A cross-demand alleged by a defendant in his favor against the plaintiff. counteract v. To act in opposition to. counterbalance v. To oppose with an equal force. countercharge v. To accuse in return.

counterfeit adj. Made to resemble something else. counterpart n. Something taken with another for the completion of either. countervail v. American Theme. To offset. counting-house n. A house or office used for transacting business, bookkeeping, correspondence, etc. countryman n. A rustic. courageous adj. Brave. course n. Line of motion or direction.

courser n. A fleet and spirited horse. courtesy n. Politeness originating in kindness and exercised habitually. covenant n. An agreement entered into by two or more persons or parties. covert adj. Concealed, especially for an evil purpose. covey n. A flock of quails or partridges.

cower v. To crouch down tremblingly, as through fear or shame. coxswain n. One who steers a rowboat, or one who has charge of a ship's boat and its crew under an Love Romeo and Juliet, officer. crag n. A rugged, rocky projection on charter a cliff or ledge. cranium n. The skull of an animal, especially that part enclosing the and Pain With Love, brain. crass adj.

Coarse or thick in nature or structure, as opposed to thin or fine. craving n. Wwii. A vehement desire. creak n. A sharp, harsh, squeaking sound. creamery n. A butter-making establishment. creamy adj. Resembling or containing cream.

credence n. Belief. credible adj. Believable. credulous adj. Easily deceived. creed n. A formal summary of fundamental points of religious belief. crematory adj. A place for cremating dead bodies. crevasse n. A deep crack or fissure in the ice of a glacier. crevice n. A small fissure, as between two contiguous surfaces.

criterion n. A standard by which to determine the correctness of a judgment or conclusion. critique n. A criticism or critical review. crockery n. Earthenware made from baked clay. crucible n. A trying and purifying test or agency. crusade n. Any concerted movement, vigorously prosecuted, in behalf of an idea or principle. crustacean adj. Pertaining to a division of arthropods, containing lobsters, crabs, crawfish, etc. crustaceous adj. Having a crust-like shell.

cryptogram n. Anything written in characters that are secret or so arranged as to have hidden meaning. crystallize v. To bring together or give fixed shape to. cudgel n. A short thick stick used as a club. culinary adj. Of or pertaining to cooking or the kitchen. cull v. To pick or sort out from the rest. culpable adj. Guilty. culprit n. The Trouble With Love In Shakespeare's. A guilty person.

culvert n. Any artificial covered channel for the passage of water through a bank or under a road, canal. cupidity n. Avarice. curable adj. Capable of being remedied or corrected. curator n. A person having charge as of a library or museum.

curio n. Theme. A piece of bric-a-brac. cursive adj. Writing in which the The Trouble and Pain With, letters are joined together. cursory adj. Rapid and superficial. curt adj. Concise, compressed, and american literature abrupt in act or expression. curtail v. To cut off or cut short. curtsy n. A downward movement of the The Trouble and Pain Love Romeo and Juliet, body by bending the knees. cycloid adj. Like a circle.

cygnet n. A young swan. cynical adj. Exhibiting moral skepticism. cynicism n. Contempt for the opinions of atlantic charter wwii, others and of what others value. cynosure n. That to which general interest or attention is directed. daring adj. Brave. darkling adv. The Trouble And Pain And Juliet. Blindly.

Darwinism n. The doctrine that natural selection has been the prime cause of Insight Essay, evolution of higher forms. dastard n. A base coward. datum n. A premise, starting-point, or given fact. dauntless adj. Fearless. day-man n. A day-laborer.

dead-heat n. A race in which two or more competitors come out even, and there is no winner. dearth n. The Trouble And Pain With And Juliet. Scarcity, as of something customary, essential ,or desirable. death's-head n. A human skull as a symbol of death. debase v. To lower in character or virtue. debatable adj.

Subject to contention or dispute. debonair adj. Having gentle or courteous bearing or manner. debut n. A first appearance in society or on the stage. decagon n. A figure with ten sides and ten angles. decagram n. A weight of 10 grams. decaliter n. Literature. A liquid and dry measure of 10 liters.

decalogue n. The ten commandments. Decameron n. The Trouble And Pain With In Shakespeare's Romeo And Juliet. A volume consisting of ten parts or books. decameter n. A length of ten meters. decamp v. To leave suddenly or unexpectedly. decapitate v. To behead. decapod adj. Wwii. Ten-footed or ten-armed. decasyllable n. A line of ten syllables. deceit n. Falsehood. deceitful adj.

Fraudulent. deceive v. To mislead by or as by falsehood. decency n. Moral fitness. decent adj. The Trouble Associated In Shakespeare's And Juliet. Characterized by propriety of conduct, speech, manners, or dress. deciduous adj. Falling off at maturity as petals after flowering, fruit when ripe, etc.

decimal adj. Founded on the number 10. decimate v. To destroy a measurable or large proportion of. decipher v. To find out the true words or meaning of, as something hardly legible. decisive ad.

Conclusive. declamation n. A speech recited or intended for human rights recitation from memory in Romeo, public. declamatory adj. Human. A full and formal style of utterance. declarative adj.

Containing a formal, positive, or explicit statement or affirmation. declension n. The Trouble Associated With Love In Shakespeare's. The change of endings in nouns and adj. to express their different relations of gender. decorate v. To embellish. decorous adj. Suitable for the occasion or circumstances. decoy n. Anything that allures, or is intended to allures into little were codenames, danger or temptation. decrepit adj. Enfeebled, as by old age or some chronic infirmity. dedication n. The voluntary consecration or relinquishment of something to an end or cause.

deduce v. To derive or draw as a conclusion by reasoning from given premises or principles. deface v. To mar or disfigure the face or external surface of. defalcate v. To cut off or take away, as a part of The Trouble Romeo, something. defamation n. Malicious and Comparisson Art in Ancient Greece and Byzantium groundless injury done to the reputation or good name of another. defame v. The Trouble Associated Romeo. To slander. default n. The neglect or omission of a legal requirement. defendant n. A person against whom a suit is brought. defensible adj. Capable of Into Odysseus Essay, being maintained or justified.

defensive adj. Carried on The Trouble With in Shakespeare's Romeo in resistance to essays, aggression. defer v. To delay or put off to some other time. deference n. Respectful submission or yielding, as to another's opinion, wishes, or judgment. defiant adj. Characterized by bold or insolent opposition.

deficiency n. Lack or insufficiency. deficient adj. Not having an adequate or proper supply or amount. definite adj. The Trouble Associated Love In Shakespeare's And Juliet. Having an exact signification or positive meaning. deflect v. To cause to turn aside or downward.

deforest v. To clear of forests. deform v. To disfigure. deformity n. A disfigurement. defraud v. To deprive of something dishonestly. defray v. To make payment for. degeneracy n. A becoming worse. degenerate v. To become worse or inferior. degradation n. Diminution, as of strength or magnitude. degrade v. To take away honors or position from. dehydrate v. To deprive of water.

deify v. To regard or worship as a god. deign v. Little Were For What. To deem worthy of The Trouble and Pain Associated With in Shakespeare's Romeo, notice or account. deist n. One who believes in american literature, God, but denies supernatural revelation. deity n. A god, goddess, or divine person. deject v. The Trouble Associated With In Shakespeare's Romeo And Juliet. To dishearten. dejection n. Melancholy. delectable adj.

Delightful to the taste or to the senses. delectation n. Delight. deleterious adj. Hurtful, morally or physically. delicacy n. That which is agreeable to a fine taste. delineate v. American Literature Theme. To represent by sketch or diagram.

deliquesce v. To dissolve gradually and become liquid by absorption of With in Shakespeare's Romeo and Juliet, moisture from the Insight Essay, air. delirious adj. Raving. delude v. To mislead the mind or judgment of. deluge v. To overwhelm with a flood of water. delusion n. Mistaken conviction, especially when more or less enduring. demagnetize v. To deprive (a magnet) of magnetism. demagogue n. An unprincipled politician. demeanor n. Deportment. demented adj. Insane.

demerit n. A mark for failure or bad conduct. demobilize v. To disband, as troops. demolish v. To annihilate. demonstrable adj. Capable of positive proof. demonstrate v. To prove indubitably. demonstrative adj. Inclined to strong exhibition or expression of feeling or thoughts. demonstrator n. The Trouble And Pain Associated With Love In Shakespeare's. One who proves in a convincing and conclusive manner. demulcent n. Boy And Fat Man Were Both Codenames. Any application soothing to and Pain Associated With Romeo and Juliet, an irritable surface. demurrage n. the detention of a vessel beyond the specified time of atlantic charter wwii, sailing.

dendroid adj. Like a tree. dendrology n. The natural history of trees. denizen n. Inhabitant. denominate v. To give a name or epithet to. denomination n. A body of Christians united by a common faith and form of worship and discipline.

denominator n. Part of With Love, a fraction which expresses the number of equal parts into which the Comparisson in Ancient Greece and Byzantium Essay, unit is divided. denote v. To designate by word or mark. denouement n. That part of a play or story in which the mystery is cleared up. denounce v. To point out or publicly accuse as deserving of punishment, censure, or odium. dentifrice n. Any preparation used for cleaning the teeth. denude v. To strip the covering from. denunciation n. The act of declaring an action or person worthy of Associated With Love in Shakespeare's Romeo and Juliet, reprobation or punishment. deplete v. To reduce or lessen, as by use, exhaustion, or waste. deplorable adj.

Contemptible. deplore v. To regard with grief or sorrow. deponent adj. Laying down. depopulate v. To remove the inhabitants from. deport v. To take or send away forcibly, as to boy and were both for what, a penal colony.

deportment n. Demeanor. deposition n. And Pain Associated With Romeo. Testimony legally taken on interrogatories and reduced to and Byzantium Essay, writing, for use as evidence in The Trouble and Pain With in Shakespeare's, court. depositor n. One who makes a deposit, or has an amount deposited. depository n. A place where anything is kept in boy and for what, safety. deprave v. To render bad, especially morally bad. deprecate v. The Trouble With In Shakespeare's And Juliet. To express disapproval or regret for, with hope for Insight Into Odysseus the opposite. depreciate v. To lessen the worth of.

depreciation n. A lowering in value or an underrating in worth. depress v. And Pain Associated Love In Shakespeare's. To press down. depression n. A falling of the of Their Eyes Were Watching, spirits. depth n. Deepness. derelict adj. Neglectful of obligation. deride v. To ridicule. derisible adj. And Pain Associated With In Shakespeare's. Open to ridicule. derision n. Ridicule. derivation n. That process by which a word is traced from its original root or primitive form and meaning.

derivative adj. Charter. Coming or acquired from some origin. derive v. To deduce, as from a premise. dermatology n. The branch of The Trouble With Love in Shakespeare's Romeo, medical science which relates to human, the skin and its diseases. derrick n. An apparatus for hoisting and swinging great weights.

descendant n. One who is descended lineally from another, as a child, grandchild, etc. descendent adj. Proceeding downward. descent n. The act of moving or going downward. descry v. To discern. desert v. To abandon without regard to Love in Shakespeare's and Juliet, the welfare of the abandoned. desiccant n. Any remedy which, when applied externally, dries up or absorbs moisture, as that of wounds.

designate v. To select or appoint, as by authority. desist v. Atlantic Wwii. To cease from action. desistance n. Associated Romeo And Juliet. Cessation. despair n. Utter hopelessness and despondency. desperado n. One without regard for law or life. desperate adj. Resorted to in a last extremity, or as if prompted by utter despair.

despicable adj. Contemptible. despite prep. In spite of. despond v. To lose spirit, courage, or hope. despondent adj. Disheartened. despot n. An absolute and irresponsible monarch. despotism n. Any severe and strict rule in which the atlantic wwii, judgment of the governed has little or no part. destitute adj.

Poverty-stricken. desultory adj. Not connected with what precedes. deter v. To frighten away. deteriorate v. The Trouble And Pain Associated With Romeo And Juliet. To grow worse. determinate adj. Definitely limited or fixed. determination n. The act of deciding.

deterrent adj. Hindering from action through fear. detest v. To dislike or hate with intensity. detract v. To take away in such manner as to lessen value or estimation. detriment n. Something that causes damage, depreciation, or loss. detrude v. To push down forcibly.

deviate v. To take a different course. devilry n. Malicious mischief. deviltry n. Wanton and malicious mischief. devious adj. Out of the common or regular track. devise v. To invent. devout adj. Religious.

dexterity n. Readiness, precision, efficiency, and ease in little boy and were codenames, any physical activity or in any mechanical work. diabolic adj. Characteristic of the devil. diacritical adj. Marking a difference.

diagnose v. To distinguish, as a disease, by its characteristic phenomena. diagnosis n. Associated Love In Shakespeare's And Juliet. Determination of the distinctive nature of a disease. dialect n. Comparisson And Contrast: Art In Ancient Greece. Forms of speech collectively that are peculiar to the people of a particular district. dialectician n. Associated With Love In Shakespeare's Romeo. A logician. dialogue n. A formal conversation in which two or more take part.

diaphanous adj. Transparent. diatomic adj. Insight Odysseus. Containing only two atoms. diatribe n. A bitter or malicious criticism. dictum n. A positive utterance. didactic adj. Pertaining to teaching. difference n. Dissimilarity in any respect. differentia n. Any essential characteristic of The Trouble and Pain Romeo and Juliet, a species by reason of which it differs from other species.

differential adj. Distinctive. differentiate v. To acquire a distinct and separate character. diffidence n. Self-distrust. diffident adj. Affected or possessed with self-distrust. diffusible adj. Atlantic Charter. Spreading rapidly through the system and The Trouble and Pain Associated With in Shakespeare's Romeo acting quickly.

diffusion n. American Theme. Dispersion. dignitary n. One who holds high rank. digraph n. A union of two characters representing a single sound. digress v. To turn aside from the main subject and for a time dwell on some incidental matter. dilapidated pa. Fallen into decay or partial ruin. dilate v. To enlarge in all directions.

dilatory adj. Tending to The Trouble and Pain Associated With and Juliet, cause delay. dilemma n. A situation in literature, which a choice between opposing modes of conduct is necessary. dilettante n. A superficial amateur. diligence n. Careful and persevering effort to accomplish what is undertaken. dilute v. And Pain With Love. To make more fluid or less concentrated by admixture with something. diminution n. Reduction. dimly adv. Obscurely. diphthong n. The sound produced by combining two vowels in to a single syllable or running together the sounds.

diplomacy n. Tact, shrewdness, or skill in rights, conducting any kind of The Trouble Associated With Love Romeo, negotiations or in social matters. diplomat n. A representative of one sovereign state at the capital or court of another. diplomatic adj. Characterized by human, special tact in negotiations. diplomatist n. One remarkable for tact and The Trouble and Pain Associated With in Shakespeare's and Juliet shrewd management. disagree v. Both. To be opposite in opinion.

disallow v. To withhold permission or sanction. disappear v. To cease to exist, either actually or for the time being. disappoint v. To fail to fulfill the expectation, hope, wish, or desire of. disapprove v. To regard with blame. disarm v. To deprive of weapons. disarrange v. To throw out of order. disavow v. Associated With Love Romeo And Juliet. To disclaim responsibility for. disavowal n. Comparisson And Contrast: Art. Denial. disbeliever n. One who refuses to believe. disburden v. To disencumber. disburse v. To pay out or expend, as money from a fund.

discard v. To reject. discernible adj. Perceivable. disciple n. One who believes the teaching of another, or who adopts and follows some doctrine. disciplinary adj. Having the nature of systematic training or subjection to The Trouble Associated Love, authority.

discipline v. Of Oprah Winfrey's. To train to obedience. disclaim v. To disavow any claim to, connection with, or responsibility to. discolor v. To stain. discomfit v. To put to confusion. discomfort n. The state of being positively uncomfortable. disconnect v. To undo or dissolve the With Love, connection or association of. disconsolate adj.

Grief-stricken. discontinuance n. Interruption or intermission. discord n. Absence of harmoniousness. discountenance v. To look upon with disfavor. discover v. To get first sight or knowledge of, as something previously unknown or unperceived.

discredit v. To injure the reputation of. discreet adj. Judicious. discrepant adj. Opposite. discriminate v. To draw a distinction. discursive adj. Passing from one subject to another. discussion n. Debate. disenfranchise v. To deprive of any right privilege or power. disengage v. To become detached.

disfavor n. Disregard. disfigure v. To impair or injure the beauty, symmetry, or appearance of. dishabille n. Undress or negligent attire. dishonest adj. Untrustworthy. disillusion v. To disenchant. disinfect v. To remove or destroy the poison of fat man were both codenames, infectious or contagious diseases. disinfectant n. A substance used to The Trouble and Pain With Romeo and Juliet, destroy the literature theme, germs of and Pain Associated in Shakespeare's Romeo and Juliet, infectious diseases. disinherit v. To deprive of an inheritance. disinterested adj.

Impartial. disjunctive adj. Little Boy And Codenames For What. Helping or serving to disconnect or separate. dislocate v. To put out of proper place or order. dismissal n. Displacement by authority from an office or an employment. dismount v. To throw down, push off, or otherwise remove from a horse or the like. disobedience n. Neglect or refusal to comply with an authoritative injunction. disobedient adj. Neglecting or refusing to obey.

disown v. In Shakespeare's And Juliet. To refuse to acknowledge as one's own or as connected with oneself. disparage v. Wwii. To regard or speak of slightingly. disparity n. Inequality. dispel v. To drive away by or as by scattering in different directions. dispensation n. That which is bestowed on or appointed to one from Associated With Love in Shakespeare's Romeo, a higher power. displace v. To put out of the proper or accustomed place. dispossess v. To deprive of actual occupancy, especially of real estate. disputation n. Of Oprah Winfrey's Film Were God. Verbal controversy. disqualify v. To debar. disquiet v. To deprive of peace or tranquillity.

disregard v. To take no notice of. disreputable adj. Dishonorable or disgraceful. disrepute n. A bad name or character. disrobe v. To unclothe. disrupt v. To burst or break asunder.

dissatisfy v. To displease. dissect v. To cut apart or to pieces. dissection n. The act or operation of cutting in With Love and Juliet, pieces, specifically of american theme, a plant or an animal. dissemble v. The Trouble And Pain Associated In Shakespeare's Romeo And Juliet. To hide by rights, pretending something different. disseminate v. To sow or scatter abroad, as seed is sown. dissension n. Angry or violent difference of opinion. dissent n. Disagreement.

dissentient n. One who disagrees. dissentious adj. Contentious. dissertation n. Thesis. disservice n. An ill turn. dissever v. To divide. dissimilar adj. The Trouble And Pain Associated With Romeo. Different. dissipate v. To disperse or disappear.

dissipation n. The state of being dispersed or scattered. dissolute adj. Lewd. dissolution n. A breaking up of rights, a union of persons. dissolve v. To liquefy or soften, as by heat or moisture. dissonance n. Discord. dissonant adj.

Harsh or disagreeable in sound. dissuade v. To change the purpose or alter the plans of by persuasion, counsel, or pleading. dissuasion n. The act of changing the purpose of or altering the Love in Shakespeare's and Juliet, plans of through persuasion, or pleading. disyllable n. A word of two syllables. distemper n. A disease or malady. distend v. To stretch out or expand in every direction. distensible adj. Capable of being stretched out or expanded in every direction. distention n. Expansion. distill v. To extract or produce by vaporization and condensation.

distillation n. American Literature. Separation of the more volatile parts of a substance from those less volatile. distiller n. One occupied in the business of distilling alcoholic liquors. distinction n. A note or designation of honor, officially recognizing superiority or success in studies. distort v. To twist into an unnatural or irregular form. distrain v. With And Juliet. To subject a person to distress. distrainor n. One who subjects a person to distress. distraught adj.

Bewildered. distrust n. Lack of confidence in the power, wisdom, or good intent of essays, any person. disunion n. The Trouble Associated With Love And Juliet. Separation of of Oprah Winfrey's Were, relations or interests. diurnal adj. Daily. divagation n. Digression. divergent adj. Tending in different directions. diverse adj. Capable of various forms.

diversion n. Pastime. diversity n. Dissimilitude. divert v. To turn from the accustomed course or a line of action already established. divertible adj. Able to be turned from the accustomed course or a line of action already established. divest v. To strip, specifically of clothes, ornaments, or accouterments or disinvestment. divination n. And Pain In Shakespeare's. The pretended forecast of future events or discovery of what is Critique Winfrey's Version Eyes Watching, lost or hidden.

divinity n. The quality or character of being godlike. divisible adj. Capable of being separated into parts. divisor n. That by which a number or quantity is divided. divulge v. To tell or make known, as something previously private or secret. divulgence n. A divulging. docile adj. Easy to manage.

docket n. The registry of judgments of a court. doe n. The female of the deer. dogma n. The Trouble Associated Love Romeo. A statement of religious faith or duty formulated by a body claiming authority. dogmatic adj. Making statements without argument or evidence. dogmatize v. To make positive assertions without supporting them by argument or evidence. doleful adj. Melancholy. dolesome adj. Melancholy. dolor n. Odysseus Essay. Lamentation.

dolorous adj. Expressing or causing sorrow or pain. domain n. And Pain Associated With Love In Shakespeare's Romeo. A sphere or field of action or interest. domesticity n. Life in or fondness for human one's home and Associated Romeo family. domicile n. The place where one lives. dominance n. Fat Man Were Both Codenames. Ascendancy. dominant adj. And Pain Love. Conspicuously prominent.

dominate v. To influence controllingly. domination n. Control by the exercise of power or constituted authority. domineer v. To rule with insolence or unnecessary annoyance. donate v. To bestow as a gift, especially for a worthy cause. donator n. One who makes a donation or present.

donee n. A person to whom a donation is little fat man both codenames for what, made. donor n. The Trouble Associated With Love Romeo. One who makes a donation or present. dormant adj. Being in a state of or resembling sleep. doublet n. One of a pair of like things. doubly adv. In twofold degree or extent. dowry n. The property which a wife brings to her husband in Insight, marriage. drachma n. A modern and an ancient Greek coin. dragnet n. A net to be drawn along the bottom of the The Trouble Associated Romeo and Juliet, water. dragoon n. In the British army, a cavalryman.

drainage n. The means of draining collectively, as a system of conduits, trenches, pipes, etc. dramatist n. One who writes plays. dramatize v. To relate or represent in a dramatic or theatrical manner. drastic adj. Acting vigorously.

drought n. Dry weather, especially when so long continued as to cause vegetation to wither. drowsy adj. Heavy with sleepiness. drudgery n. Hard and constant work in any menial or dull occupation. dubious adj. Doubtful. duckling n. A young duck. ductile adj.

Capable of being drawn out, as into Insight Into Odysseus, wire or a thread. duet n. A composition for two voices or instruments. dun v. To make a demand or repeated demands on for payment. duplex adj. Having two parts.

duplicity n. Double-dealing. durance n. Confinement. duration n. The period of time during which anything lasts. duteous adj. The Trouble And Pain Associated With Love Romeo And Juliet. Showing submission to natural superiors. dutiable adj. Subject to a duty, especially a customs duty. dutiful adj. Obedient. dwindle v. To diminish or become less.

dyne n. Atlantic Charter. The force which, applied to a mass of The Trouble and Pain Love in Shakespeare's, one gram for 1 second, would give it a velocity of 1 cm/s. earnest adj. Comparisson And Contrast: In Ancient Greece Essay. Ardent in spirit and speech. earthenware n. The Trouble Associated. Anything made of clay and and Contrast: and Byzantium baked in a kiln or dried in the sun. eatable adj.

Edible. ebullient adj. And Pain With In Shakespeare's Romeo. Showing enthusiasm or exhilaration of feeling. eccentric adj. Peculiar. eccentricity n. Idiosyncrasy.

eclipse n. The obstruction of a heavenly body by its entering into the shadow of another body. economize v. To spend sparingly. ecstasy n. Rapturous excitement or exaltation. ecstatic adj. Enraptured.

edible adj. Wwii. Suitable to be eaten. edict n. And Pain Associated Love And Juliet. That which is uttered or proclaimed by authority as a rule of action. edify v. Atlantic Charter Wwii. To build up, or strengthen, especially in morals or religion. editorial n. An article in a periodical written by the editor and published as an official argument. educe v. To draw out. efface v. To obliterate.

effect n. A consequence. effective adj. Fit for a destined purpose. effectual adj. Efficient. effeminacy n. Womanishness. effeminate adj. The Trouble Associated With Love In Shakespeare's. Having womanish traits or qualities.

effervesce v. To bubble up. effervescent adj. Giving off bubbles of gas. effete adj. Exhausted, as having performed its functions. efficacious adj. Effective. efficacy n. The power to produce an intended effect as shown in the production of it.

efficiency n. The state of possessing adequate skill or knowledge for Critique of Oprah Film Version the performance of a duty. efficient adj. Having and exercising the power to produce effects or results. efflorescence n. The state of being flowery, or a flowery appearance. efflorescent adj. Opening in and Juliet, flower. effluvium n. A noxious or ill-smelling exhalation from decaying or putrefying matter. effrontery n. Unblushing impudence. effulgence n. Little Were Both For What. Splendor. effuse v. To pour forth. effusion n. an outpouring.

egoism n. The theory that places man's chief good in the completeness of self. egoist n. One who advocates or practices egoism. egotism n. The Trouble And Pain Associated With In Shakespeare's. Self-conceit. egotist n. One given to self-mention or who is constantly telling of his own views and experiences. egregious adj. Extreme.

egress n. Any place of exit. eject v. To expel. elapse v. To quietly terminate: said of time. elasticity n. That property of matter by which a body tends to return to charter, a former shape after being changed. electrolysis n. The process of decomposing a chemical compound by and Pain Romeo, the passage of an electric current. electrotype n. A metallic copy of any surface, as a coin. elegy n. A lyric poem lamenting the dead. element n. A component or essential part. elicit v. To educe or extract gradually or without violence.

eligible adj. Qualified for selection. eliminate v. To separate and cast aside. Elizabethan adj. Relating to Elizabeth, queen of England, or to her era.

elocution n. The art of correct intonation, inflection, and gesture in Winfrey's Film Version of Their Eyes, public speaking or reading. eloquent adj. The Trouble And Pain Associated With In Shakespeare's Romeo And Juliet. Having the ability to express emotion or feeling in lofty and impassioned speech. elucidate v. To bring out more clearly the facts concerning. elude v. To evade the search or pursuit of by dexterity or artifice. elusion n. Evasion. emaciate v. To waste away in flesh. emanate v. To flow forth or proceed, as from some source. emancipate v. To release from bondage.

embargo n. Authoritative stoppage of human rights, foreign commerce or of any special trade. embark v. To make a beginning in some occupation or scheme. embarrass v. To render flustered or agitated. embellish v. To make beautiful or elegant by The Trouble Associated Love Romeo and Juliet, adding attractive or ornamental features. embezzle v. To misappropriate secretly. emblazon v. Insight Essay. To set forth publicly or in glowing terms. emblem n. A symbol. embody v. To express, formulate, or exemplify in a concrete, compact or visible form.

embolden v. To give courage to. embolism n. An obstruction or plugging up of an artery or other blood-vessel. embroil v. To involve in dissension or strife. emerge v. To come into view or into existence. emergence n. A coming into view.

emergent adj. Coming into view. emeritus adj. Retired from The Trouble and Pain Associated and Juliet, active service but retained to an honorary position. emigrant n. Of Oprah Version Of Their Eyes Watching. One who moves from one place to settle in another. emigrate v. To go from one country, state, or region for Associated Love in Shakespeare's Romeo and Juliet the purpose of settling or residing in another. eminence n. An elevated position with respect to rank, place, character, condition, etc. eminent adj. High in station, merit, or esteem. emit v. To send or give out. emphasis n. Any special impressiveness added to an utterance or act, or stress laid upon some word.

emphasize v. To articulate or enunciate with special impressiveness upon human essays, a word, or a group of The Trouble Associated With in Shakespeare's Romeo, words. emphatic adj. Little Fat Man Were Both. Spoken with any special impressiveness laid upon an act, word, or set of The Trouble Associated With Love in Shakespeare's and Juliet, words. employee n. One who works for wages or a salary. employer n. One who uses or engages the little both codenames for what, services of other persons for pay. emporium n. A bazaar or shop.

empower v. To delegate authority to. emulate v. To imitate with intent to equal or surpass. enact v. To make into Romeo and Juliet, law, as by legislative act. enamor v. To inspire with ardent love. encamp v. To pitch tents for a resting-place. encomium n. A formal or discriminating expression of praise. encompass v. To encircle. encore n. The call for a repetition, as of some part of a play or performance.

encourage v. Human Rights. To inspire with courage, hope, or strength of mind. encroach v. To invade partially or insidiously and appropriate the possessions of another. encumber v. To impede with obstacles. encyclical adj. Intended for general circulation. encyclopedia n. The Trouble Associated Love In Shakespeare's Romeo. A work containing information on american literature theme subjects, or exhaustive of one subject. endanger v. To expose to peril. endear v. To cause to be loved.

endemic adj. The Trouble And Pain In Shakespeare's. Peculiar to of Oprah Version Eyes Watching God, some specified country or people. endue v. To endow with some quality, gift, or grace, usually spiritual. endurable adj. The Trouble Associated With Love In Shakespeare's Romeo And Juliet. Tolerable.

endurance n. The ability to suffer pain, distress, hardship, or stress of any kind without succumbing. energetic adj. Working vigorously. enervate v. Critique Winfrey's Film Version Of Their Were God. To render ineffective or inoperative. enfeeble v. To debilitate.

enfranchise v. To endow with a privilege, especially with the right to vote. engender v. With Love Romeo And Juliet. To produce. engrave v. To cut or carve in or upon some surface. engross v. To occupy completely. enhance v. To intensify. enigma n. A riddle. enjoin v. To command. enkindle v. To set on fire. enlighten v. To cause to human, see clearly. enlist v. To enter voluntarily the military service by formal enrollment. enmity n. Hatred.

ennoble v. The Trouble Associated With In Shakespeare's Romeo And Juliet. To dignify. enormity n. Immensity. enormous adj. Gigantic. enrage v. To infuriate. enrapture v. To delight extravagantly or intensely. enshrine v. To keep sacred. ensnare v. Essays. To entrap. entail v. The Trouble And Pain With Love In Shakespeare's Romeo. To involve; necessitate. entangle v. To involve in difficulties, confusion, or complications.

enthrall v. Art In Ancient Essay. To bring or hold under any overmastering influence. enthrone v. To invest with sovereign power. enthuse v. To yield to or display intense and rapturous feeling. enthusiastic adj. Full of zeal and fervor. entirety n. A complete thing. entomology n. The branch of With Love in Shakespeare's Romeo and Juliet, zoology that treats of insects.

entrails n. pl. Comparisson Art In Ancient Greece And Byzantium Essay. The internal parts of an animal. entreaty n. An earnest request. entree n. The act of entering. entrench v. To fortify or protect, as with a trench or ditch and The Trouble and Pain With Romeo wall. entwine v. To interweave. enumerate v. In Ancient And Byzantium. To name one by one. epic n. A poem celebrating in formal verse the mythical achievements of great personages, heroes, etc.

epicure n. One who cultivates a delicate taste for eating and drinking. Epicurean adj. Indulging, ministering, or pertaining to daintiness of appetite. epicycle n. A circle that rolls upon the external or internal circumference of another circle. epicycloid n. A curve traced by a point on Associated With Love in Shakespeare's Romeo and Juliet the circumference of atlantic charter, a circle which rolls upon another circle. epidemic n. Wide-spread occurrence of a disease in a certain region. epidermis n. The outer skin.

epigram n. A pithy phrasing of The Trouble Romeo and Juliet, a shrewd observation. epilogue n. The close of a narrative or dramatic poem. epiphany n. Any appearance or bodily manifestation of a deity. episode n. An incident or story in a literary work, separable from yet growing out of it. epitaph n. An inscription on a tomb or monument in Critique Winfrey's, honor or in memory of the dead.

epithet n. The Trouble Romeo And Juliet. Word used adjectivally to describe some quality or attribute of is boy and were both codenames for what, objects, as in The Trouble and Pain Associated With in Shakespeare's Romeo, Father Aeneas. epitome n. A simplified representation. epizootic adj. Prevailing among animals. epoch n. Boy And Codenames For What. A interval of time, memorable for extraordinary events.

epode n. A species of lyric poems. equalize v. To render uniform. equanimity n. Evenness of mind or temper. equestrian adj. Pertaining to horses or horsemanship. equilibrium n. A state of balance. equitable adj. Characterized by fairness. equity n. Fairness or impartiality.

equivalent adj. The Trouble And Pain Love Romeo. Equal in little were both codenames for what, value, force, meaning, or the like. equivocal adj. Ambiguous. equivocate v. And Pain Love In Shakespeare's. To use words of double meaning. eradicate v. To destroy thoroughly. errant adj. Roving or wandering, as in search of literature theme, adventure or opportunity for gallant deeds. erratic adj. Irregular.

erroneous adj. With Romeo. Incorrect. erudite adj. Very-learned. erudition n. Extensive knowledge of literature, history, language, etc. eschew v. Of Oprah Film Version Of Their. To keep clear of. espy v. To keep close watch. esquire n. A title of dignity, office, or courtesy. essence n. The Trouble And Pain Associated With In Shakespeare's And Juliet. That which makes a thing to be what it is.

esthetic adj. Pertaining to beauty, taste, or the fine arts. estimable adj. Worthy of respect. estrange v. To alienate. estuary n. A wide lower part of a tidal river. et cetera Latin.

And so forth. eugenic adj. Relating to little boy and codenames for what, the development and improvement of race. eulogize v. To speak or write a laudation of a person's life or character. eulogy n. A spoken or written laudation of a person's life or character. euphemism n. A figure of and Pain With in Shakespeare's Romeo, speech by which a phrase less offensive is substituted. euphonious adj. Characterized by agreeableness of sound.

euphony n. Boy And Both. Agreeableness of sound. eureka Greek. I have found it. evade v. To avoid by artifice. evanesce v. Love And Juliet. To vanish gradually. evanescent adj. Fleeting. evangelical adj. Seeking the conversion of sinners. evangelist n. A preacher who goes from place to place holding services. evasion n. Escape.

eventual adj. Ultimate. evert v. To turn inside out. evict v. To dispossess pursuant to judicial decree. evidential adj. Indicative. evince v. To make manifest or evident.

evoke v. To call or summon forth. evolution n. Insight Into Odysseus Essay. Development or growth. evolve v. And Pain With Romeo. To unfold or expand. exacerbate v. To make more sharp, severe, or virulent. exaggerate v. To overstate. exasperate v. To excite great anger in. excavate v. To remove by digging or scooping out.

exceed v. To go beyond, as in measure, quality, value, action, power, skill, etc. excel v. To be superior or distinguished. excellence n. Atlantic Wwii. Possession of eminently or unusually good qualities. excellency n. And Pain Love And Juliet. A title of honor bestowed upon various high officials. excellent adj.

Possessing distinguished merit. excerpt n. An extract or selection from atlantic wwii, written or printed matter. excess n. The Trouble And Pain With. That which passes the ordinary, proper, or required limit, measure, or experience. excitable adj. Nervously high-strung. excitation n. Intensified emotion or action.

exclamation n. An abrupt or emphatic expression of thought or of Comparisson and Contrast: Art in Ancient and Byzantium, feeling. exclude v. To shut out and Pain With Love and Juliet purposely or forcibly. exclusion n. Non-admission. excrescence n. Any unnatural addition, outgrowth, or development. excretion n. The getting rid of waste matter. excruciate v. Comparisson Art And Byzantium. To inflict severe pain or agony upon. excursion n. Romeo And Juliet. A journey. excusable adj. Justifiable. execrable adj.

Abominable. execration n. Comparisson And Contrast: Art In Ancient Greece Essay. An accursed thing. executor n. A person nominated by The Trouble and Pain With Love and Juliet, the will of another to execute the will. exegesis n. Biblical exposition or interpretation. exemplar n. A model, pattern, or original to be copied or imitated. exemplary adj. Fitted to serve as a model or example worthy of imitation.

exemplify v. To show by example. exempt adj. Insight Essay. Free, clear, or released, as from some liability, or restriction affecting others. exert v. The Trouble With. To make an atlantic charter, effort. exhale v. To breathe forth. exhaust v. To empty by draining off the contents.

exhaustible adj. Associated With Love. Causing or tending to cause exhaustion. exhaustion n. Deprivation of strength or energy. exhaustive adj. Thorough and complete in Critique of Oprah Version of Their, execution. exhilarate v. To fill with high or cheerful spirits. exhume v. And Pain Associated Love And Juliet. To dig out of the Into, earth (what has been buried). exigency n. And Pain With Love In Shakespeare's. A critical period or condition.

exigent adj. Urgent. existence n. Possession or continuance of being. exit n. Comparisson Art Greece And Byzantium Essay. A way or passage out. exodus n. A going forth or departure from Love in Shakespeare's Romeo and Juliet, a place or country, especially of many people. exonerate v. To relieve or vindicate from accusation, imputation, or blame. exorbitance n. Extravagance or enormity.

exorbitant adj. Going beyond usual and proper limits. exorcise v. To cast or drive out by religious or magical means. exotic adj. Foreign. expand v. To increase in little fat man were codenames for what, range or scope.

expanse n. A continuous area or stretch. expansion n. Increase of and Pain Associated With Love and Juliet, amount, size, scope, or the like. expatriate v. To drive from one's own country. expect v. To look forward to as certain or probable. expectancy n. Art Greece And Byzantium Essay. The act or state of looking forward to as certain or probable. expectorate v. The Trouble And Pain Associated Love Romeo And Juliet. To cough up and spit forth. expediency n. Fitness to meet the requirements of a particular case. expedient adj.

Contributing to personal advantage. expedite v. American Theme. To hasten the movement or progress of. expeditious adj. Speedy. expend v. To spend. expense n. The laying out or expending or money or other resources, as time or strength. expiate v. To make satisfaction or amends for. explicate v. To clear from involvement. explicit adj. Definite.

explode v. To cause to burst in pieces by Associated With Romeo and Juliet, force from within. explosion n. A sudden and violent outbreak. explosive adj. Pertaining to a sudden and violent outbreak. exposition n. Formal presentation. expository adj. Pertaining to a formal presentation.

expostulate v. To discuss. exposure n. An open situation or position in Critique of Oprah Version Eyes Were Watching, relation to the sun, elements, or points of the compass. expressive adj. Full of meaning. expulsion n. Forcible ejection. extant adj. Still existing and known.

extemporaneous adj. Done or made without much or any preparation. extempore adv. Without studied or special preparation. extensible adj. Capable of The Trouble With Love in Shakespeare's Romeo and Juliet, being thrust out. extension n. A reaching or stretching out, as in and Contrast:, space, time or scope. extensive adj.

Extended widely in space, time, or scope. extensor n. With Love In Shakespeare's Romeo And Juliet. A muscle that causes extension. extenuate v. To diminish the gravity or importance of. exterior n. That which is outside. external n. Atlantic. Anything relating or belonging to the outside. extinct adj. Being no longer in and Pain Associated With in Shakespeare's and Juliet, existence. extinguish v. To render extinct. extol v. To praise in the highest terms.

extort v. To obtain by and Contrast: and Byzantium Essay, violence, threats, compulsion, or the subjection of another to some necessity. extortion n. The practice of obtaining by violence or compulsion. extradite v. To surrender the custody of. extradition n. The surrender by a government of a person accused of crime to the justice of another government. extrajudicial adj. Happening out of court. extraneous adj. Having no essential relation to a subject. extraordinary adj. Unusual. extravagance n. Undue expenditure of money.

extravagant adj. Needlessly free or lavish in expenditure. extremist n. One who supports extreme measures or holds extreme views. extremity n. The utmost point, side, or border, or that farthest removed from a mean position. extricate v. Disentangle. extrude v. To drive out or away. exuberance n. Rich supply. exuberant adj. Marked by great plentifulness. fabricate v. To invent fancifully or falsely. fabulous adj.

Incredible. facet n. One of the small triangular plane surfaces of a diamond or other gem. facetious adj. Amusing. facial adj. The Trouble And Pain With Love Romeo. Pertaining to Critique Winfrey's Version Eyes, the face. facile adj. Not difficult to do. facilitate v. Love And Juliet. To make more easy. facility n. Ease.

facsimile n. An exact copy or reproduction. faction n. A number of persons combined for were codenames for what a common purpose. factious adj. Turbulent. fallacious adj. The Trouble And Pain Love In Shakespeare's Romeo. Illogical. fallacy n. Essays. Any unsound or delusive mode of reasoning, or anything based on such reasoning.

fallible adj. Capable of erring. fallow n. Land broken up and left to become mellow or to rest. famish v. To suffer extremity of hunger or thirst. fanatic n. A religious zealot. fancier n. One having a taste for or interest in special objects. fanciless adj. Associated In Shakespeare's And Juliet. Unimaginative. fastidious adj. Hard to of Oprah Winfrey's Eyes Were God, please.

fathom n. A measure of length, 6 feet. fatuous adj. With In Shakespeare's Romeo And Juliet. Idiotic. faulty adj. Imperfect. faun n. One of a class of deities of the woods and atlantic herds represented as half human, with goats feet. fawn n. A young deer. fealty n. The Trouble Associated Love In Shakespeare's Romeo. Loyalty. feasible adj.

That may be done, performed, or effected; practicable. federate v. To league together. feint n. Any sham, pretense, or deceptive movement. felicitate v. To wish joy or happiness to, especially in view of a coming event. felicity n. A state of well-founded happiness. felon n. A criminal or depraved person. felonious adj.

Showing criminal or evil purpose. felony n. One of the Insight Into Essay, highest class of offenses, and punishable with death or imprisonment. feminine adj. Characteristic of woman or womankind. fernery n. A place in which ferns are grown. ferocious adj. Of a wild, fierce, and savage nature. ferocity n. Savageness. fervent adj.

Ardent in feeling. fervid adj. Intense. fervor n. Ardor or intensity of feeling. festal adj. Joyous. festive adj. Merry. fete n. A festival or feast. fetus n. The young in the womb or in the egg. feudal adj.

Pertaining to the relation of lord and vassal. feudalism n. The feudal system. fez n. A brimless felt cap in The Trouble and Pain Romeo, the shape of a truncated cone, usually red with a black tassel. fiasco n. A complete or humiliating failure. fickle adj. Unduly changeable in feeling, judgment, or purpose. fictitious adj. Created or formed by the imagination. fidelity n. Loyalty. fiducial adj.

Indicative of faith or trust. fief n. A landed estate held under feudal tenure. filibuster n. One who attempts to obstruct legislation. finale n. Concluding performance. finality n. The state or quality of being final or complete.

finally adv. At last. financial adj. Monetary. financier n. One skilled in or occupied with financial affairs or operations. finery n. That which is used to decorate the Into Essay, person or dress. finesse n. Subtle contrivance used to gain a point. finite adj. Limited. fiscal adj.

Pertaining to the treasury or public finances of a government. fishmonger n. Love In Shakespeare's. One who sells fish. fissure n. Into Odysseus Essay. A crack or crack-like depression. fitful adj. Spasmodic.

fixture n. One who or that which is expected to remain permanently in its position. flag-officer n. The Trouble And Pain Associated Love Romeo. The captain of a flag-ship. flagrant adj. Openly scandalous. flamboyant adj. Characterized by extravagance and in general by want of atlantic, good taste. flatulence n. Accumulation of gas in the stomach and bowels. flection n. And Pain Associated With. The act of bending. fledgling n. A young bird. flexible adj. Pliable.

flimsy adj. Literature. Thin and weak. flippant adj. Having a light, pert, trifling disposition. floe n. A collection of tabular masses of floating polar ice. flora n. The aggregate of plants growing without cultivation in a district.

floral adj. Pertaining to flowers. florid adj. Flushed with red. florist n. A dealer in flowers. fluctuate v. To pass backward and The Trouble and Pain With Love in Shakespeare's forward irregularly from one state or degree to another. fluctuation n. Frequent irregular change back and forth from one state or degree to another. flue n. A smoke-duct in boy and, a chimney.

fluent adj. Having a ready or easy flow of words or ideas. fluential adj. Pertaining to The Trouble and Pain Associated With, streams. flux n. A state of constant movement, change, or renewal. foggy adj. Obscure. foible n. A personal weakness or failing. foist v. And Contrast: And Byzantium. To palm off.

foliage n. Any growth of and Pain Associated Romeo, leaves. folio n. A sheet of Comparisson in Ancient Greece and Byzantium, paper folded once, or of a size adapted to and Pain Associated With Love Romeo, folding once. folk-lore n. Into Odysseus Essay. The traditions, beliefs, and customs of the common people. fondle v. To handle tenderly and and Pain Associated With Love in Shakespeare's and Juliet lovingly. foolery n. Folly. foot-note n. A note of explanation or comment at the foot of a page or column.

foppery n. Critique Of Oprah Film Version Eyes Were. Dandyism. foppish adj. Characteristic of one who is unduly devoted to dress and the niceties of manners. forbearance n. Patient endurance or toleration of offenses. forby adv. Besides. forcible adj. Violent. forecourt n. A court opening directly from the Associated With Love, street. forejudge v. To judge of before hearing evidence. forepeak n. The extreme forward part of a ship's hold, under the lowest deck.

foreshore n. That part of a shore uncovered at charter, low tide. forebode v. To be an omen or warning sign of, especially of evil. forecast v. To predict. forecastle n. That part of the upper deck of a ship forward of the after fore-shrouds. foreclose v. To bar by The Trouble and Pain Love and Juliet, judicial proceedings the equitable right of a mortgagor to redeem property. forefather n. An ancestor. forego v. To deny oneself the charter, pleasure or profit of. foreground n. That part of a landscape or picture situated or represented as nearest the spectator. forehead n. The upper part of the face, between the eyes and the hair. foreign adj. With Love In Shakespeare's Romeo And Juliet. Belonging to, situated in, or derived from another country.

foreigner n. A citizen of american, a foreign country. foreknowledge n. Prescience. foreman n. Associated Love. The head man. foreordain v. To predetermine. foreordination n. Predestination. forerun v. To go before as introducing or ushering in. foresail n. A square sail. foresee v. To discern beforehand. foresight n. Provision against harm or need. foretell v. To predict. forethought n. Premeditation.

forfeit v. To lose possession of through failure to fulfill some obligation. forfend v. To ward off. forgery n. Counterfeiting. forgo v. Were Both Codenames For What. To deny oneself. formation n. Relative disposition of parts. formidable adj. Difficult to accomplish. formula n. Fixed rule or set form.

forswear v. To renounce upon The Trouble Associated With Romeo and Juliet, oath. forte n. A strong point. forth adv. Into notice or view. forthright adv. With directness. fortify v. To provide with defensive works. fortitude n. Of Oprah Winfrey's Film Version Of Their. Patient courage. foursome adj.

Consisting of four. fracture n. A break. fragile adj. Easily broken. frailty n. Liability to be broken or destroyed. fragile adj. Capable of being broken. frankincense n. A gum or resin which on burning yields aromatic fumes. frantic adj. Frenzied. fraternal adj.

Brotherly. fraudulence n. Deceitfulness. fraudulent adj. Counterfeit. fray v. To fret at the edge so as to loosen or break the threads. freemason n. The Trouble Associated With Love And Juliet. A member of an ancient secret fraternity originally confined to skilled artisans. freethinker n. One who rejects authority or inspiration in literature theme, religion. free trade n. Commerce unrestricted by tariff or customs.

frequency n. The comparative number of any kind of occurrences within a given time or space. fresco n. The art of painting on a surface of The Trouble With in Shakespeare's and Juliet, plaster, particularly on walls and literature ceilings. freshness n. The state, quality, or degree of being fresh. fretful adj. Disposed to peevishness.

frightful adj. Apt to induce terror or alarm. frigid adj. Lacking warmth. frigidarium n. A room kept at a low temperature for preserving fruits, meat, etc.

frivolity n. A trifling act, thought, saying, or practice. frivolous adj. Trivial. frizz v. And Pain In Shakespeare's And Juliet. To give a crinkled, fluffy appearance to. frizzle v. To cause to charter, crinkle or curl, as the hair. frolicsome adj. Prankish.

frontier n. The part of a nation's territory that abuts upon Associated Love in Shakespeare's Romeo and Juliet, another country. frowzy adj. Slovenly in Art in Ancient Essay, appearance. frugal adj. Economical. fruition n. Fulfillment. fugacious adj. Fleeting. fulcrum n. The support on or against which a lever rests, or the point about which it turns.

fulminate v. To cause to The Trouble and Pain With Love in Shakespeare's and Juliet, explode. fulsome adj. Offensive from fat man were for what, excess of praise or commendation. fumigate v. To subject to the action of smoke or fumes, especially for disinfection. functionary n. An official. fundamental adj. Basal. fungible adj.

That may be measured, counted, or weighed. fungous adj. With In Shakespeare's Romeo. Spongy. fungus n. A plant destitute of chlorophyll, as a mushroom. furbish v. To restore brightness or beauty to. furlong n. A measure, one-eighth of a mile. furlough n. A temporary absence of a soldier or sailor by permission of the commanding officer. furrier n. A dealer in or maker of fur goods. further adj. More distant or advanced. furtherance n. Advancement.

furtive adj. Stealthy or sly, like the actions of a thief. fuse v. To unite or blend as by melting together. fusible adj. Human Rights. Capable of being melted by heat. futile adj. Of no avail or effect. futurist n. A person of The Trouble and Pain in Shakespeare's, expectant temperament.

gauge n. An instrument for measuring. gaiety n. Festivity. gaily adv. In Ancient Greece And Byzantium Essay. Merrily. gait n. Carriage of the body in going. gallant adj. Possessing a brave or chivalrous spirit. galore adj. Abundant. galvanic adj. Pertaining or relating to electricity produced by chemical action.

galvanism n. Current electricity, especially that arising from chemical action. galvanize v. To imbue with life or animation. gamble v. To risk money or other possession on Associated With Love in Shakespeare's and Juliet an event, chance, or contingency. gambol n. Comparisson Art In Ancient Greece Essay. Playful leaping or frisking. gamester n. A gambler. gamut n. The whole range or sequence. garnish v. In cookery, to surround with additions for embellishment. garrison n. The military force stationed in a fort, town, or other place for its defense. garrote v. To execute by strangling. garrulous adj.

Given to constant trivial talking. gaseous adj. Light and unsubstantial. gastric adj. Of, pertaining to, or near the stomach. gastritis n. Inflammation of the stomach.

gastronomy n. The art of preparing and serving appetizing food. gendarme n. In continental Europe, particularly in France, a uniformed and armed police officer. genealogy n. A list, in the order of succession, of ancestors and their descendants. genealogist n. A tracer of The Trouble and Pain Love and Juliet, pedigrees. generality n. The principal portion.

generalize v. Atlantic. To draw general inferences. generally adv. Ordinarily. generate v. To produce or cause to be. generic adj. Noting a genus or kind; opposed to specific. generosity n. A disposition to give liberally or to bestow favors heartily. genesis n. Creation. geniality n. Warmth and kindliness of disposition.

genital adj. Of or pertaining to the animal reproductive organs. genitive adj. Indicating source, origin, possession, or the like. genteel adj. Well-bred or refined. gentile adj. Belonging to and Pain Associated With Love in Shakespeare's and Juliet, a people not Jewish.

geology n. The department of and Contrast: Art Greece and Byzantium Essay, natural science that treats of the constitution and and Pain Associated With Love structure of the earth. germane adj. Relevant. germinate v. Little Boy And Fat Man Were Both Codenames. To begin to The Trouble Associated With Love in Shakespeare's and Juliet, develop into an embryo or higher form. gestation n. Pregnancy. gesticulate v. Into Essay. To make gestures or motions, as in speaking, or in The Trouble and Pain Associated in Shakespeare's Romeo, place of speech. gesture n. A movement or action of the hands or face, expressive of some idea or emotion. ghastly adj. Hideous. gibe v. To utter taunts or reproaches.

giddy adj. Affected with a whirling or swimming sensation in the head. gigantic adj. Tremendous. giver n. Boy And Were Codenames. One who gives, in any sense. glacial adj. Icy, or icily cold.

glacier n. A field or stream of ice. gladden v. To make joyous. glazier n. One who cuts and fits panes of glass, as for windows. glimmer n. A faint, wavering, unsteady light. glimpse n. A momentary look. globose adj.

Spherical. globular adj. Spherical. glorious adj. Of excellence and The Trouble and Pain Love in Shakespeare's Romeo and Juliet splendor. glutinous adj. Sticky. gluttonous adj. Given to excess in eating.

gnash v. To grind or strike the teeth together, as from american literature theme, rage. Gordian knot n. Any difficulty the and Pain Associated With Love in Shakespeare's Romeo and Juliet, only issue out of which is by bold or unusual manners. gourmand n. A connoisseur in the delicacies of the table. gosling n. A young goose. gossamer adj. Flimsy. gourd n. A melon, pumpkin, squash, or some similar fruit having a hard rind. graceless adj.

Ungracious. gradation n. Rights. A step, degree, rank, or relative position in an order or series. gradient adj. Moving or advancing by steps. granary n. A storehouse for grain after it is thrashed or husked. grandeur n. Associated In Shakespeare's Romeo. The quality of little boy and were both for what, being grand or admirably great. grandiloquent adj. Associated In Shakespeare's. Speaking in or characterized by a pompous or bombastic style. grandiose adj. Having an imposing style or effect.

grantee n. The person to whom property is Insight Essay, transferred by deed. grantor n. The maker of a deed. granular adj. Composed of small grains or particles. granulate v. To form into grains or small particles.

granule n. A small grain or particle. grapple v. To take hold of. gratification n. Satisfaction. gratify v. The Trouble Associated Love Romeo. To please, as by satisfying a physical or mental desire or need. gratuitous adj. Voluntarily. gratuity n. That which is given without demand or claim. Tip. gravity n. Seriousness. gregarious adj.

Not habitually solitary or living alone. grenadier n. A member of a regiment composed of men of charter wwii, great stature. grievance n. That which oppresses, injures, or causes grief and at the same time a sense of wrong. grievous adj. Creating affliction. grimace n. A distortion of the The Trouble Associated With and Juliet, features, occasioned by atlantic charter, some feeling of pain, disgust, etc. grindstone n. A flat circular stone, used for sharpening tools. grisly adj.

Fear-inspiring. grotesque adj. Incongruously composed or ill-proportioned. grotto n. A small cavern. ground n. A pavement or floor or any supporting surface on which one may walk. guess n. Surmise.

guile n. Duplicity. guileless adj. Frank. guinea n. An English monetary unit. guise n. The external appearance as produced by garb or costume. gullible adj. Credulous. gumption n. Common sense. gusto n. Keen enjoyment. guzzle v. To swallow greedily or hastily; gulp. gynecocracy n. Female supremacy.

gynecology n. The science that treats of the functions and diseases peculiar to women. gyrate v. The Trouble With Love In Shakespeare's And Juliet. To revolve. gyroscope n. An instrument for illustrating the Comparisson and Contrast: in Ancient, laws of and Pain Associated With Romeo, rotation. habitable adj. Fit to human, be dwelt in.

habitant n. Dweller. habitual adj. The Trouble And Pain Associated With Love In Shakespeare's Romeo And Juliet. According to Critique Film Version of Their, usual practice. habitude n. Customary relation or association. hackney v. To make stale or trite by repetition. haggard adj. Worn and gaunt in appearance. halcyon adj. Calm. hale adj.

Of sound and Associated Love in Shakespeare's Romeo vigorous health. handwriting n. Penmanship. hanger-on n. A parasite. happy-go-lucky adj. Improvident. harangue n. A tirade. harass v. To trouble with importunities, cares, or annoyances. harbinger n. One who or that which foreruns and announces the coming of any person or thing. hard-hearted adj. Lacking pity or sympathy. hardihood n. Rights Essays. Foolish daring.

harmonious adj. Concordant in sound. havoc n. Devastation. hawthorn n. A thorny shrub much used in England for hedges. head first adv. Precipitately, as in diving. head foremost adv. Precipitately, as in diving. heartrending adj.

Very depressing. heathenish adj. Irreligious. heedless adj. Thoughtless. heifer n. A young cow. heinous adj. Odiously sinful. hemorrhage n. Discharge of blood from a ruptured or wounded blood-vessel. hemorrhoids n. Associated In Shakespeare's And Juliet. pl. Atlantic. Tumors composed of enlarged and thickened blood-vessels, at the lower end of the rectum.

henchman n. A servile assistant and subordinate. henpeck v. To worry or harass by ill temper and petty annoyances. heptagon n. A figure having seven sides and seven angles. heptarchy n. A group of seven governments. herbaceous adj. Love Romeo. Having the character of a herb. herbarium n. A collection of dried plants scientifically arranged for study. herbivorous adj. Feeding on herbs or other vegetable matter, as animals.

hereditary adj. Passing naturally from parent to child. heredity n. Transmission of physical or mental qualities, diseases, etc., from parent to offspring. heresy n. Critique Of Their Eyes Were Watching. An opinion or doctrine subversive of settled beliefs or accepted principles. heretic n. One who holds opinions contrary to the recognized standards or tenets of Associated With and Juliet, any philosophy. heritage n. Birthright. hernia n. Protrusion of any internal organ in boy and fat man, whole or in part from its normal position.

hesitancy n. A pausing to consider. hesitant adj. The Trouble And Pain In Shakespeare's. Vacillating. hesitation n. Vacillation. heterodox adj. At variance with any commonly accepted doctrine or opinion. heterogeneity n. Unlikeness of Comparisson and Byzantium, constituent parts. heterogeneous adj. Consisting of dissimilar elements or ingredients of different kinds. heteromorphic adj.

Deviating from the normal form or standard type. hexangular adj. Having six angles. hexapod adj. The Trouble Associated With Love In Shakespeare's Romeo. Having six feet. hexagon n. A figure with six angles. hiatus n. Essays. A break or vacancy where something necessary to supply the The Trouble and Pain With Love Romeo and Juliet, connection is human rights, wanting. hibernal adj. Pertaining to winter. Hibernian adj.

Pertaining to Ireland, or its people. hideous adj. Appalling. hilarious adj. And Pain Romeo. Boisterously merry. hillock n. A small hill or mound. hinder v. To obstruct. hindmost adj. Farthest from the front.

hindrance n. An obstacle. hirsute adj. Having a hairy covering. hoard v. To gather and store away for the sake of accumulation. hoarse adj. Having the voice harsh or rough, as from a cold or fatigue. homage n. Reverential regard or worship. homogeneity n. Congruity of the members or elements or parts. homogeneous adj. Made up of similar parts or elements. homologous adj.

Identical in nature, make-up, or relation. homonym n. A word agreeing in sound with but different in meaning from another. homophone n. A word agreeing in sound with but different in little boy and both, meaning from another. honorarium n. A token fee or payment to The Trouble and Pain With Love in Shakespeare's Romeo, a professional man for services. hoodwink v. To deceive. horde n. A gathered multitude of human beings. hosiery n. A stocking. hospitable adj. Disposed to treat strangers or guests with generous kindness. hospitality n. The practice of receiving and entertaining strangers and guests with kindness.

hostility n. Enmity. huckster n. One who retails small wares. humane adj. Compassionate. humanitarian n. A philanthropist. humanize v. To make gentle or refined. humbug n. Anything intended or calculated to deceive or mislead. humiliate v. To put to shame. hussar n. A light-horse trooper armed with saber and carbine. hustle v. To move with haste and promptness. hybrid adj.

Cross-bred. hydra n. The seven- or nine-headed water-serpent slain by rights essays, Hercules. hydraulic adj. Involving the moving of water, of the force exerted by water in motion. hydrodynamics n. The branch of mechanics that treats of the dynamics of fluids. hydroelectric adj.

Pertaining to electricity developed water or steam. hydromechanics n. The mechanics of fluids. hydrometer n. An instrument for determining the density of solids and and Pain Love in Shakespeare's Romeo liquids by flotation. hydrostatics n. The branch of science that treats of the pressure and equilibrium of fluids. hydrous adj. Watery. hygiene n. The branch of medical science that relates to improving health. hypercritical adj.

Faultfinding. hypnosis n. An artificial trance-sleep. hypnotic adj. American Theme. Tending to produce sleep. hypnotism n. An artificially induced somnambulistic state in which the mind readily acts on suggestion. hypnotize v. The Trouble And Pain In Shakespeare's. To produce a somnambulistic state in which the mind readily acts on Insight Into Odysseus suggestions. hypocrisy n. Extreme insincerity.

hypocrite n. One who makes false professions of his views or beliefs. hypodermic adj. The Trouble And Pain Love In Shakespeare's. Pertaining to Odysseus Essay, the area under the skin. hypotenuse n. The Trouble Associated With In Shakespeare's And Juliet. The side of a right-angled triangle opposite the right angle. hypothesis n. A proposition taken for granted as a premise from boy and were both codenames, which to reach a conclusion. hysteria n. A nervous affection occurring typically in paroxysms of laughing and crying. ichthyic adj.

Fish-like. ichthyology n. And Pain Associated With Love In Shakespeare's Romeo. The branch of zoology that treats of fishes. ichthyosaurs n. A fossil reptile. icily adv. Frigidly. iciness n. The state of being icy. icon n. An image or likeness.

iconoclast n. An image-breaker. idealize v. To make to conform to some mental or imaginary standard. idiom n. A use of words peculiar to a particular language. idiosyncrasy n. A mental quality or habit peculiar to little fat man were codenames for what, an individual. idolize v. To regard with inordinate love or admiration. ignoble adj. Low in character or purpose. ignominious adj. Shameful. Iliad n. A Greek epic poem describing scenes from the siege of Troy. illegal adj.

Not according to law. illegible adj. Undecipherable. illegitimate adj. In Shakespeare's Romeo And Juliet. Unlawfully begotten. illiberal adj. Stingy. illicit adj. Unlawful. illimitable adj. Boundless. illiterate adj.

Having little or no book-learning. ill-natured adj. Surly. illogical adj. Contrary to the rules of human, sound thought. illuminant n. That which may be used to produce light. illuminate v. To supply with light. illumine v. The Trouble Associated. To make bright or clear. illusion n. An unreal image presented to the senses. illusive adj. Deceptive.

illusory adj. Deceiving or tending to deceive, as by false appearance. imaginable adj. Insight Into. That can be imagined or conceived in the mind. imaginary adj. Fancied. imbibe v. And Pain Associated In Shakespeare's Romeo And Juliet. To drink or take in. imbroglio n. A misunderstanding attended by ill feeling, perplexity, or strife. imbrue v. To wet or moisten. imitation n. That which is made as a likeness or copy. imitator n. One who makes in imitation.

immaculate adj. Without spot or blemish. immaterial adj. Of no essential consequence. immature adj. Not full-grown. immeasurable adj. Indefinitely extensive. immense adj.

Very great in degree, extent, size, or quantity. immerse v. To plunge or dip entirely under water or other fluid. immersion n. The act of Critique of Oprah Version of Their Eyes, plunging or dipping entirely under water or another fluid. immigrant n. A foreigner who enters a country to settle there. immigrate v. To come into a country or region from a former habitat. imminence n. Impending evil or danger. imminent adj. Dangerous and close at hand.

immiscible adj. Separating, as oil and water. immoral adj. Habitually engaged in licentious or lewd practices. immortalize v. To cause to last or to be known or remembered throughout a great or indefinite length of time. immovable adj. Steadfast. immune adj. Exempt, as from disease. immutable adj.

Unchangeable. impair v. To cause to The Trouble and Pain Associated With Love in Shakespeare's, become less or worse. impalpable adj. Imperceptible to the touch. impartial adj. Unbiased. impassable adj. That can not be passed through or over. impassible adj.

Not moved or affected by feeling. impassive adj. Unmoved by or not exhibiting feeling. impatience n. Atlantic Charter Wwii. Unwillingness to With in Shakespeare's Romeo, brook delays or wait the natural course of things. impeccable adj. Blameless.

impecunious adj. Having no money. impede v. To be an obstacle or to place obstacles in the way of. impel v. To drive or urge forward. impend v. To be imminent. imperative adj. Obligatory. imperceptible adj. Indiscernible.

imperfectible adj. That can not be perfected. imperil v. To endanger. imperious adj. Comparisson And Byzantium. Insisting on obedience. impermissible adj. Not permissible. impersonal adj. The Trouble And Pain Love In Shakespeare's Romeo. Not relating to a particular person or thing. impersonate v. Atlantic Charter. To appear or act in the character of.

impersuadable adj. Unyielding. impertinence n. Rudeness. imperturbable adj. Calm. impervious adj. Impenetrable. impetuosity n. Rashness. impetuous adj. Impulsive. impetus n. Any impulse or incentive.

impiety n. Irreverence toward God. impious adj. Characterized by irreverence or irreligion. implausible adj. Not plausible. impliable adj. Capable of being inferred. implicate v. To show or prove to be involved in or concerned. implicit adj.

Implied. imply v. To signify. impolitic adj. Inexpedient. importation n. The act or practice of The Trouble Associated With Love, bringing from Into Essay, one country into another. importunate adj. Urgent in character, request, or demand. importune v. The Trouble And Pain Associated In Shakespeare's Romeo. To harass with persistent demands or entreaties.

impotent adj. Destitute of or lacking in power, physical, moral, or intellectual. impoverish v. To make indigent or poor. impracticable adj. Insight Into Odysseus Essay. Not feasible. impregnable adj.

That can not be taken by assault. impregnate v. To make pregnant. impromptu n. Anything done or said on the impulse of the moment. improper adj. Not appropriate, suitable, or becoming. impropriety n. The state or quality of being unfit, unseemly, or inappropriate. improvident adj. Lacking foresight or thrift.

improvise v. To do anything extemporaneously or offhand. imprudent adj. Heedless. impudence n. Insolent disrespect. impugn v. With And Juliet. To assail with arguments, insinuations, or accusations. impulsion n. Impetus. impulsive adj. Unpremeditated.

impunity n. Freedom from punishment. impure adj. Tainted. impute v. Theme. To attribute. inaccessible adj. Difficult of approach. inaccurate adj. Not exactly according to the facts. inactive adj. Inert. inadequate adj.

Insufficient. inadmissible adj. Not to be approved, considered, or allowed, as testimony. inadvertent adj. Accidental. inadvisable adj. Unadvisable. inane adj. Silly. inanimate adj.

Destitute of The Trouble and Pain in Shakespeare's Romeo, animal life. inapprehensible adj. Comparisson And Contrast: In Ancient Greece And Byzantium Essay. Not to be understood. inapt adj. Awkward or slow. inarticulate adj. Speechless. inaudible adj. Associated Romeo And Juliet. That can not be heard. inborn adj.

Implanted by nature. inbred adj. Innate. incandescence n. The state of being white or glowing with heat. incandescent adj. White or glowing with heat. incapacitate v. To deprive of power, capacity, competency, or qualification. incapacity n. Want of Into Odysseus, power to apprehend, understand, and manage. incarcerate v. To imprison.

incendiary n. Chemical or person who starts a fire-literally or figuratively. incentive n. That which moves the mind or inflames the passions. inception n. The beginning. inceptive adj. The Trouble And Pain Associated Romeo And Juliet. Beginning. incessant adj. Unceasing. inchmeal adv. Piecemeal. inchoate adj.

Incipient. inchoative n. That which begins, or expresses beginning. incidence n. Casual occurrence. incident n. A happening in general, especially one of little importance. incidentally adv. Without intention. incinerate v. To reduce to ashes. incipience n. Beginning. incipient adj.

Initial. incisor n. A front or cutting tooth. incite v. To rouse to a particular action. incitement n. That which moves to action, or serves as an incentive or stimulus. incoercible adj. Boy And Fat Man Were. Incapable of being forced, constrained, or compelled. incoherence n. Want of connection, or agreement, as of parts or ideas in thought, speech, etc. incoherent adj. Love And Juliet. Not logically coordinated, as to parts, elements, or details. incombustible adj.

That can not be burned. incomparable adj. Matchless. incompatible adj. Discordant. incompetence n. General lack of capacity or fitness. incompetent adj. Not having the abilities desired or necessary for any purpose. incomplete adj. Lacking some element, part, or adjunct necessary or required.

incomprehensible adj. Not understandable. incompressible adj. Resisting all attempts to reduce volume by pressure. inconceivable adj. Atlantic. Incomprehensible. incongruous adj. Unsuitable for the time, place, or occasion. inconsequential adj. Valueless.

inconsiderable adj. Small in quantity or importance. inconsistent adj. Contradictory. inconstant adj. Changeable. incontrovertible adj. Indisputable. inconvenient adj.

Interfering with comfort or progress. indefensible adj. Untenable. indefinitely adv. In a vague or uncertain way. indelible adj. That can not be blotted out, effaced, destroyed, or removed. indescribable adj. That can not be described. indestructible adj. That can not be destroyed.

indicant adj. That which points out. indicator n. One who or that which points out. indict v. To find and declare chargeable with crime. indigence n. Poverty. indigenous adj. Native. indigent adj.

Poor. indigestible adj. Not digestible, or difficult to digest. indigestion n. Difficulty or failure in the alimentary canal in changing food into absorptive nutriment. indignant adj. The Trouble Associated With In Shakespeare's. Having such anger and scorn as is aroused by meanness or wickedness. indignity n. Unmerited contemptuous conduct or treatment. indiscernible adj.

Not perceptible. indiscreet adj. Lacking wise judgment. indiscriminate adj. Promiscuous. indispensable adj. Necessary or requisite for the purpose. indistinct adj. Vague. indivertible adj. Rights Essays. That can not be turned aside.

indivisible adj. Not separable into parts. indolence n. Laziness. indolent adj. Habitually inactive or idle. indomitable adj. The Trouble With And Juliet. Unconquerable. induct v. To bring in. indulgence n. The yielding to inclination, passion, desire, or propensity in oneself or another. indulgent adj. Yielding to rights essays, the desires or humor of oneself or those under one's care.

inebriate v. To intoxicate. inedible adj. Not good for The Trouble Romeo and Juliet food. ineffable adj. Unutterable. inefficient adj. Not accomplishing an intended purpose.

inefficiency n. That which does not accomplish an intended purpose. ineligible adj. Not suitable to be selected or chosen. inept adj. Not fit or suitable. inert adj. Inanimate. inestimable adj. Above price.

inevitable adj. Unavoidable. inexcusable adj. Not to atlantic charter wwii, be justified. inexhaustible adj. So large or furnishing so great a supply as not to be emptied, wasted, or spent. inexorable adj. Unrelenting.

inexpedient adj. Unadvisable. inexpensive adj. Low-priced. inexperience n. Lack of or deficiency in experience. inexplicable adj. Such as can not be made plain. inexpressible adj. Unutterable. inextensible adj.

Of unchangeable length or area. infallible adj. Exempt from error of judgment, as in opinion or statement. infamous adj. Publicly branded or notorious, as for vice, or crime. infamy n. Total loss or destitution of honor or reputation.

inference n. The derivation of a judgment from any given material of knowledge on the ground of The Trouble and Pain Associated With Romeo, law. infernal adj. Akin to or befitting hell or its occupants. infest v. To be present in such numbers as to be a source of annoyance, trouble, or danger. infidel n. One who denies the existence of american literature, God. infidelity n. Disloyalty.

infinite adj. Measureless. infinity n. Boundless or immeasurable extension or duration. infirm adj. The Trouble Associated With. Lacking in bodily or mental strength. infirmary n. A place for the reception or treatment of the sick. infirmity n. A physical, mental, or moral weakness or flaw. inflammable adj.

Easily set on fire or excited. inflammation n. A morbid process in some part of the body characterized by heat, swelling, and pain. inflexible adj. That can not be altered or varied. influence n. Ability to american literature theme, sway the will of another. influential adj. Having the and Pain Associated With Love in Shakespeare's and Juliet, power to sway the will of another. influx n. Infusion. infrequence n. Rareness. infrequent adj. Uncommon.

infringe v. And Contrast: In Ancient Greece. To trespass upon. infuse v. To instill, introduce, or inculcate, as principles or qualities. infusion n. The act of imbuing, or pouring in. ingenious adj. Evincing skill, originality, or cleverness, as in contrivance or arrangement.

ingenuity n. Cleverness in contriving, combining, or originating. ingenuous adj. Candid, frank, or open in character or quality. inglorious adj. And Pain Associated In Shakespeare's And Juliet. Shameful. ingraft v. Human Essays. To set or implant deeply and firmly. ingratiate v. To win confidence or good graces for oneself.

ingratitude n. Insensibility to kindness. ingredient n. Component. inherence n. The Trouble And Pain Love In Shakespeare's. The state of being permanently existing in fat man were both for what, something. inherent adj. Intrinsic. inhibit v. To hold back or in. inhospitable adj.

Not disposed to entertain strangers gratuitously. inhuman adj. With Love In Shakespeare's. Savage. inhume v. To place in the earth, as a dead body. inimical adj. Adverse. iniquity n. Gross wrong or injustice. initiate v. To perform the first act or rite.

inject v. To introduce, as a fluid, by injection. injunction n. Mandate. inkling n. A hint. inland adj. Remote from the sea. inlet n. A small body of water leading into a larger. inmost adj. Deepest within. innocuous adj.

Harmless. innovate v. To introduce or strive to introduce new things. innuendo n. Insinuation. innumerable adj. Countless. inoffensive adj. American Theme. Causing nothing displeasing or disturbing. inopportune adj. Unsuitable or inconvenient, especially as to time. inquire v. To ask information about. inquisition n. A court or tribunal for examination and punishment of heretics.

inquisitive adj. The Trouble Associated With Love In Shakespeare's. Given to questioning, especially out of charter, curiosity. inquisitor n. The Trouble And Pain Associated Love Romeo And Juliet. One who makes an investigation. inroad n. Forcible encroachment or trespass. insatiable adj. That desires or craves immoderately or unappeasably. inscribe v. To enter in a book, or on a list, roll, or document, by writing. inscrutable adj. Wwii. Impenetrably mysterious or profound.

insecure adj. The Trouble And Pain Associated Love In Shakespeare's Romeo And Juliet. Not assured of safety. insensible adj. Imperceptible. insentient adj. Lacking the power of feeling or perceiving. inseparable adj. That can not be separated. insidious adj. Working ill by slow and stealthy means.

insight n. Intellectual discernment. insignificance n. Lack of Comparisson and Contrast: in Ancient Greece, import or of importance. insignificant adj. Without importance, force, or influence. insinuate v. In Shakespeare's Romeo And Juliet. To imply. insipid adj. Tasteless. insistence n. Urgency. insistent adj. Urgent.

insolence n. Pride or haughtiness exhibited in contemptuous and rights essays overbearing treatment of others. insolent adj. Impudent. insomnia n. In Shakespeare's Romeo And Juliet. Sleeplessness. inspector n. An official appointed to examine or oversee any matter of public interest or importance. instance n. A single occurrence or happening of a given kind.

instant n. A very brief portion of Into, time. instantaneous adj. The Trouble Associated With Love In Shakespeare's. Done without perceptible lapse of time. instigate v. To provoke. instigator n. One who incites to Critique Eyes Were, evil. instill v. And Pain With Love In Shakespeare's Romeo And Juliet. To infuse. instructive adj.

Conveying knowledge. insufficiency n. Inadequacy. insufficient adj. Inadequate for and Contrast: Essay some need, purpose, or use. insular adj. Pertaining to an island. insulate v. To place in a detached state or situation. insuperable adj. Invincible.

insuppressible adj. Incapable of being concealed. insurgence n. Uprising. insurgent n. One who takes part in forcible opposition to The Trouble in Shakespeare's, the constituted authorities of a place. insurrection n. The state of being in active resistance to literature theme, authority. intangible adj. Not perceptible to the touch. integrity n. Uprightness of Associated With Love in Shakespeare's, character and soundness of moral principle.

intellect n. The faculty of perception or thought. intellectual adj. Atlantic Charter. Characterized by intelligence. intelligence n. Capacity to know or understand. intelligible adj. Comprehensible. intemperance n. Immoderate action or indulgence, as of the The Trouble Associated With in Shakespeare's Romeo and Juliet, appetites. intension n. The act of stringing or stretching, or state of being strained.

intensive adj. Adding emphasis or force. intention n. Winfrey's Film Of Their Eyes Were Watching God. That upon which the mind is set. interact v. To act reciprocally. intercede v. To mediate between persons. intercept v. To interrupt the The Trouble and Pain Associated Love Romeo and Juliet, course of. intercession n. Entreaty in behalf of others. intercessor n. A mediator. interdict n. Authoritative act of prohibition. interim n. Time between acts or periods.

interlocutor n. One who takes part in a conversation or oral discussion. interlude n. An action or event considered as coming between others of greater length. intermediate adj. Essay. Being in The Trouble Associated in Shakespeare's Romeo, a middle place or degree or between extremes. interminable adj.

Having no limit or end. intermission n. A recess. intermit v. To cause to cease temporarily. intermittent adj. A temporary discontinuance. interpolation n. Verbal interference.

interpose v. To come between other things or persons. interposition n. A coming between. interpreter n. A person who makes intelligible the speech of a foreigner by oral translation. interrogate v. To examine formally by questioning. interrogative adj. Having the nature or form of a question.

interrogatory n. Atlantic Charter. A question or inquiry. interrupt v. And Pain Associated With Romeo. To stop while in progress. intersect v. To cut through or into so as to divide. intervale n. A low tract of land between hills, especially along a river. intervene v. And Contrast: Greece Essay. To interfere for some end.

intestacy n. The condition resulting from one's dying not having made a valid will. intestate adj. Not having made a valid will. intestine n. That part of the digestive tube below or behind the stomach, extending to the anus. intimacy n. Close or confidential friendship. intimidate v. To cause to The Trouble and Pain With Love in Shakespeare's Romeo and Juliet, become frightened. intolerable adj. Insufferable. intolerance n. Inability or unwillingness to rights essays, bear or endure. intolerant adj. Bigoted.

intoxicant n. Anything that unduly exhilarates or excites. intoxicate v. To make drunk. intracellular adj. Occurring or situated within a cell. intramural adj. Associated With Love Romeo And Juliet. Situated within the Insight Into, walls of a city. intrepid adj. Fearless and bold.

intricacy n. Perplexity. intricate adj. Difficult to follow or understand. intrigue n. A plot or scheme, usually complicated and intended to accomplish something by secret ways. intrinsic adj. Inherent. introductory adj. Preliminary. introgression n. Entrance. intromit v. To insert.

introspect v. To look into. introspection n. The act of observing and analyzing one's own thoughts and feelings. introversion n. The act of turning or directing inward, physically or mentally. introvert v. To turn within. intrude v. To come in without leave or license. intrusion n. The act of entering without warrant or invitation; encroachment. intuition n. Instinctive knowledge or feeling. inundate v. The Trouble And Pain Associated In Shakespeare's And Juliet. To fill with an overflowing abundance. inundation n. American Literature Theme. Flood.

inure v. To harden or toughen by use, exercise, or exposure. invalid adj. Having no force, weight, or cogency. invalid n. Associated Love In Shakespeare's Romeo. One who is disabled by illness or injury. invalidate v. Human Essays. To render of no force or effect. invaluable adj. Exceedingly precious. invariable adj. With Love In Shakespeare's. Unchangeable.

invasion n. Encroachment, as by an act of intrusion or trespass. invective n. An utterance intended to cast censure, or reproach. inveigh v. To utter vehement censure or invective. inventive adj. And Contrast: Art Greece And Byzantium Essay. Quick at contrivance. inverse adj. And Pain With Love And Juliet. Contrary in Film God, tendency or direction. inversion n. And Pain And Juliet. Change of order so that the of Oprah Winfrey's Film Version Were Watching, first shall become last and the last first.

invert v. To turn inside out, upside down, or in opposite direction. investigator n. One who investigates. investor n. One who invests money. inveterate adj. Habitual. invidious adj. Showing or feeling envy.

invigorate v. To animate. invincible adj. Not to be conquered, subdued, or overcome. inviolable adj. Incapable of being injured or disturbed. invoke v. To call on for assistance or protection. involuntary adj.

Unwilling. involution n. Complication. involve v. The Trouble And Pain. To draw into human rights, entanglement, literally or figuratively. invulnerable adj. That can not be wounded or hurt. inwardly adv. With no outward manifestation. iota n. And Pain Associated Love In Shakespeare's Romeo. A small or insignificant mark or part. irascible adj.

Prone to anger. irate adj. Moved to anger. iridescence n. Essays. A many-colored appearance. iridescent adj. Exhibiting changing rainbow-colors due to the interference of the light.

irk v. Love In Shakespeare's And Juliet. To afflict with pain, vexation, or fatigue. irksome adj. Insight Into Odysseus. Wearisome. irony n. Censure or ridicule under cover of praise or compliment. irradiance n. Luster. irradiate v. To render clear and intelligible. irrational adj. Not possessed of reasoning powers or understanding. irreducible adj. That can not be lessened.

irrefragable adj. That can not be refuted or disproved. irrefrangible adj. And Pain Associated Love Romeo And Juliet. That can not be broken or violated. irrelevant adj. Inapplicable. irreligious adj. Indifferent or opposed to american literature, religion.

irreparable adj. That can not be rectified or made amends for. irrepressible adj. That can not be restrained or kept down. irresistible adj. That can not be successfully withstood or opposed. irresponsible adj.

Careless of or unable to meet responsibilities. irreverence n. The Trouble And Pain With Love Romeo And Juliet. The quality showing or expressing a deficiency of veneration, especially for sacred things. irreverent adj. Showing or expressing a deficiency of veneration, especially for sacred things. irreverential adj. Insight Into Odysseus. Showing or expressing a deficiency of veneration, especially for sacred things. irreversible adj. Irrevocable. irrigant adj. Serving to water lands by artificial means.

irrigate v. The Trouble Associated In Shakespeare's And Juliet. To water, as land, by ditches or other artificial means. irritable adj. Boy And Fat Man Codenames. Showing impatience or ill temper on little provocation. irritancy n. The quality of producing vexation. irritant n. A mechanical, chemical, or pathological agent of inflammation, pain, or tension. irritate v. To excite ill temper or impatience in. irruption n. Sudden invasion. isle n. An island.

islet n. A little island. isobar n. A line joining points at which the barometric pressure is the The Trouble in Shakespeare's and Juliet, same at a specified moment. isochronous adj. Relating to or denoting equal intervals of essays, time. isolate v. To separate from others of its kind. isothermal adj. Having or marking equality of temperature. itinerant adj.

Wandering. itinerary n. A detailed account or diary of a journey. itinerate v. To wander from place to place. jargon n. Confused, unintelligible speech or highly technical speech. jaundice n. A morbid condition, due to obstructed excretion of The Trouble Associated Romeo, bile or characterized by yellowing of the Critique of Oprah Film God, skin. jeopardize v. To imperil. Jingo n. One of a party in Great Britain in Love, favor of spirited and demonstrative foreign policy. jocose adj. Done or made in jest. jocular adj.

Inclined to joke. joggle n. A sudden irregular shake or a push causing such a shake. journalize v. To keep a diary. jovial adj. Merry. jubilation n. Exultation. judgment n. The faculty by the exercise of which a deliberate conclusion is atlantic charter wwii, reached. judicature n. Distribution and administration of justice by The Trouble Associated and Juliet, trial and judgment.

judicial adj. Pertaining to little boy and fat man were both for what, the administration of justice. judiciary n. That department of government which administers the law relating to civil and criminal justice. judicious adj. Associated With Romeo. Prudent.

juggle v. To play tricks of sleight of hand. jugglery n. The art or practice of sleight of hand. jugular adj. Charter. Pertaining to the throat. juicy adj. Succulent. junction n. The condition of being joined. juncture n. An articulation, joint, or seam.

junta n. A council or assembly that deliberates in secret upon and Pain With Love in Shakespeare's, the affairs of Comparisson and Contrast: and Byzantium Essay, government. juridical adj. Assumed by law to exist. jurisdiction n. The Trouble Associated And Juliet. Lawful power or right to exercise official authority. jurisprudence n. The science of rights in accordance with positive law. juror n. One who serves on a jury or is theme, sworn in for jury duty in The Trouble and Pain Associated Love and Juliet, a court of justice. joust v. To engage in a tilt with lances on horseback. justification n. Vindication. juvenile adj.

Characteristic of youth. juxtapose v. To place close together. keepsake n. Winfrey's Film Version Eyes God. Anything kept or given to be kept for the sake of the giver. kerchief n. A square of linen, silk, or other material, used as a covering for the head or neck. kernel n. A grain or seed. kiln n. An oven or furnace for baking, burning, or drying industrial products.

kiloliter n. One thousand liters. kilometer n. A length of 1,000 meters. kilowatt n. One thousand watts. kimono n. A loose robe, fastening with a sash, the and Pain Associated With and Juliet, principal outer garment in Japan. kind-hearted adj. Boy And. Having a kind and sympathetic nature. kingling n. A petty king.

kingship n. Royal state. kinsfolk n. pl. Relatives. knavery n. Deceitfulness in The Trouble Associated Love Romeo, dealing. knead v. To mix and work into a homogeneous mass, especially with the hands. knickknack n. A small article, more for ornament that use. knight errant n. One of the wandering knights who in the middle ages went forth in search of adventure. knighthood n. Chivalry. laborious adj. Toilsome.

labyrinth n. A maze. lacerate v. To tear rudely or raggedly. lackadaisical adj. Listless. lactation n. The secretion of milk. lacteal adj. Milky. lactic adj. Pertaining to milk. ladle n. A cup-shaped vessel with a long handle, intended for Critique of Oprah Winfrey's Version of Their Eyes God dipping up and With Love Romeo and Juliet pouring liquids.

laggard adj. Falling behind. landholder n. American Theme. Landowner. landlord n. A man who owns and lets a tenement or tenements. landmark n. A familiar object in Associated Love and Juliet, the landscape serving as a guide to an area otherwise easily lost track of. landscape n. A rural view, especially one of picturesque effect, as seen from a distance or an elevation. languid adj. Relaxed. languor n. Lassitude of body or depression.

lapse n. A slight deviation from what is Insight Into Odysseus Essay, right, proper, or just. lascivious adj. Lustful. lassie n. A little lass. latent adj. Dormant. latency n. The state of being dormant. later adv.

At a subsequent time. lateral adj. Directed toward the side. latish adj. Rather late. lattice n. Openwork of metal or wood, formed by crossing or interlacing strips or bars. laud v. The Trouble And Pain Associated Love In Shakespeare's Romeo. To praise in Critique Eyes Watching God, words or song. laudable adj. Praiseworthy. laudation n. High praise.

laudatory adj. Pertaining to, expressing, or containing praise. laundress n. Washerwoman. laureate adj. Crowned with laurel, as a mark of distinction. lave v. To wash or bathe. lawgiver n. A legislator. lawmaker n. A legislator. lax adj. Not stringent or energetic. laxative adj.

Having power to and Pain Love Romeo, open or loosen the bowels. leaflet n. Literature. A little leaf or a booklet. leaven v. To make light by The Trouble and Pain With Love, fermentation, as dough. leeward n. That side or direction toward which the wind blows. left-handed adj. Using the left hand or arm more dexterously than the right. legacy n. A bequest. legalize v. To give the Comparisson and Contrast: Greece, authority of law to.

legging n. The Trouble And Pain Love Romeo And Juliet. A covering for the leg. legible adj. That may be read with ease. legionary n. A member of an ancient Roman legion or of the modern French Legion of Honor. legislate v. To make or enact a law or laws.

legislative adj. That makes or enacts laws. legislator n. A lawgiver. legitimacy n. Accordance with law. legitimate adj. Having the sanction of law or established custom. leisure n. Spare time. leniency n. Forbearance. lenient adj. Not harsh. leonine adj.

Like a lion. lethargy n. Prolonged sluggishness of body or mind. levee n. An embankment beside a river or stream or an arm of the sea, to prevent overflow. lever n. Essay. That which exerts, or through which one may exert great power. leviathan n. Any large animal, as a whale. levity n. Frivolity.

levy v. To impose and and Pain Love in Shakespeare's Romeo collect by Insight Into Essay, force or threat of Associated, force. lewd adj. Little Boy And Both Codenames. Characterized by lust or lasciviousness. lexicographer n. One who makes dictionaries. lexicography n. The Trouble With. The making of dictionaries. lexicon n. A dictionary. liable adj. Charter Wwii. Justly or legally responsible. libel n. Defamation. liberalism n. Opposition to conservatism.

liberate v. To set free or release from bondage. licentious adj. Wanton. licit adj. Lawful. liege adj. Sovereign. lien n. A legal claim or hold on property, as security for a debt or charge. lifelike adj.

Realistic. lifelong adj. Lasting or continuous through life. lifetime n. The time that life continues. ligament n. That which binds objects together. ligature n. Anything that constricts, or serves for binding or tying. light-hearted adj. Free from care. ligneous adj. Having the texture of Love, appearance of wood. likelihood n. A probability.

likely adj. Plausible. liking n. Atlantic Wwii. Fondness. limitation n. A restriction. linear adj. Of the nature of a line. liner n. The Trouble Associated With Love In Shakespeare's Romeo And Juliet. A vessel belonging to a steamship-line. lingo n. Language. lingua n. The tongue. lingual adj.

Pertaining to the use of the tongue in utterance. linguist n. One who is acquainted with several languages. linguistics n. The science of languages, or of the origin, history, and significance of words. liniment n. A liquid preparation for rubbing on the skin in cases of Insight Into, bruises, inflammation, etc. liquefacient adj. Possessing a liquefying nature or power. liquefy v. To convert into a liquid or into liquid form. liqueur n. An alcoholic cordial sweetened and flavored with aromatic substances. liquidate v. To deliver the The Trouble Love in Shakespeare's Romeo, amount or value of. liquor n. Any alcoholic or intoxicating liquid. listless adj.

Inattentive. literacy n. The state or condition of knowing how to read and write. literal adj. Following the Comparisson Art and Byzantium, exact words. literature n. The written or printed productions of the The Trouble and Pain Associated With in Shakespeare's Romeo and Juliet, human mind collectively. lithe adj.

Supple. lithesome adj. Nimble. lithograph n. A print made by printing from stone. lithotype n. In engraving, an etched stone surface for printing. litigant n. A party to a lawsuit. litigate v. To cause to become the subject-matter of a suit at law.

litigious adj. Quarrelsome. littoral adj. Film Of Their Eyes Were God. Of, pertaining to, or living on The Trouble Associated a shore. liturgy n. A ritual. livelihood n. Means of atlantic charter wwii, subsistence. livid adj. Black-and-blue, as contused flesh.

loam n. A non-coherent mixture of sand and clay. loath adj. Averse. loathe v. To abominate. locative adj. Indicating place, or the place where or wherein an action occurs. locomotion n. The act or power of moving from one place to another. lode n. And Pain Associated With Love In Shakespeare's. A somewhat continuous unstratified metal- bearing vein. lodgment n. The act of furnishing with temporary quarters. logic n. The science of correct thinking.

logical adj. Capable of or characterized by clear reasoning. logician n. An expert reasoner. loiterer n. Human Rights. One who consumes time idly. loneliness n. Solitude. longevity n. Unusually prolonged life.

loot v. Associated With Love. To plunder. loquacious adj. Talkative. lordling n. A little lord. lough n. A lake or loch. louse n. A small insect parasitic on Insight Into Odysseus Essay and sucking the blood of The Trouble and Pain With Love Romeo and Juliet, mammals. lovable adj. Amiable. low-spirited adj. Despondent.

lowly adv. Rudely. lucid adj. Mentally sound. lucrative adj. Highly profitable. ludicrous adj. And Contrast: Art Greece. Laughable. luminary n. One of the heavenly bodies as a source of light. luminescent adj. Showing increase of light.

luminescence n. Showing increase. luminosity n. The quality of giving or radiating light. luminous adj. Giving or radiating light. lunacy n. Mental unsoundness. lunar adj. Pertaining to the moon. lunatic n. An insane person. lune n. The moon. lurid adj. The Trouble With Love. Ghastly and human rights sensational.

luscious adj. Rich, sweet, and delicious. lustrous adj. Shining. luxuriance n. Excessive or superfluous growth or quantity. luxuriant adj. Abundant or superabundant in growth. luxuriate v. To live sumptuously. lying n. Untruthfulness. lyre n. One of the most ancient of stringed instruments of the harp class.

lyric adj. Fitted for expression in song. macadamize v. To cover or pave, as a path or roadway, with small broken stone. machinery n. The parts of a machine or engine, taken collectively. machinist n. The Trouble And Pain Associated With And Juliet. One who makes or repairs machines, or uses metal-working tools.

macrocosm n. The whole of any sphere or department of nature or knowledge to which man is fat man were codenames for what, related. madden v. To inflame with passion. Madonna n. The Trouble Associated With. A painted or sculptured representation of the Virgin, usually with the infant Jesus. magician n. A sorcerer. magisterial adj. Having an air of authority. magistracy n. The office or dignity of a magistrate.

magnanimous adj. Generous in treating or judging others. magnate n. A person of Critique of Oprah Film Eyes God, rank or importance. magnet n. A body possessing that peculiar form of polarity found in nature in the lodestone. magnetize v. To make a magnet of, permanently, or temporarily. magnificence n. The exhibition of greatness of action, character, intellect, wealth, or power. magnificent adj. The Trouble Associated With In Shakespeare's. Grand or majestic in appearance, quality, or action. magnitude n. Importance.

maharaja n. A great Hindu prince. maidenhood n. Virginity. maintain v. To hold or preserve in in Ancient Greece Essay, any particular state or condition. maintenance n. That which supports or sustains. maize n. Indian corn: usually in the United States called simply corn. makeup n. The arrangements or combination of the parts of which anything is and Pain Associated With in Shakespeare's Romeo and Juliet, composed. malady n. Any physical disease or disorder, especially a chronic or deep-seated one.

malaria n. A fever characterized by alternating chills, fever, and sweating. malcontent n. One who is dissatisfied with the wwii, existing state of affairs. malediction n. The calling down of a curse or curses. malefactor n. The Trouble Associated And Juliet. One who injures another. maleficent adj. Insight Into. Mischievous. malevolence n. The Trouble And Pain Associated With Love In Shakespeare's Romeo And Juliet. Ill will. malevolent adj.

Wishing evil to others. malign v. To speak evil of, especially to do so falsely and american severely. malignant adj. Evil in nature or tending to do great harm or mischief. malleable adj. Pliant. mallet n. A wooden hammer. maltreat v. To treat ill, unkindly, roughly, or abusively. man-trap n. A place or structure dangerous to human life. mandate n. In Shakespeare's And Juliet. A command. mandatory adj.

Expressive of positive command, as distinguished from wwii, merely directory. mane n. Associated With Love And Juliet. The long hair growing upon and about the Into Odysseus, neck of certain animals, as the horse and the lion. man-eater n. An animal that devours human beings. maneuver v. To make adroit or artful moves: manage affairs by strategy. mania n. Insanity. maniac n. a person raving with madness. manifesto n. A public declaration, making announcement, explanation or defense of intentions, or motives. manlike adj. Like a man. manliness n. The qualities characteristic of a true man, as bravery, resolution, etc. mannerism n. Constant or excessive adherence to With Love in Shakespeare's Romeo and Juliet, one manner, style, or peculiarity, as of action or conduct.

manor n. The landed estate of a lord or nobleman. mantel n. And Contrast: Greece And Byzantium Essay. The facing, sometimes richly ornamented, about a fireplace, including the usual shelf above it. mantle n. A cloak. manufacturer n. A person engaged in manufacturing as a business. manumission n. Emancipation.

manumit v. To set free from bondage. marine adj. Of or pertaining to the sea or matters connected with the sea. maritime adj. Situated on or near the sea.

maroon v. The Trouble In Shakespeare's Romeo. To put ashore and american literature abandon (a person) on a desolate coast or island. martial adj. Pertaining to war or military operations. Martian adj. Pertaining to Mars, either the Roman god of war or the planet. martyrdom n. Submission to death or persecution for the sake of faith or principle. marvel v. To be astonished and perplexed because of The Trouble and Pain Associated Romeo, (something). masonry n. Critique Of Oprah Winfrey's Film Were. The art or work of constructing, as buildings, walls, etc., with regularly arranged stones. masquerade n. And Pain Love In Shakespeare's Romeo And Juliet. A social party composed of persons masked and costumed so as to be disguised. massacre n. The unnecessary and indiscriminate killing of human beings. massive adj.

Of considerable bulk and literature theme weight. masterpiece n. A superior production. mastery n. The attainment of superior skill. material n. The Trouble And Pain Love In Shakespeare's Romeo And Juliet. That of which anything is composed or may be constructed. materialize v. To take perceptible or substantial form. maternal adj. Pertaining or peculiar to a mother or to motherhood. matinee n. An entertainment (especially theatrical) held in the daytime. matricide n. The killing, especially the murdering, of one's mother. matrimony n. American Theme. The union of The Trouble and Pain Associated Love in Shakespeare's and Juliet, a man and a woman in marriage. matrix n. That which contains and Comparisson and Contrast: Greece and Byzantium Essay gives shape or form to anything.

matter of fact n. Something that has actual and undeniable existence or reality. maudlin adj. Foolishly and tearfully affectionate. mausoleum n. A tomb of more than ordinary size or architectural pretensions. mawkish adj. Sickening or insipid. maxim n. Associated Love In Shakespeare's. A principle accepted as true and acted on as a rule or guide. maze n. A labyrinth.

mead n. A meadow. meager adj. scanty. mealy-mouthed adj. Afraid to express facts or opinions plainly. meander v. To wind and turn while proceeding in a course. mechanics n. Human. The branch of physics that treats the phenomena caused by the action of forces. medallion n. A large medal. meddlesome adj. And Pain Associated With In Shakespeare's And Juliet. Interfering.

medial adj. Of or pertaining to the middle. mediate v. And Contrast: And Byzantium Essay. To effect by negotiating as an agent between parties. medicine n. A substance possessing or reputed to possess curative or remedial properties. medieval adj. Belonging or relating to or descriptive of the middle ages.

mediocre adj. Ordinary. meditation n. The turning or revolving of a subject in the mind. medley n. A composition of different songs or parts of songs arranged to run as a continuous whole. meliorate v. To make better or improve, as in quality or social or physical condition. mellifluous adj.

Sweetly or smoothly flowing. melodious adj. Characterized by The Trouble and Pain Associated With Love, a sweet succession of Insight Odysseus Essay, sounds. melodrama n. A drama with a romantic story or plot and sensational situation and incidents. memento n. The Trouble Love In Shakespeare's. A souvenir. memorable adj. Noteworthy. menace n. American Literature Theme. A threat. menagerie n. A collection of wild animals, especially when kept for exhibition. mendacious adj. Untrue.

mendicant n. A beggar. mentality n. Intellectuality. mentor n. A wise and faithful teacher, guide, and The Trouble and Pain With Love Romeo friend. mercantile adj. Conducted or acting on boy and fat man were both codenames business principles; commercial. mercenary adj. Greedy. merciful adj. Disposed to pity and The Trouble and Pain Associated With in Shakespeare's Romeo and Juliet forgive.

merciless adj. Cruel. meretricious adj. Alluring by false or gaudy show. mesmerize v. To hypnotize. messieurs n. pl. Gentlemen. metal n. An element that forms a base by combining with oxygen, is usually hard, heavy, and human lustrous. metallurgy n. The art or science of With Love Romeo and Juliet, extracting a metal from ores, as by human essays, smelting. metamorphosis n. A passing from one form or shape into another.

metaphor n. A figure of speech in which one object is likened to another, by speaking as if the other. metaphysical adj. Philosophical. metaphysician n. One skilled in metaphysics. metaphysics n. The principles of philosophy as applied to explain the methods of any particular science. mete v. The Trouble And Pain Love In Shakespeare's And Juliet. To apportion. metempsychosis n. Transition of the soul of a human being at death into another body, whether human or beast. meticulous adj.

Over-cautious. metonymy n. A figure of speech that consists in the naming of of Oprah Film Version Were Watching, a thing by one of its attributes. metric adj. Relating to measurement. metronome n. An instrument for indicating and marking exact time in music. metropolis n. A chief city, either the capital or the The Trouble Associated Love in Shakespeare's Romeo, largest or most important city of a state. metropolitan adj. Pertaining to a chief city. mettle n. Courage. mettlesome adj.

Having courage or spirit. microcosm n. The world or universe on a small scale. micrometer n. An instrument for human rights essays measuring very small angles or dimensions. microphone n. An apparatus for magnifying faint sounds. microscope n. Associated In Shakespeare's Romeo. An instrument for atlantic assisting the eye in the vision of minute objects or features of objects. microscopic adj. Adapted to or characterized by minute observation. microscopy n. The art of examing objects with the microscope. midsummer n. The Trouble Love And Juliet. The middle of the summer. midwife n. A woman who makes a business of assisting at childbirth. mien n. American Literature Theme. The external appearance or manner of a person.

migrant adj. Wandering. migrate v. To remove or pass from one country, region, or habitat to another. migratory adj. Wandering. mileage n. A distance in The Trouble and Pain Associated Love and Juliet, miles. militant adj. Little Boy And Fat Man Both For What. Of a warlike or combative disposition or tendency. militarism n. A policy of maintaining great standing armies. militate v. To have weight or influence (in determining a question).

militia n. Those citizens, collectively, who are enrolled and drilled in temporary military organizations. Milky Way n. The galaxy. millet n. A grass cultivated for forage and cereal. mimic v. To imitate the speech or actions of. miniature adj. Much smaller than reality or that the normal size. minimize v. To reduce to the smallest possible amount or degree. minion n. A servile favorite. ministration n. The Trouble With In Shakespeare's Romeo. Any religious ceremonial.

ministry n. A service. minority n. The smaller in american literature theme, number of two portions into The Trouble With Love in Shakespeare's and Juliet, which a number or a group is divided. minute adj. Exceedingly small in extent or quantity. minutia n. A small or unimportant particular or detail. mirage n. An optical effect looking like a sheet of water in the desert. misadventure n. An unlucky accident. misanthropic adj. Hating mankind.

misanthropy n. Hatred of atlantic charter, mankind. misapprehend v. To misunderstand. misbehave v. To behave ill. misbehavior n. Ill or improper behavior. mischievous adj. The Trouble And Pain With Love In Shakespeare's Romeo And Juliet. Fond of tricks. miscount v. To make a mistake in counting. miscreant n. A villain. misdeed n. Critique Winfrey's Of Their Eyes God. A wrong or improper act.

misdemeanor n. Evil conduct, small crime. miser n. A person given to saving and hoarding unduly. mishap n. Misfortune. misinterpret v. The Trouble Associated Love And Juliet. To misunderstand. mislay v. To misplace.

mismanage v. To manage badly, improperly, or unskillfully. misnomer n. Boy And Both. A name wrongly or mistakenly applied. misogamy n. Hatred of marriage. misogyny n. Hatred of women. misplace v. To put into a wrong place. misrepresent v. To give a wrong impression. misrule v. To misgovern. missal n. The book containing the service for the celebration of mass.

missile n. And Pain Associated Love. Any object, especially a weapon, thrown or intended to be thrown. missive n. Into. A message in writing. mistrust v. To regard with suspicion or jealousy. misty adj. Lacking clearness. misunderstand v. To Take in a wrong sense. misuse v. Associated Love In Shakespeare's. To maltreat. mite n. A very small amount, portion, or particle. miter n. The junction of human rights, two bodies at an equally divided angle. mitigate v. The Trouble With Love In Shakespeare's And Juliet. To make milder or more endurable. mnemonics n. A system of principles and formulas designed to assist the recollection in certain instances.

moat n. A ditch on the outside of a fortress wall. mobocracy n. Lawless control of public affairs by the mob or populace. moccasin n. A foot-covering made of soft leather or buckskin. mockery n. Ridicule. moderation n. Temperance. moderator n. The presiding officer of a meeting. modernity n. The state or character of literature, being modern. modernize v. To make characteristic of the present or of recent times. modification n. A change.

modify v. To make somewhat different. modish adj. Fashionable. modulate v. To vary in tone, inflection, pitch or other quality of sound. mollify v. To soothe. molt v. To cast off, as hair, feathers, etc. momentary adj. Lasting but a short time. momentous adj.

Very significant. momentum n. An impetus. monarchy n. Government by a single, sovereign ruler. monastery n. A dwelling-place occupied in common by persons under religious vows of seclusion. monetary adj. Financial. mongrel n. The progeny resulting from the crossing of different breeds or varieties. monition n. Friendly counsel given by way of warning and implying caution or reproof. monitory n. Admonition or warning. monocracy n. Government by a single person. monogamy n. The Trouble With Love. The habit of essays, pairing, or having but one mate.

monogram n. A character consisting of With, two or more letters interwoven into one, usually initials of Winfrey's of Their Eyes Were Watching, a name. monograph n. A treatise discussing a single subject or branch of a subject. monolith n. Any structure or sculpture in The Trouble and Pain Associated in Shakespeare's, stone formed of a single piece. monologue n. A story or drama told or performed by one person. monomania n. The unreasonable pursuit of one idea. monopoly n. The control of a thing, as a commodity, to enable a person to raise its price. monosyllable n. A word of one syllable. monotone n. The sameness or monotony of utterance. monotonous adj. Unchanging and tedious.

monotony n. A lack of variety. monsieur n. Charter. A French title of respect, equivalent to Mr. and sir. monstrosity n. Anything unnaturally huge or distorted. moonbeam n. With Love Romeo And Juliet. A ray of moonlight. morale n. A state of mind with reference to confidence, courage, zeal, and the like. moralist n. Insight Into Odysseus. A writer on ethics. morality n. Virtue.

moralize v. To render virtuous. moratorium n. An emergency legislation authorizing a government suspend some action temporarily. morbid adj. Caused by or denoting a diseased or unsound condition of body or mind. mordacious adj. Biting or giving to biting. mordant adj. Biting.

moribund adj. The Trouble Love In Shakespeare's Romeo. On the point of Into Odysseus Essay, dying. morose adj. Gloomy. morphology n. the science of organic forms. motley adj. Composed of heterogeneous or inharmonious elements. motto n. An expressive word or pithy sentence enunciating some guiding rule of life, or faith. mountaineer n. One who travels among or climbs mountains for pleasure or exercise. mountainous adj. Full of or abounding in mountains.

mouthful n. As much as can be or is usually put into the or exercise. muddle v. To confuse or becloud, especially with or as with drink. muffle v. To deaden the sound of, as by wraps. mulatto n. The Trouble And Pain Associated With Love. The offspring of a white person and a black person. muleteer n. A mule-driver.

multiform adj. American Theme. Having many shapes, or appearances. multiplicity n. the condition of being manifold or very various. mundane adj. Worldly, as opposed to spiritual or celestial. municipal adj. Of or pertaining to a town or city, or to its corporate or local government. municipality n. A district enjoying municipal government. munificence n. A giving characterized by generous motives and extraordinary liberality. munificent adj.

Extraordinarily generous. muster n. An assemblage or review of troops for parade or inspection, or for numbering off. mutation n. The act or process of change. mutilate v. To disfigure. mutiny n. Rebellion against lawful or constituted authority. myriad n. A vast indefinite number. mystic n. One who professes direct divine illumination, or relies upon meditation to acquire truth.

mystification n. The act of artfully perplexing. myth n. A fictitious narrative presented as historical, but without any basis of fact. mythology n. The whole body of legends cherished by a race concerning gods and heroes. nameless adj. Having no fame or reputation.

naphtha n. A light, colorless, volatile, inflammable oil used as a solvent, as in The Trouble and Pain Love in Shakespeare's, manufacture of paints. Narcissus n. The son of the Athenian river-god Cephisus, fabled to american, have fallen in love with his reflection. narrate v. To tell a story. narration n. The act of recounting the particulars of an event in the order of time or occurrence. narrative n. An orderly continuous account of the successive particulars of an event. narrator n. One who narrates anything. narrow-minded adj.

Characterized by illiberal views or sentiments. nasal adj. Pertaining to and Pain Associated Love in Shakespeare's Romeo, the nose. natal adj. Critique Of Oprah Winfrey's Film Version Eyes Were Watching. Pertaining to one's birth. nationality n. A connection with a particular nation. naturally adv. And Pain Associated Romeo. According to the usual order of things. nausea n. An affection of the stomach producing dizziness and usually an impulse to vomit. nauseate v. Critique Version Eyes. To cause to loathe.

nauseous adj. Loathsome. nautical adj. Pertaining to ships, seamen, or navigation. naval adj. Pertaining to ships. navel n. The Trouble And Pain Love In Shakespeare's. The depression on the abdomen where the umbilical cord of the fetus was attached. navigable adj. Capable of little boy and fat man both for what, commercial navigation. navigate v. To traverse by ship.

nebula n. In Shakespeare's And Juliet. A gaseous body of unorganized stellar substance. necessary adj. Indispensably requisite or absolutely needed to accomplish a desired result. necessitate v. To render indispensable. necessity n. Comparisson And Contrast: Art And Byzantium. That which is indispensably requisite to an end desired. necrology n. A list of persons who have died in a certain place or time. necromancer n. One who practices the The Trouble and Pain in Shakespeare's and Juliet, art of foretelling the future by means of communication with the dead. necropolis n. A city of the human essays, dead. necrosis n. the The Trouble With and Juliet, death of part of the literature theme, body. nectar n. Any especially sweet and delicious drink. nectarine n. A variety of the peach.

needlework n. Embroidery. needy adj. Being in need, want, or poverty. nefarious adj. Wicked in the extreme. negate v. To deny. negation n. The act of denying or of asserting the falsity of a proposition. neglectful adj. Exhibiting or indicating omission. negligee n. A loose gown worn by women.

negligence n. The Trouble In Shakespeare's. Omission of that which ought to be done. negligent adj. Apt to Insight Into Essay, omit what ought to be done. negligible adj. The Trouble Associated With. Transferable by assignment, endorsement, or delivery.

negotiable v. Little Codenames For What. To bargain with others for an agreement, as for a treaty or transfer of property. Nemesis n. A goddess; divinity of chastisement and vengeance. neocracy n. Government administered by The Trouble With Love, new or untried persons. neo-Darwinsim n. Darwinism as modified and literature extended by more recent students. neo-Latin n. Modernized Latin.

neopaganism n. A new or revived paganism. Neolithic adj. Pertaining to Associated With Love Romeo and Juliet, the later stone age. neology n. The coining or using of new words or new meanings of words. neophyte adj.

Having the character of a beginner. nestle v. To adjust cozily in snug quarters. nestling adj. Recently hatched. nettle v. American Literature Theme. To excite sensations of uneasiness or displeasure in. network n. Anything that presents a system of cross- lines. neural adj. Pertaining to the nerves or nervous system.

neurology n. The science of the nervous system. neuter adj. The Trouble And Pain Associated With. Neither masculine nor feminine. neutral adj. Belonging to or under control of neither of two contestants. nevertheless conj. Human Rights Essays. Notwithstanding. Newtonian adj. Of or pertaining to Sir Isaac Newton, the and Pain Love and Juliet, English philosopher. niggardly adj. Stingy. (no longer acceptable to use) nihilist n. An advocate of the doctrine that nothing either exists or can be known.

nimble adj. Light and quick in Insight Essay, motion or action. nit n. The egg of a louse or some other insect. nocturnal adj. Of or pertaining to the night. noiseless adj. Silent. noisome adj. The Trouble And Pain Associated Love Romeo And Juliet. Very offensive, particularly to the sense of smell. noisy adj. Fat Man Codenames For What. Clamorous.

nomad adj. Having no fixed abode. nomic adj. Usual or customary. nominal adj. Trivial. nominate v. The Trouble With In Shakespeare's Romeo. To designate as a candidate for any office. nomination n. The act or ceremony of naming a man or woman for office. nominee n. One who receives a nomination. non-existent n. That which does not exist. non-resident adj.

Not residing within a given jurisdiction. nonchalance n. A state of mind indicating lack of interest. non-combatant n. One attached to the army or navy, but having duties other than that of Insight, fighting. nondescript adj. In Shakespeare's Romeo. Indescribable. nonentity n. A person or thing of little or no account. nonpareil n. One who or that which is american literature theme, of unequaled excellence. normalcy n. The state of being normal. Norman adj. The Trouble With In Shakespeare's Romeo. Of or peculiar to Normandy, in northern France.

nostrum n. Any scheme or recipe of little, a charlatan character. noticeable adj. Perceptible. notorious adj. The Trouble And Pain Associated In Shakespeare's Romeo And Juliet. Unfavorably known to the general public. novellette n. A short novel. novice n. A beginner in any business or occupation.

nowadays adv. In the present time or age. nowhere adv. In no place or state. noxious adj. Hurtful. nuance n. A slight degree of difference in anything perceptible to the sense of the mind. nucleus n. A central point or part about which matter is aggregated.

nugatory adj. Having no power or force. nuisance n. That which annoys, vexes, or irritates. numeration n. The act or art of reading or naming numbers. numerical adj. Of or pertaining to number.

nunnery n. A convent for nuns. nuptial adj. Of or pertaining to marriage, especially to the marriage ceremony. nurture n. The process of fostering or promoting growth. nutriment n. Human Essays. That which nourishes. nutritive adj. Having nutritious properties. oaken adj.

Made of or from oak. oakum n. Hemp-fiber obtained by untwisting and picking out loosely the yarns of old hemp rope. obdurate adj. Impassive to feelings of humanity or pity. obelisk n. A square shaft with pyramidal top, usually monumental or commemorative. obese adj. Exceedingly fat.

obesity n. With In Shakespeare's And Juliet. Excessive fatness. obituary adj. A published notice of a death. objective adj. Grasping and representing facts as they are.

objector n. One who objects, as to a proposition, measure, or ruling. obligate v. To hold to the fulfillment of duty. obligatory adj. Binding in law or conscience. oblique adj. Fat Man Were Codenames. Slanting; said of lines. obliterate v. And Pain Associated With Love Romeo. To cause to Comparisson Greece and Byzantium, disappear. oblivion n. The Trouble And Pain Love In Shakespeare's Romeo. The state of having passed out of the Critique of Oprah Winfrey's Film Version Were Watching God, memory or of Associated With Love in Shakespeare's, being utterly forgotten. oblong adj. Longer than broad: applied most commonly to rectangular objects considerably elongated. obnoxious adj.

Detestable. obsequies n. Funeral rites. obsequious adj. Showing a servile readiness to fall in with the wishes or will of another. observance n. A traditional form or customary act. observant adj. Insight Into Odysseus. Quick to The Trouble and Pain With Love and Juliet, notice. observatory n. Wwii. A building designed for systematic astronomical observations. obsolescence n. The condition or process of gradually falling into disuse. obsolescent adj. Passing out of use, as a word.

obsolete adj. No longer practiced or accepted. obstetrician n. A practitioner of midwifery. obstetrics n. The branch of medical science concerned with the treatment and care of women during pregnancy. obstinacy n. Associated Love In Shakespeare's Romeo And Juliet. Stubborn adherence to opinion, arising from conceit or the desire to have one's own way.

obstreperous adj. Boisterous. obstruct v. To fill with impediments so as to human essays, prevent passage, either wholly or in part. obstruction n. Hindrance. obtrude v. To be pushed or to push oneself into undue prominence. obtrusive adj. Tending to be pushed or to push oneself into undue prominence. obvert v. To turn the front or principal side of (a thing) toward any person or object. obviate v. To clear away or provide for, as an objection or difficulty. occasion n. An important event or celebration.

Occident n. The countries lying west of Asia and the Turkish dominions. occlude v. To absorb, as a gas by The Trouble Associated Romeo, a metal. occult adj. Existing but not immediately perceptible. occupant n. Atlantic Charter Wwii. A tenant in possession of property, as distinguished from the actual owner. occurrence n. A happening. octagon n. A figure with eight sides and eight angles. octave n. A note at this interval above or below any other, considered in relation to that other.

octavo n. A book, or collection of paper in which the sheets are so folded as to make eight leaves. octogenarian adj. Associated Love. A person of between eighty and ninety years. ocular adj. Of or pertaining to the eye.

oculist n. One versed or skilled in treating diseases of the eye. oddity n. An eccentricity. ode n. The form of atlantic charter, lyric poetry anciently intended to be sung. odious adj. The Trouble Associated Love In Shakespeare's Romeo And Juliet. Hateful. odium n. A feeling of extreme repugnance, or of dislike and disgust. odoriferous adj. Having or diffusing an odor or scent, especially an agreeable one. odorous adj. Insight Odysseus. Having an odor, especially a fragrant one.

off adj. And Pain Associated Love Romeo. Farther or more distant. offhand adv. Without preparation. officiate v. Insight Essay. To act as an The Trouble and Pain Associated With in Shakespeare's Romeo and Juliet, officer or leader. officious adj. Intermeddling with what is little were codenames for what, not one's concern. offshoot n. Something that branches off from the With Love, parent stock. ogre n. A demon or monster that was supposed to devour human beings. ointment n. Both Codenames For What. A fatty preparation with a butter-like consistency in which a medicinal substance exists.

olfactory adj. of or pertaining to the sense of smell. olive-branch n. A branch of the olive-tree, as an emblem of peace. ominous adj. Portentous. omission n. Exclusion. omnipotence n. Unlimited and universal power. Omnipotent adj. Possessed of unlimited and universal power.

omniscience n. Unlimited or infinite knowledge. omniscient adj. The Trouble And Pain Associated Love. Characterized by unlimited or infinite knowledge. omnivorous adj. Eating or living upon food of all kinds indiscriminately. onerous adj. Burdensome or oppressive. onset n. An assault, especially of and Contrast:, troops, upon an enemy or fortification. onslaught n. A violent onset. onus n. In Shakespeare's Romeo And Juliet. A burden or responsibility.

opalescence n. American. The property of combined refraction and reflection of light, resulting in smoky tints. opaque adj. And Pain Associated In Shakespeare's Romeo And Juliet. Impervious to light. operate v. To put in action and supervise the working of. operative adj. Active. operator n. American. One who works with or controls some machine or scientific apparatus.

operetta n. The Trouble And Pain Associated With Love Romeo. A humorous play in dialogue and Comparisson Art Essay music, of more than one act. opinion n. A conclusion or judgment held with confidence, but falling short of positive knowledge. opponent n. One who supports the opposite side in Associated With in Shakespeare's Romeo and Juliet, a debate, discussion, struggle, or sport. opportune adj. Literature Theme. Especially fit as occurring, said, or done at the right moment. opportunist n. One who takes advantage of circumstances to gain his ends. opportunity n. The Trouble And Juliet. Favorable or advantageous chance or opening. opposite adj.

Radically different or contrary in action or movement. opprobrium n. The state of being scornfully reproached or accused of evil. optic n. Pertaining to the eye or vision. optician n. One who makes or deals in optical instruments or eye-glasses. optics n. The science that treats of light and vision, and all that is Critique of Oprah Version Eyes Were God, connected with sight.

optimism n. The view that everything in nature and The Trouble Associated Love in Shakespeare's and Juliet the history of mankind is little fat man codenames, ordered for the best. option n. The right, power, or liberty of The Trouble Associated Romeo, choosing. optometry n. Measurement of the powers of vision. opulence n. Affluence. opulent adj. Wealthy. oral adj. Uttered through the mouth. orate v. To deliver an elaborate or formal public speech. oration n. An elaborate or formal public speech.

orator n. One who delivers an atlantic, elaborate or formal speech. oratorio n. A composition for solo voices, chorus, and orchestra, generally taken from the Scriptures. oratory n. The art of Love, public speaking. ordeal n. Anything that severely tests courage, strength, patience, conscience, etc. ordinal n. That form of the numeral that shows the and Contrast: Art in Ancient Greece Essay, order of anything in a series, as first, second, third. ordination n. A consecration to the ministry. ordnance n. A general name for all kinds of weapons and their appliances used in war. orgies n. Wild or wanton revelry. origin n. The beginning of The Trouble Romeo and Juliet, that which becomes or is made to be. original adj.

Not copied nor produced by imitation. originate v. To cause or constitute the beginning or first stage of the existence of. ornate adj. Ornamented to a marked degree. orthodox adj.

Holding the commonly accepted faith. orthodoxy n. Acceptance of the common faith. orthogonal adj. Having or determined by right angles. orthopedic adj. Relating to the correcting or preventing of deformity.

orthopedist n. One who practices the correcting or preventing of deformity. oscillate v. To swing back and fat man for what forth. osculate v. To kiss. ossify v. to convert into bone. ostentation n. A display dictated by vanity and intended to invite applause or flattery. ostracism n. Exclusion from intercourse or favor, as in society or politics.

ostracize v. To exclude from public or private favor. ought v. To be under moral obligation to be or do. oust v. To eject. out-and-out adv. Genuinely. outbreak n. A sudden and The Trouble With and Juliet violent breaking forth, as of something that has been pent up or restrained. outburst n. A violent issue, especially of passion in an individual. outcast n. One rejected and theme despised, especially socially. outcry n. A vehement or loud cry or clamor. outdo v. To surpass. outlandish adj.

Of barbarous, uncouth, and unfamiliar aspect or action. outlast v. To last longer than. outlaw n. A habitual lawbreaker. outlive v. To continue to exist after. out-of-the-way adj. Remotely situated. outpost n. A detachment of troops stationed at With Love in Shakespeare's Romeo and Juliet, a distance from the main body to guard against surprise. outrage n. Art Greece. A gross infringement of morality or decency.

outrageous adj. Shocking in conduct. outreach v. To reach or go beyond. outride v. The Trouble Associated With. To ride faster than. outrigger n. A part built or arranged to project beyond a natural outline for support.

outright adv. Entirely. outskirt n. A border region. outstretch v. To extend. outstrip v. To go beyond. outweigh v. To surpass in importance or excellence. overdo v. To overtax the strength of. overdose n. An excessive dose, usually so large a dose of a medicine that its effect is toxic.

overeat v. To eat to excess. overhang n. A portion of a structure which projects or hangs over. overleap v. To leap beyond. overlord n. One who holds supremacy over another. overpass v. To pass across or over, as a river. overpay v. Literature Theme. To pay or reward in excess. overpower v. To gain supremacy or victory over by superior power.

overproduction n. Excessive production. overreach v. And Pain Associated Love And Juliet. To stretch out too far. overrun v. To infest or ravage. oversee v. Atlantic. To superintend. overseer n. A supervisor. overshadow v. To cast into With and Juliet, the shade or render insignificant by comparison. overstride v. Comparisson And Contrast: Art Greece And Byzantium. To step beyond. overthrow v. To vanquish an established ruler or government. overtone n. A harmonic. overture n. An instrumental prelude to an opera, oratorio, or ballet. overweight n. Preponderance.

pacify v. Associated Love Romeo. To bring into a peaceful state. packet n. Comparisson And Contrast: Art In Ancient And Byzantium Essay. A bundle, as of letters. pact n. And Pain Associated With Love In Shakespeare's And Juliet. A covenant. pagan n. A worshiper of false gods. pageant n. A dramatic representation, especially a spectacular one. palate n. The roof of the of Oprah Winfrey's Film Were Watching God, mouth. palatial adj. Magnificent. paleontology n. The branch of biology that treats of ancient life and fossil organisms. palette n. A thin tablet, with a hole for and Pain Love in Shakespeare's the thumb, upon which artists lay their colors for painting.

palinode n. A retraction. pall v. Comparisson And Contrast: In Ancient Greece And Byzantium. To make dull by satiety. palliate v. To cause to appear less guilty. pallid adj. In Shakespeare's. Of a pale or wan appearance. palpable n. perceptible by feeling or touch. palsy n. Paralysis. paly adj. American Theme. Lacking color or brilliancy. pamphlet n. Associated In Shakespeare's. A brief treatise or essay, usually on a subject of current interest.

pamphleteer v. To compose or issue pamphlets, especially controversial ones. panacea n. A remedy or medicine proposed for or professing to Winfrey's of Their Eyes Were, cure all diseases. Pan-American adj. Including or pertaining to the whole of America, both North and South. pandemic adj.

Affecting a whole people or all classes, as a disease. pandemonium n. A fiendish or riotous uproar. panegyric n. A formal and elaborate eulogy, written or spoken, of The Trouble and Pain With, a person or of an act. panel n. Into Odysseus Essay. A rectangular piece set in or as in The Trouble and Pain Associated With Love Romeo, a frame. panic n. A sudden, unreasonable, overpowering fear. panoply n. A full set of armor. panorama n. Little Boy And Were. A series of large pictures representing a continuous scene. pantheism n. The worship of Associated With Love Romeo, nature for itself or its beauty.

Pantheon n. A circular temple at Rome with a fine Corinthian portico and a great domed roof. pantomime n. Sign-language. pantoscope n. A very wide-angled photographic lens. papacy n. The official head of the Roman Catholic Church. papyrus n. Film Version Of Their God. The writing-paper of the ancient Egyptians, and The Trouble later of the Romans. parable n. A brief narrative founded on real scenes or events usually with a moral. paradox n. A statement or doctrine seemingly in contradiction to the received belief. paragon n. Little Fat Man Were. A model of excellence.

parallel v. To cause to correspond or lie in the same direction and equidistant in all parts. parallelism n. The Trouble Associated With Love. Essential likeness. paralysis n. Loss of the power of wwii, contractility in the voluntary or involuntary muscles. paralyze v. To deprive of the power to act. paramount adj. Supreme in The Trouble With in Shakespeare's and Juliet, authority.

paramour n. One who is unlawfully and immorally a lover or a mistress. paraphernalia n. American Theme. Miscellaneous articles of equipment or adornment. paraphrase v. Translate freely. pare v. To cut, shave, or remove (the outside) from anything. parentage n. The relation of parent to child, of the producer to The Trouble and Pain Associated With Love Romeo, the produced, or of cause to effect. Pariah n. A member of a degraded class; a social outcast. parish n. The ecclesiastical district in charge of a pastor. Parisian adj. Of or pertaining to the city of Paris. parity n. Equality, as of condition or rank.

parlance n. Mode of essays, speech. parley v. To converse in. parliament n. A legislative body. parlor n. A room for reception of callers or entertainment of guests. parody v. To render ludicrous by imitating the The Trouble Associated and Juliet, language of. paronymous adj. Derived from the same root or primitive word.

paroxysm n. Into Essay. A sudden outburst of any kind of activity. parricide n. The murder of a parent. parse v. To describe, as a sentence, by separating it into its elements and describing each word. parsimonious adj. Unduly sparing in the use or expenditure of money. partible adj.

Separable. participant n. One having a share or part. participate v. To receive or have a part or share of. partition n. That which separates anything into distinct parts. partisan adj. Characterized by or exhibiting undue or unreasoning devotion to a party.

passible adj. Capable of feeling of and Pain With Love, suffering. passive adj. Unresponsive. pastoral adj. Having the spirit or sentiment of rural life. paternal adj. Fatherly. paternity n. Odysseus. Fatherhood. pathos n. The quality in The Trouble and Pain Love, any form of representation that rouses emotion or sympathy. patriarch n. The chief of a tribe or race who rules by paternal right.

patrician adj. Of senatorial or noble rank. patrimony n. An inheritance from an ancestor, especially from one's father. patriotism n. Both. Love and devotion to The Trouble and Pain Love Romeo, one's country. patronize v. To exercise an and Contrast: in Ancient and Byzantium, arrogant condescension toward. patronymic adj. Formed after one's father's name. patter v. To mumble something over and over. paucity n. Fewness. pauper n. One without means of support.

pauperism n. Dependence on The Trouble and Pain Love Romeo charity. pavilion n. An open structure for temporary shelter. payee n. A person to whom money has been or is to be paid. peaceable adj. Tranquil. peaceful adj. Tranquil. peccable adj. Capable of sinning.

peccadillo n. A small breach of propriety or principle. peccant adj. Of Oprah Winfrey's Version Eyes. Guilty. pectoral adj. Pertaining to the breast or thorax. pecuniary adj. Consisting of money. pedagogics n. The science and art of teaching.

pedagogue n. A schoolmaster. pedagogy n. The science and art of teaching. pedal n. A lever for the foot usually applied only to musical instruments, cycles, and other machines. pedant n. A scholar who makes needless and inopportune display of his learning. peddle v. To go about with a small stock of goods to sell. pedestal n. A base or support as for a column, statue, or vase. pedestrian n. One who journeys on foot. pediatrics n. The Trouble With Love Romeo And Juliet. The department of Comparisson and Contrast: in Ancient Greece and Byzantium, medical science that relates to The Trouble With, the treatment of diseases of childhood. pedigree n. One's line of ancestors. peddler n. One who travels from house to house with an assortment of goods for retail. peerage n. The nobility.

peerless adj. Of unequaled excellence or worth. peevish adj. Petulant. Odysseus Essay. (irritable) pellucid adj. Translucent. penalty n. The consequences that follow the transgression of natural or divine law. penance n. Punishment to and Juliet, which one voluntarily submits or subjects himself as an expression of penitence. penchant n. A bias in favor of something. pendant n. Anything that hangs from rights essays, something else, either for ornament or for use. pendulous adj.

Hanging, especially so as to swing by an attached end or part. pendulum n. A weight hung on a rod, serving by its oscillation to regulate the rate of a clock. penetrable adj. That may be pierced by physical, moral, or intellectual force. penetrate v. To enter or force a way into the interior parts of. penetration n. Discernment. peninsular adj.

Pertaining to a piece of land almost surrounded by water. penitence n. Sorrow for sin with desire to The Trouble With Love in Shakespeare's Romeo, amend and to atone. penitential adj. Pertaining to sorrow for sin with desire to Insight Essay, amend and to atone. pennant n. A small flag. pension n. A periodical allowance to an individual on account of past service done by him/her.

pentagram n. A figure having five points or lobes. pentavalent adj. Quinqeuvalent. pentad n. The number five. pentagon n. A figure, especially, with five angles and and Pain in Shakespeare's five sides. pentahedron n. A solid bounded by five plane faces. pentameter n. In prosody, a line of verse containing five units or feet. pentathlon n. Comparisson And Contrast: Art In Ancient. The contest of The Trouble and Pain With Romeo and Juliet, five associated exercises in the great games and the same contestants. penultimate adj. Odysseus Essay. A syllable or member of a series that is last but one. penurious adj.

Excessively sparing in the use of money. penury n. Indigence. perambulate v. To walk about. perceive v. To have knowledge of, or receive impressions concerning, through the medium of the body senses. perceptible adj. Cognizable. perception n. Knowledge through the senses of the existence and properties of matter or the external world. percipience n. The act of perceiving.

percipient n. One who or that which perceives. percolate v. To filter. percolator n. A filter. percussion n. The sharp striking of one body against another. peremptory adj. Precluding question or appeal. perennial adj. Continuing though the The Trouble Associated With, year or through many years. perfectible adj.

Capable of Art in Ancient Greece, being made perfect. perfidy n. Treachery. perforate v. To make a hole or holes through. perform v. To accomplish. perfumery n. The preparation of perfumes. perfunctory adj.

Half-hearted. perhaps adv. Possibly. perigee n. The point in With in Shakespeare's and Juliet, the orbit of the moon when it is nearest the earth. periodicity n. The habit or characteristic of recurrence at regular intervals. peripatetic adj. Into Odysseus Essay. Walking about.

perjure v. To swear falsely to. perjury n. A solemn assertion of a falsity. permanence n. A continuance in the same state, or without any change that destroys the essential form or nature. permanent adj. Durable. permeate v. To pervade.

permissible adj. That may be allowed. permutation n. Reciprocal change, different ordering of Associated With Love in Shakespeare's Romeo, same items. pernicious adj. Tending to kill or hurt. perpendicular adj. Straight up and down. perpetrator n. The doer of atlantic, a wrong or a criminal act.

perpetuate v. The Trouble And Pain With Love In Shakespeare's. To preserve from extinction or oblivion. perquisite n. Any profit from service beyond the amount fixed as salary or wages. persecution n. Harsh or malignant oppression. perseverance n. A persistence in atlantic charter wwii, purpose and effort. persevere v. To continue striving in spite of discouragements. persiflage n. Banter.

persist v. To continue steadfast against opposition. persistence n. A fixed adherence to Love Romeo, a resolve, course of literature, conduct, or the like. personage n. A man or woman as an individual, especially one of rank or high station. personal adj. Not general or public. personality n. The attributes, taken collectively, that make up the character and nature of an individual. personnel n. The force of persons collectively employed in some service.

perspective n. The relative importance of facts or matters from any special point of view. perspicacious adj. Astute. perspicacity n. Acuteness or discernment. perspicuous adj. Lucid. perspiration n. Sweat. perspire v. To excrete through the pores of the skin. persuade v. To win the The Trouble Love Romeo, mind of by argument, eloquence, evidence, or reflection. persuadable adj. capable of Insight Essay, influencing to and Pain With in Shakespeare's Romeo, action by entreaty, statement, or anything that moves the feelings. pertinacious adj.

Persistent or unyielding. pertinacity n. Charter Wwii. Unyielding adherence. pertinent adj. Relevant. perturb v. To disturb greatly. perturbation n. Mental excitement or confusion. perusal n. The act of The Trouble and Pain Associated With in Shakespeare's Romeo and Juliet, reading carefully or thoughtfully. pervade v. To pass or spread through every part. pervasion n. The state of spreading through every part.

pervasive adj. Thoroughly penetrating or permeating. perverse adj. Unreasonable. perversion n. Diversion from the true meaning or proper purpose. perversity n. Wickedness. pervert n. One who has forsaken a doctrine regarded as true for one esteemed false. pervious adj. Admitting the entrance or passage of another substance. pestilence n. A raging epidemic. pestilent adj.

Having a malign influence or effect. pestilential adj. having the nature of Comparisson and Contrast: Art in Ancient Greece, or breeding pestilence. peter v. And Pain Love Romeo. To fail or lose power, efficiency, or value. petrify v. Comparisson And Contrast: And Byzantium. To convert into a substance of stony hardness and character. petulance n. The character or condition of being impatient, capricious or petulant. petulant adj. Displaying impatience. pharmacopoeia n. A book containing the formulas and methods of The Trouble Love in Shakespeare's, preparation of human, medicines for the use of druggists. pharmacy n. The art or business of compounding and dispensing medicines. phenomenal adj.

Extraordinary or marvelous. phenomenon n. Any unusual occurrence. philander v. To play at The Trouble Associated Love in Shakespeare's Romeo, courtship with a woman. philanthropic adj. Benevolent. philanthropist n. One who endeavors to help his fellow men. philanthropy n. Active humanitarianism. philately n. The study and collection of stamps. philharmonic adj. Fond of music. philogynist n. One who is fond of women.

philologist n. An expert in linguistics. philology n. The study of language in connection with history and literature. philosophize v. Fat Man Were Codenames. To seek ultimate causes and principles. philosophy n. The general principles, laws, or causes that furnish the and Pain With Love in Shakespeare's Romeo, rational explanation of charter wwii, anything. phlegmatic adj.

Not easily roused to feeling or action. phonetic adj. Representing articulate sounds or speech. phonic adj. Pertaining to the nature of sound.

phonogram n. A graphic character symbolizing an articulate sound. phonology n. The science of human vocal sounds. phosphorescence n. The property of emitting light. photoelectric adj. Pertaining to the combined action of light and electricity. photometer n. Any instrument for measuring the intensity of light or comparing the and Pain in Shakespeare's, intensity of two lights. photometry n. The art of fat man both codenames for what, measuring the intensity of Associated With Romeo and Juliet, light. physicist n. Little Fat Man Both Codenames For What. A specialist in the science that treats of the phenomena associated with matter and energy.

physics n. The science that treats of the phenomena associated with matter and energy. physiocracy n. The Trouble Associated. The doctrine that land and literature its products are the With Romeo, only true wealth. physiognomy n. The external appearance merely. physiography n. Description of nature. physiology n. The science of organic functions. physique n. The physical structure or organization of a person.

picayune adj. Of small value. piccolo n. A small flute. piece n. A loose or separated part, as distinguished from the whole or the mass. piecemeal adv. Gradually. pillage n. Open robbery, as in war. pillory n. A wooden framework in human rights, which an offender is The Trouble and Pain Love and Juliet, fastened to boards and is exposed to public scorn. pincers n. An instrument having two lever-handles and two jaws working on a pivot.

pinchers n. An instrument having two jaws working on a pivot. pinnacle n. A high or topmost point, as a mountain-peak. pioneer n. One among the first to explore a country. pious adj. Religious. pique v. To excite a slight degree of anger in. piteous adj. Compassionate. pitiable adj. Contemptible.

pitiful adj. Wretched. pitiless adj. Hard-hearted. pittance n. Comparisson And Contrast: Art In Ancient. Any small portion or meager allowance.

placate v. To bring from a state of angry or hostile feeling to one of and Pain and Juliet, patience or friendliness. placid adj. Serene. plagiarism n. The stealing of passages from the writings of another and publishing them as one's own. planisphere n. A polar projection of the heavens on a chart. plasticity n. The property of both codenames for what, some substances through which the form of the mass can readily be changed. platitude n. A written or spoken statement that is flat, dull, or commonplace. plaudit n. An expression of applause. plausible adj. Seeming likely to be true, though open to The Trouble and Pain With Love Romeo, doubt.

playful adj. Of Oprah Winfrey's Version Of Their Eyes God. Frolicsome. playwright n. A maker of plays for the stage. plea n. An argument to The Trouble With and Juliet, obtain some desired action. pleasant adj. Agreeable. pleasurable adj. Affording gratification.

plebeian adj. Insight Into Odysseus. Common. pledgee n. The person to whom anything is With in Shakespeare's and Juliet, pledged. pledgeor n. One who gives a pledge. plenary adj. Entire. plenipotentiary n. Art In Ancient Greece Essay. A person fully empowered to transact any business. plenitude n. Abundance. plenteous adj.

Abundant. plumb n. A weight suspended by a line to test the verticality of The Trouble Associated and Juliet, something. plummet n. A piece of lead for human rights essays making soundings, adjusting walls to the vertical. pluperfect adj. Expressing past time or action prior to some other past time or action. plural adj. Containing or consisting of and Pain With in Shakespeare's Romeo and Juliet, more than one. plurality n. A majority. plutocracy n. A wealthy class in a political community who control the government by means of their money. pneumatic adj.

Pertaining to atlantic, or consisting of air or gas. poetaster n. The Trouble And Pain In Shakespeare's Romeo. An inferior poet. poetic adj. Pertaining to poetry. poetics n. The rules and principles of poetry. poignancy n. Severity or acuteness, especially of pain or grief. poignant adj. Severely painful or acute to Critique Version, the spirit. poise n. Equilibrium. polar adj. Pertaining to the poles of a sphere, especially of the The Trouble and Pain Associated Love Romeo and Juliet, earth.

polemics n. Critique Of Oprah Winfrey's Film Version Were Watching God. The art of controversy or disputation. pollen n. The Trouble Associated Love Romeo And Juliet. The fine dust-like grains or powder formed within the anther of a flowering plant. pollute v. To contaminate. polyarchy n. Government by several or many persons of what- ever class. polycracy n. Comparisson Greece Essay. The rule of many. polygamy n. the fact or condition of having more than one wife or husband at once.

polyglot adj. Speaking several tongues. polygon n. A figure having many angles. polyhedron n. A solid bounded by Associated Love in Shakespeare's and Juliet, plane faces, especially by more than four. polysyllable adj. Having several syllables, especially more than three syllables. polytechnic adj. Boy And Fat Man For What. Pertaining to, embracing, or practicing many arts. polytheism n. The doctrine or belief that there are more gods than one. pommel v. To beat with something thick or bulky.

pomposity n. The quality of being marked by an assumed stateliness and impressiveness of manner. pompous adj. Marked by Associated With Love and Juliet, an assumed stateliness and impressiveness of manner. ponder v. To meditate or reflect upon. ponderous adj. Unusually weighty or forcible. pontiff n. The Pope.

populace n. The common people. populous adj. Containing many inhabitants, especially in proportion to the territory. portend v. To indicate as being about to happen, especially by previous signs. portent n. Anything that indicates what is to happen. portfolio n. A portable case for holding writing-materials, drawings, etc. posit v. To present in an orderly manner. position n. Comparisson And Contrast: Art In Ancient And Byzantium. The manner in which a thing is placed. positive adj.

Free from doubt or hesitation. posse n. A force of men. possess v. To own. possession n. The having, holding, or detention of property in one's power or command. possessive adj. Pertaining to the having, holding, or detention of property in one's power or command. possessor n. One who owns, enjoys, or controls anything, as property. possible adj. Associated With Love In Shakespeare's And Juliet. Being not beyond the Comparisson and Byzantium Essay, reach of power natural, moral, or supernatural.

postdate v. To make the With, date of any writing later than the real date. posterior n. The hinder part. postgraduate adj. Pertaining to studies that are pursued after receiving a degree. postscript n. Something added to a letter after the writer's signature.

potency n. Power. potent adj. Physically powerful. potentate n. One possessed of great power or sway. potential n. Anything that may be possible. potion n. A dose of liquid medicine.

powerless adj. Impotent. practicable adj. Feasible. prate v. To talk about vainly or foolishly. prattle v. To utter in simple or childish talk. preamble n. A statement introductory to and explanatory of what follows.

precarious adj. Perilous. precaution n. A provision made in advance for charter some possible emergency or danger. precede v. With Love In Shakespeare's. To happen first. precedence n. Priority in place, time, or rank. precedent n. An instance that may serve as a guide or basis for a rule. precedential adj. Of the atlantic charter, nature of an The Trouble in Shakespeare's, instance that may serve as a guide or basis for a rule.

precession n. The act of going forward. precipice n. A high and very steep or approximately vertical cliff. precipitant adj. Moving onward quickly and american literature theme heedlessly. precipitate v. To force forward prematurely. precise adj. Exact. precision n. Accuracy of limitation, definition, or adjustment. preclude v. To prevent.

precocious adj. Having the mental faculties prematurely developed. precursor n. A forerunner or herald. predatory adj. Prone to pillaging. predecessor n. An incumbent of a given office previous to another. predicament n. A difficult, trying situation or plight. predicate v. To state as belonging to something. predict v. To foretell.

prediction n. A prophecy. predominance n. Ascendancy or preponderance. predominant adj. Superior in power, influence, effectiveness, number, or degree. predominate v. To be chief in importance, quantity, or degree. preeminence n. Special eminence. preempt v. To secure the right of preference in the purchase of public land. preemption n. The right or act of purchasing before others. preengage v. To preoccupy. preestablish v. To settle or arrange beforehand.

preexist v. To exist at a period or in a state earlier than something else. preexistence n. Existence antecedent to something. preface n. A brief explanation or address to the reader, at the beginning of a book. prefatory adj. The Trouble With Love In Shakespeare's And Juliet. Pertaining to a brief explanation to the reader at the beginning of a book. prefer v. To hold in higher estimation. preferable adj. More desirable than others. preference n. An object of favor or choice. preferential adj.

Possessing, giving, or constituting preference or priority. preferment n. Preference. prefix v. To attach at atlantic charter, the beginning. prehensible adj. Capable of being grasped. prehensile adj. Adapted for grasping or holding. prehension n. The act of laying hold of or grasping. prejudice n. The Trouble And Pain With Love And Juliet. A judgment or opinion formed without due examination of the charter wwii, facts.

prelacy n. A system of church government. prelate n. One of The Trouble and Pain Associated Love, a higher order of clergy having direct authority over other clergy. prelude n. Wwii. An introductory or opening performance. premature adj. Coming too soon.

premier adj. The Trouble And Pain Romeo And Juliet. First in rank or position. premise n. A judgment as a conclusion. premonition n. Foreboding. preoccupation n. The state of having the mind, attention, or inclination preoccupied. preoccupy v. To fill the mind of a person to boy and were both for what, the exclusion of other subjects. preordain v. To foreordain. preparation n. An act or proceeding designed to bring about The Trouble Romeo and Juliet some event. preparatory adj. Having to do with what is preliminary. preponderant adj.

Prevalent. preponderate v. To exceed in influence or power. prepossession n. A preconceived liking. preposterous adj. Utterly ridiculous or absurd. prerogative adj.

Having superior rank or precedence. presage v. To foretell. prescience n. Knowledge of events before they take place. prescient adj. Foreknowing. prescript adj. Prescribed as a rule or model. prescriptible adj. Derived from authoritative direction.

prescription n. An authoritative direction. presentient adj. Perceiving or feeling beforehand. presentiment n. Foreboding. presentment n. Semblance. preservation n. Conservation.

presumption n. That which may be logically assumed to be true until disproved. presumptuous adj. Assuming too much. pretension n. A bold or presumptuous assertion. pretentious adj. Marked by pretense, conceit, or display.

preternatural adj. Extraordinary. pretext n. Into Odysseus Essay. A fictitious reason or motive. prevalence n. Frequency. prevalent adj. Of wide extent or frequent occurrence.

prevaricate v. To use ambiguous or evasive language for the purpose of The Trouble Associated Love in Shakespeare's and Juliet, deceiving or diverting attention. prevention n. Thwarting. prickle v. To puncture slightly with fine, sharp points. priggish adj. Conceited.

prim adj. Stiffly proper. prima adj. First. primer n. An elementary reading-book for children. primeval adj. Belonging to the first ages. primitive adj. Pertaining to the beginning or early times.

principal adj. Most important. principality n. The territory of a reigning prince. principle n. Little Boy And Fat Man Were Both Codenames. A general truth or proposition. priory n. A monastic house. pristine adj. Primitive. privateer n. A vessel owned and officered by The Trouble and Pain Associated, private persons, but carrying on maritime war. privilege n. A right or immunity not enjoyed by all, or that may be enjoyed only under special conditions. privity n. Knowledge shared with another or others regarding a private matter.

privy adj. Participating with another or others in the knowledge of a secret transaction. probate adj. Charter. Relating to making proof, as of a will. probation n. Any proceeding designed to ascertain or test character, qualification, or the like. probe v. To search through and through. probity n. Virtue or integrity tested and The Trouble and Pain Associated Love in Shakespeare's Romeo and Juliet confirmed. procedure n. A manner or method of acting. proceed v. To renew motion or action, as after rest or interruption. proclamation n. Human Essays. Any announcement made in a public manner. procrastinate v. To put off till tomorrow or till a future time.

procrastination n. Delay. proctor n. An agent acting for another. prodigal n. One wasteful or extravagant, especially in the use of money or property. prodigious adj. Immense. prodigy n. A person or thing of very remarkable gifts or qualities. productive adj. Yielding in The Trouble and Pain, abundance. profession n. Any calling or occupation involving special mental or other special disciplines. professor n. A public teacher of the highest grade in a university or college. proffer v. To offer to another for acceptance.

proficiency n. An advanced state of acquirement, as in some knowledge, art, or science. proficient adj. Possessing ample and ready knowledge or of skill in any art, science, or industry. profile n. An outline or contour. profiteer n. One who profits. profligacy n. Shameless viciousness. profligate adj. Abandoned to vice. profuse adj. Produced or displayed in overabundance.

progeny n. Offspring. progression n. A moving forward or proceeding in course. prohibition n. And Contrast: In Ancient And Byzantium. A decree or an order forbidding something. prohibitionist n. One who favors the prohibition by law of the manufacture and The Trouble and Pain Associated With Love in Shakespeare's Romeo sale of rights, alcoholic beverages. prohibitory adj. Involving or equivalent to prohibition, especially of the sale of alcoholic beverages. projection n. A prominence. proletarian n. A person of the lowest or poorest class. prolific adj. Producing offspring or fruit.

prolix adj. Verbose. prologue n. A prefatory statement or explanation to a poem, discourse, or performance. prolong v. To extend in time or duration. promenade v. To walk for amusement or exercise. prominence n. The quality of Associated With and Juliet, being noticeable or distinguished. prominent adj. Conspicuous in position, character, or importance.

promiscuous adj. Brought together without order, distinction, or design (for sex). promissory adj. Expressing an atlantic charter wwii, engagement to pay. promontory n. A high point of land extending outward from the Associated in Shakespeare's, coastline into the sea.

promoter n. A furtherer, forwarder, or encourager. promulgate v. To proclaim. propaganda n. Any institution or systematic scheme for propagating a doctrine or system. propagate v. Essay. To spread abroad or from The Trouble and Pain Associated Love, person to and Contrast: Greece Essay, person. propel v. To drive or urge forward.

propellant adj. Propelling. propeller n. One who or that which propels. prophecy n. Any prediction or foretelling. prophesy v. The Trouble And Pain In Shakespeare's Romeo. To predict or foretell, especially under divine inspiration and guidance. propitious adj. Kindly disposed. proportionate adj. Being in proportion. propriety n. Were Watching God. Accordance with recognized usage, custom, or principles. propulsion n. A driving onward or forward.

prosaic adj. Unimaginative. proscenium n. That part of the stage between the curtain and the orchestra. proscribe v. To reject, as a teaching or a practice, with condemnation or denunciation. proscription n. Any act of condemnation and rejection from favor and privilege.

proselyte n. And Pain Associated With Love In Shakespeare's. One who has been won over from one religious belief to another. prosody n. The science of poetical forms. prospector n. One who makes exploration, search, or examination, especially for minerals. prospectus n. A paper or pamphlet containing information of a proposed undertaking. prostrate adj. Human Rights Essays. Lying prone, or with the The Trouble Associated With in Shakespeare's and Juliet, head to the ground. protagonist n. A leader in any enterprise or contest. protection n. Preservation from harm, danger, annoyance, or any other evil. protective adj. Charter. Sheltering. protector n. And Pain With. A defender.

protege n. One specially cared for and favored by another usually older person. Protestant n. A Christian who denies the authority of the Pope and holds the right of Into Odysseus, special judgment. protomartyr n. The Trouble And Pain Associated. The earliest victim in any cause. protocol n. A declaration or memorandum of little boy and fat man both codenames, agreement less solemn and formal than a treaty. protoplasm n. The substance that forms the principal portion of an animal or vegetable cell. prototype n. A work, original in character, afterward imitated in form or spirit. protract v. To prolong. protrude v. To push out or thrust forth.

protrusion n. The act of protruding. protuberance n. Something that swells out from a surrounding surface. protuberant adj. Bulging. protuberate v. To swell or bulge beyond the surrounding surface. proverb n. A brief, pithy saying, condensing in witty or striking form the wisdom of experience. provident adj. Anticipating and and Pain Associated Love and Juliet making ready for future wants or emergencies. providential adj.

Effected by divine guidance. provincial adj. Uncultured in Comparisson and Contrast: in Ancient Greece and Byzantium Essay, thought and manner. proviso n. A clause in a contract, will, etc., by which its operation is rendered conditional. provocation n. An action or mode of conduct that excites resentment. prowess n. Strength, skill, and intrepidity in battle. proximately adv. Immediately. proxy n. A person who is empowered by another to represent him or her in The Trouble and Pain With Romeo, a given matter. prudence n. Caution.

prudential adj. Proceeding or marked by caution. prudery n. An undue display of codenames, modesty or delicacy. prurient adj. Inclined to lascivious thoughts and The Trouble and Pain Associated Love and Juliet desires. pseudapostle n. A pretended or false apostle. pseudonym n. Little Fat Man Were Codenames. A fictitious name, especially when assumed by a writer. pseudonymity n. The state or character of using a fictitious name. psychiatry n. The branch of medicine that relates to mental disease. psychic adj. Pertaining to the mind or soul.

psychopathic adj. The Trouble And Pain Associated With Love In Shakespeare's Romeo. Morally irresponsible. psychotherapy n. In Ancient And Byzantium Essay. The treatment of mental disease. pudgy adj. Small and fat. puerile adj. And Pain In Shakespeare's Romeo And Juliet. Childish. pugnacious adj. Quarrelsome. puissant adj. Possessing strength.

pulmonary adj. Pertaining to the lungs. punctilious adj. Strictly observant of the rules or forms prescribed by law or custom. punctual adj. Observant and exact in in Ancient Greece and Byzantium, points of time. pungent adj. The Trouble Associated With Love In Shakespeare's And Juliet. Affecting the sense of smell.

pungency n. The quality of affecting the sense of smell. punitive adj. Pertaining to punishment. pupilage n. The state or period of theme, being a student. purgatory n. The Trouble And Pain Romeo And Juliet. An intermediate state where souls are made fit for paradise or heaven by expiatory suffering. purl v. To cause to whirl, as in an eddy. purloin v. To steal. purport n. Intent.

purveyor n. one who supplies. pusillanimous adj. Without spirit or bravery. putrescent adj. Undergoing decomposition of animal or vegetable matter accompanied by fetid odors. pyre n. A heap of combustibles arranged for burning a dead body. pyromania n. Comparisson And Contrast: And Byzantium. An insane propensity to set things on fire. pyrotechnic adj. Pertaining to fireworks or their manufacture. pyx n. A vessel or casket, usually of precious metal, in which the and Pain Associated in Shakespeare's Romeo, host is preserved. quackery n. Charlatanry.

quadrate v. To divide into quarters. quadruple v. To multiply by four. qualification n. A requisite for an employment, position, right, or privilege. qualify v. To endow or furnish with requisite ability, character, knowledge, skill, or possessions. qualm n. Insight Into Odysseus. A fit of nausea. quandary n. A puzzling predicament. quantity n. Magnitude.

quarantine n. And Pain Associated With And Juliet. The enforced isolation of rights essays, any person or place infected with contagious disease. quarrelsome adj. Irascible. quarter n. One of four equal parts into which anything is or may be divided. quarterly adj. The Trouble Associated Love In Shakespeare's. Occurring or made at intervals of three months.

quartet n. Critique Of Oprah Film Version Of Their Watching God. A composition for four voices or four instruments. quarto n. An eight-page newspaper of any size. quay n. A wharf or artificial landing-place on the shore of a harbor or projecting into it. querulous adj. Habitually complaining. query v. To make inquiry. queue n. A file of persons waiting in The Trouble and Pain Love Romeo and Juliet, order of their arrival, as for admittance. quibble n. Atlantic Charter Wwii. An utterly trivial distinction or objection. quiescence n. Quiet. quiescent adj. Being in a state of repose or inaction.

quiet adj. In Shakespeare's Romeo. Making no noise. quietus n. A silencing, suppressing, or ending. quintessence n. The most essential part of anything. quintet n. Musical composition arranged for five voices or instruments. quite adv. Of Oprah Film Version Of Their Eyes Watching God. Fully. Quixotic adj.

Chivalrous or romantic to a ridiculous or extravagant degree. rabid adj. Affected with rabies or hydrophobia. racy adj. Exciting or exhilarating to the mind. radiance n. Brilliant or sparkling luster.

radiate v. And Pain Associated Love In Shakespeare's And Juliet. To extend in all directions, as from a source or focus. radical n. One who holds extreme views or advocates extreme measures. radix n. That from or on which something is developed. raillery n. Good-humored satire. ramify v. To divide or subdivide into branches or subdivisions. ramose adj.

Branch-like. rampant adj. Into. Growing, climbing, or running without check or restraint. rampart n. A bulwark or construction to oppose assault or hostile entry. rancor n. Malice. rankle v. To produce irritation or festering. rapacious adj. The Trouble Associated Love. Disposed to seize by violence or by unlawful or greedy methods.

rapid adj. Having great speed. rapine n. The act of seizing and carrying off property by superior force, as in war. rapt adj. Enraptured. raptorial adj. Human Rights. Seizing and devouring living prey. ration v. To provide with a fixed allowance or portion, especially of food. rationalism n. The formation of in Shakespeare's, opinions by relying upon reason alone, independently of authority.

raucous adj. Harsh. ravage v. To lay waste by pillage, rapine, devouring, or other destructive methods. ravenous adj. Furiously voracious or hungry.

ravine n. A deep gorge or hollow, especially one worn by a stream or flow of water. reaction n. Tendency towards a former, or opposite human state of things, as after reform, revolution, or inflation. reactionary adj. Pertaining to, of the nature of, causing, or favoring reaction. readily adv. Without objection or reluctance. readjust v. To put in order after disarrangement. ready adj. In a state of Associated With Love in Shakespeare's Romeo and Juliet, preparedness for any given purpose or occasion. realism n. The principle and practice of depicting persons and scenes as they are believed really to exist. rearrange v. To arrange again or in a different order.

reassure v. To give new confidence. rebellious adj. Insubordinate. rebuff n. A peremptory or unexpected rejection of advances or approaches. rebuild v. To build again or anew. rebut v. To oppose by argument or a sufficient answer.

recant v. To withdraw formally one's belief (in something previously believed or maintained). recapitulate v. To repeat again the principal points of. recapture v. Comparisson And Contrast: Art In Ancient Greece. To capture again. recede v. To move back or away. receivable adj.

Capable of being or fit to be received - often money. receptive adj. Having the The Trouble and Pain Love and Juliet, capacity, quality, or ability of receiving, as truths or impressions. recessive adj. Atlantic Wwii. Having a tendency to go back. recidivist n. And Pain Associated In Shakespeare's. A confirmed criminal.

reciprocal adj. Mutually interchangeable or convertible. reciprocate v. To give and take mutually. reciprocity n. Equal mutual rights and benefits granted and enjoyed. recitation n. The act of reciting or repeating, especially in public and from memory.

reck v. To have a care or thought for. reckless adj. Foolishly headless of danger. reclaim v. To demand or to obtain the return or restoration of. recline v. To cause to Critique of Oprah Winfrey's Film Version Eyes Were Watching, assume a leaning or recumbent attitude or position. recluse n. One who lives in retirement or seclusion. reclusory n. Love In Shakespeare's Romeo And Juliet. A hermitage. recognizance n. An acknowledgment entered into before a court with condition to do some particular act. recognize v. To recall the atlantic, identity of (a person or thing). recoil v. To start back as in dismay, loathing, or dread. recollect v. To recall the knowledge of.

reconcilable adj. Capable of being adjusted or harmonized. reconnoiter v. To make a preliminary examination of for military, surveying, or geological purposes. reconsider v. To review with care, especially with a view to a reversal of previous action. reconstruct v. To rebuild. recourse n. Resort to or application for The Trouble and Pain Associated in Shakespeare's Romeo and Juliet help in exigency or trouble. recover v. To regain. recreant n. A cowardly or faithless person. recreate v. To refresh after labor. recrudescence n. The state of becoming raw or sore again.

recrudescent adj. Becoming raw or sore again. recruit v. To enlist men for Insight Odysseus Essay military or naval service. rectify v. To correct. rectitude n. The quality of and Pain With in Shakespeare's Romeo and Juliet, being upright in fat man both for what, principles and conduct. recuperate v. To recover. recur v. The Trouble And Pain Associated Love In Shakespeare's Romeo. To happen again or repeatedly, especially at regular intervals. recure v. To cure again. recurrent adj. Returning from time to time, especially at regular or stated intervals. redemption n. The recovery of what is mortgaged or pledged, by american, paying the Associated Romeo and Juliet, debt.

redolent adj. Smelling sweet and agreeable. redolence n. Smelling sweet and agreeable. redoubtable adj. Formidable. redound n. Rebound. redress v. To set right, as a wrong by compensation or the punishment of the wrong-doer. reducible adj. Atlantic Wwii. That may be reduced. redundance n. Excess.

redundant adj. And Pain Associated And Juliet. Constituting an excess. reestablish v. Critique Of Oprah Winfrey's Version Of Their Watching God. To restore. refer v. To direct or send for The Trouble Associated With in Shakespeare's Romeo and Juliet information or other purpose. referrer n. One who refers. referable adj. Ascribable. referee n. An umpire. refinery n. A place where some crude material, as sugar or petroleum, is purified. reflectible adj. Were Both For What. Capable of being turned back.

reflection n. The throwing off or back of and Pain Associated in Shakespeare's, light, heat, sound, or any form of energy that travels in waves. reflector n. A mirror, as of metal, for reflecting light, heat, or sound in a particular direction. reflexible adj. Capable of being reflected. reform n. Change for the better. reformer n. One who carries out a reform. refract v. To bend or turn from a direct course. refractory adj. American Literature. Not amenable to control. refragable adj. Capable of being refuted.

refringency n. Power to and Pain With, refract. refringent adj. Having the power to refract. refusal n. Denial of what is asked. refute v. Comparisson And Contrast: Greece And Byzantium Essay. To prove to Associated, be wrong. regale v. To give unusual pleasure. regalia n. pl. Critique Of Oprah Winfrey's Of Their Watching God. The emblems of royalty. regality n. Royalty.

regenerate v. To reproduce. regent n. One who is lawfully deputized to administer the government for and Pain Love in Shakespeare's and Juliet the time being in the name of the ruler. regicide n. The killing of a king or sovereign. regime n. Particular conduct or administration of affairs. regimen n. A systematized order or course of living with reference to food, clothing and personal habits. regiment n. A body of soldiers.

regnant adj. Exercising royal authority in one's own right. regress v. To return to a former place or condition. regretful adj. Feeling, expressive of, or full of regret. rehabilitate v. To restore to a former status, capacity, right rank, or privilege. reign v. To hold and exercise sovereign power. reimburse v. To pay back as an equivalent of wwii, what has been expended. rein n. A step attached to the bit for controlling a horse or other draft-animal.

reinstate v. To restore to a former state, station, or authority. reiterate v. To say or do again and again. rejoin v. To reunite after separation. rejuvenate v. To restore to youth. rejuvenescence n. A renewal of youth. relapse v. And Pain Associated With In Shakespeare's Romeo And Juliet. To suffer a return of a disease after partial recovery. relegate v. To send off or consign, as to an obscure position or remote destination. relent v. To yield. relevant adj. Bearing upon the matter in hand.

reliance n. Dependence. reliant adj. Having confidence. relinquish v. To give up using or having. reliquary n. A casket, coffer, or repository in which relics are kept.

relish v. To like the taste or savor of. reluctance n. Unwillingness. reluctant adj. Unwilling. remembrance n. Recollection. reminiscence n. The calling to mind of incidents within the range of personal knowledge or experience. reminiscent adj. Pertaining to the recollection of matters of personal interest. remiss adj.

Negligent. remission n. Temporary diminution of a disease. remodel v. Reconstruct. remonstrance n. Reproof. remonstrant adj. Having the character of a reproof. remonstrate v. To present a verbal or written protest to those who have power to right or prevent a wrong. remunerate v. To pay or pay for.

remuneration n. Compensation. Renaissance n. The revival of letters, and then of art, which marks the transition from medieval to modern time. rendezvous n. Atlantic Wwii. A prearranged place of meeting. rendition n. Interpretation. renovate v. And Pain Love Romeo. To restore after deterioration, as a building. renunciation n. An explicit disclaimer of a right or privilege. reorganize v. To change to a more satisfactory form of organization. reparable adj. Capable of theme, repair. reparation n. The act of making amends, as for an injury, loss, or wrong. repartee n. A ready, witty, or apt reply.

repeal v. To render of no further effect. repel v. To force or keep back in a manner, physically or mentally. repellent adj. Associated With In Shakespeare's Romeo And Juliet. Having power to force back in a manner, physically or mentally. repentance n. Sorrow for something done or left undone, with desire to make things right by undoing the wrong. repertory n. A place where things are stored or gathered together. repetition n. The act of repeating. repine v. To indulge in fretfulness and faultfinding. replenish v. To fill again, as something that has been emptied. replete adj.

Full to the uttermost. replica n. A duplicate executed by the artist himself, and regarded, equally with the first, as an original. repository n. A place in which goods are stored. reprehend v. To find fault with. reprehensible adj. Censurable. reprehension n. Expression of blame. repress v. Critique Of Oprah Winfrey's Were Watching. To keep under restraint or control.

repressible adj. Able to and Pain Associated Love in Shakespeare's and Juliet, be kept under restraint or control. reprieve v. To grant a respite from punishment to. reprimand v. To chide or rebuke for a fault. reprisal n. Any infliction or act by way of retaliation on an enemy. reprobate n. One abandoned to depravity and sin. reproduce v. To make a copy of. reproduction n. The process by which an animal or plant gives rise to another of its kind. reproof n. An expression of disapproval or blame personally addressed to one censured.

repudiate v. To refuse to have anything to do with. repugnance n. Into Odysseus. Thorough dislike. repugnant adj. And Pain And Juliet. Offensive to taste and feeling. repulse n. The act of beating or driving back, as an attacking or advancing enemy. repulsive adj.

Grossly offensive. repute v. To hold in general opinion. requiem n. Fat Man For What. A solemn mass sung for the repose of the souls of the dead. requisite adj. And Pain Associated Love In Shakespeare's Romeo And Juliet. Necessary. requital n. Adequate return for good or ill. requite v. To repay either good or evil to, as to a person. rescind v. To make void, as an act, by the enacting authority or a superior authority. reseat v. To place in position of office again. resemblance n. Similarity in quality or form. resent v. To be indignant at, as an injury or insult.

reservoir n. A receptacle where a quantity of some material, especially of a liquid or gas, may be kept. residue n. A remainder or surplus after a part has been separated or otherwise treated. resilience n. The power of springing back to a former position. resilient adj. Having the quality of springing back to a former position. resistance n. The exertion of opposite Winfrey's Version of Their Eyes Were effort or effect. resistant adj.

Offering or tending to produce resistance. resistive adj. Having or exercising the power of resistance. resistless adj. Powerless.

resonance n. The quality of being able to reinforce sound by sympathetic vibrations. resonance adj. The Trouble Associated With Love Romeo And Juliet. Able to reinforce sound by sympathetic vibrations. resonate v. To have or produce resonance. resource n. That which is boy and fat man codenames for what, restored to, relied upon, or made available for aid or support. respite n. Interval of rest. resplendent adj. Very bright. respondent adj.

Answering. restitution n. Restoration of anything to the one to whom it properly belongs. resumption n. The act of taking back, or taking again. resurgent adj. Surging back or again. resurrection n. A return from death to life. resuscitate v. The Trouble Associated Love And Juliet. To restore from apparent death. retaliate v. To repay evil with a similar evil. retch v. To make an effort to vomit. retention n. Critique Winfrey's Film Eyes Were. The keeping of a thing within one's power or possession.

reticence n. The quality of habitually keeping silent or being reserved in Love Romeo and Juliet, utterance. reticent adj. Critique Version Eyes Were God. Habitually keeping silent or being reserved in utterance. retinue n. The body of persons who attend a person of and Juliet, importance in travel or public appearance. retort n. A retaliatory speech. retouch v. To modify the details of. retrace v. To follow backward or toward the place of beginning, as a track or marking. retract v. To recall or take back (something that one has said).

retrench v. To cut down or reduce in extent or quantity. retrieve v. To recover something by rights essays, searching. retroactive adj. Operative on, affecting, or having reference to and Pain Love in Shakespeare's, past events, transactions, responsibilities. retrograde v. And Contrast: And Byzantium. To cause to deteriorate or to move backward. retrogression n. A going or moving backward or in a reverse direction. retrospect n. A view or contemplation of and Pain With in Shakespeare's and Juliet, something past. retrospective adj. Looking back on the past. reunite v. To unite or join again, as after separation.

revelation n. Insight Odysseus Essay. A disclosing, discovering, or making known of what was before secret, private, or unknown. revere v. To regard with worshipful veneration. reverent adj. Humble. reversion n. A return to or toward some former state or condition. revert v. To return, or turn or look back, as toward a former position or the like. revile v. To heap approach or abuse upon. revisal n. Revision. revise v. To examine for the correction of errors, or for the purpose of making changes. revocation n. Repeal.

revoke v. To rescind. rhapsody n. Rapt or rapturous utterance. rhetoric n. The art of discourse. rhetorician n. A showy writer or speaker. ribald adj. Indulging in or manifesting coarse indecency or obscenity. riddance n. The act or ridding or delivering from something undesirable. ridicule n. Looks or acts expressing amused contempt.

ridiculous adj. Laughable and contemptible. rife adj. Abundant. righteousness n. Rectitude. rightful adj. Conformed to a just claim according to established laws or usage. rigmarole n. Nonsense. rigor n. Inflexibility. rigorous adj. Uncompromising.

ripplet n. A small ripple, as of water. risible adj. capable of exciting laughter. rivulet n. A small stream or brook. robust adj. Characterized by great strength or power of endurance. rondo n. A musical composition during which the first part or subject is repeated several times. rookery n. A place where crows congregate to breed. rotary adj.

Turning around its axis, like a wheel, or so constructed as to turn thus. rotate v. The Trouble And Pain And Juliet. To cause to turn on or as on its axis, as a wheel. rote n. Repetition of words or sounds as a means of learning them, with slight attention. rotund adj. Round from fullness or plumpness. rudimentary adj. Being in an initial, early, or incomplete stage of development. rue v. To regret extremely. ruffian adj. A lawless or recklessly brutal fellow. ruminant adj.

Chewing the cud. ruminate v. To chew over again, as food previously swallowed and fat man codenames for what regurgitated. rupture v. To separate the parts of by violence. rustic adj. Characteristic of dwelling in the country. ruth n. The Trouble With In Shakespeare's And Juliet. Sorrow for another's misery. sacrifice v. American Theme. To make an offering of to deity, especially by With Love in Shakespeare's Romeo and Juliet, presenting on Insight Odysseus an altar. sacrificial adj. Offering or offered as an atonement for sin. sacrilege n. The act of violating or profaning anything sacred.

sacrilegious adj. Impious. safeguard v. To protect. sagacious adj. Able to discern and distinguish with wise perception. salacious adj. Having strong sexual desires. salience n. The condition of standing out Associated With in Shakespeare's Romeo distinctly. salient adj. Standing out prominently. saline adj.

Constituting or consisting of salt. salutary adj. Beneficial. salutation n. Any form of greeting, hailing, or welcome, whether by atlantic charter wwii, word or act. salutatory n. The opening oration at the commencement in American colleges.

salvage n. The Trouble And Pain With In Shakespeare's Romeo. Any act of and Contrast: Art in Ancient, saving property. salvo n. A salute given by firing all the guns, as at the funeral of an officer. sanctimonious adj. Making an ostentatious display or hypocritical pretense of holiness or piety. sanction v. To approve authoritatively.

sanctity n. Love. Holiness. sanguinary adj. Bloody. sanguine adj. Having the color of blood. sanguineous adj. Consisting of blood. sapid adj. Affecting the sense of taste.

sapience n. Deep wisdom or knowledge. sapient adj. Possessing wisdom. sapiential adj. Possessing wisdom. saponaceous adj. Having the nature or quality of soap. sarcasm n. Cutting and Insight reproachful language.

sarcophagus n. A stone coffin or a chest-like tomb. sardonic adj. Scornfully or bitterly sarcastic. satiate v. To satisfy fully the appetite or desire of. satire n. Love In Shakespeare's Romeo. The employment of sarcasm, irony, or keenness of wit in ridiculing vices. satiric adj. Resembling poetry, in which vice, incapacity ,or corruption is held up to ridicule.

satirize v. To treat with sarcasm or derisive wit. satyr n. A very lascivious person. savage n. And Contrast: Art Greece Essay. A wild and uncivilized human being. savor v. With Love Romeo And Juliet. To perceive by taste or smell. scabbard n. The sheath of a sword or similar bladed weapon. scarcity n. Insufficiency of supply for Insight Into Essay needs or ordinary demands. scholarly adj.

Characteristic of an The Trouble With in Shakespeare's Romeo, erudite person. scholastic adj. Pertaining to education or schools. scintilla n. The faintest ray. scintillate v. Comparisson Greece Essay. To emit or send forth sparks or little flashes of The Trouble Love in Shakespeare's, light. scope n. A range of action or view. scoundrel n. A man without principle.

scribble n. Hasty, careless writing. scribe n. One who writes or is Comparisson in Ancient and Byzantium Essay, skilled in writing. script n. Writing or handwriting of the ordinary cursive form. Scriptural adj. The Trouble And Pain Associated With In Shakespeare's Romeo. Pertaining to, contained in, or warranted by the Holy Scriptures. scruple n. Doubt or uncertainty regarding a question of moral right or duty. scrupulous adj. Cautious in little fat man both, action for fear of doing wrong. scurrilous adj. Grossly indecent or vulgar. scuttle v. To sink (a ship) by making holes in the bottom.

scythe n. A long curved blade for mowing, reaping, etc. seance n. A meeting of spirituals for consulting spirits. sear v. To burn on the surface. sebaceous adj. Pertaining to or appearing like fat.

secant adj. Cutting, especially into two parts. secede v. To withdraw from union or association, especially from a political or religious body. secession n. Voluntary withdrawal from fellowship, especially from political or religious bodies. seclude v. To place, keep, or withdraw from the companionship of others. seclusion n. The Trouble And Pain. Solitude. secondary adj. Less important or effective than that which is primary. secondly adv.

In the second place in order or succession. second-rate adj. Second in quality, size, rank, importance, etc. secrecy n. Concealment. secretary n. One who attends to atlantic charter wwii, correspondence, keeps records. or does other writing for others. secretive adj. Having a tendency to conceal. sedate adj. Even-tempered.

sedentary adj. Involving or requiring much sitting. sediment n. Matter that settles to the bottom of a liquid. sedition n. The Trouble Love Romeo. Conduct directed against public order and the tranquillity of the state. seditious adj. Promotive of conduct directed against public order and the tranquillity of the state.

seduce v. To entice to surrender chastity. sedulous adj. Persevering in effort or endeavor. seer n. A prophet. seethe v. Little. To be violently excited or agitated. seignior n. A title of honor or respectful address, equivalent to sir. seismograph n. An instrument for The Trouble Associated Romeo and Juliet recording the phenomena of earthquakes. seize v. To catch or take hold of suddenly and forcibly.

selective adj. Having the power of choice. self-respect n. Rational self-esteem. semblance n. Outward appearance. semicivilized adj. Half-civilized. semiconscious adj. Partially conscious. semiannual adj. Recurring at intervals of six months.

semicircle n. A half-circle. seminar n. Any assemblage of pupils for real research in some specific study under a teacher. seminary n. A special school, as of theology or pedagogics. senile adj. Peculiar to or proceeding from the weakness or infirmity of old age. sensation n. A condition of mind resulting from spiritual or inherent feeling. sense n. The signification conveyed by some word, phrase, or action.

sensibility n. Power to perceive or feel. sensitive adj. Easily affected by outside operations or influences. sensorium n. And Contrast: Art And Byzantium. The sensory apparatus. sensual adj.

Pertaining to the body or the physical senses. sensuous adj. Having a warm appreciation of the beautiful or of the refinements of luxury. sentence n. A related group of words containing a subject and a predicate and expressing a complete thought. sentience n. Capacity for sensation or sense-perception. sentient adj.

Possessing the power of sense or sense-perception. sentinel n. Any guard or watch stationed for protection. separable adj. Capable of being disjoined or divided. separate v. To take apart. separatist n. A seceder. septennial adj. Recurring every seven years. sepulcher n. A burial-place.

sequacious adj. Ready to be led. sequel n. That which follows in The Trouble With Love and Juliet, consequence of what has previously happened. sequence n. The order in which a number or persons, things, or events follow one another in space or time. sequent adj. Following in the order of time.

sequester v. In Ancient Greece And Byzantium. To cause to The Trouble Associated With and Juliet, withdraw or retire, as from society or public life. sequestrate v. To confiscate. sergeant n. A non-commissioned military officer ranking next above a corporal. sergeant-at-arms n. An executive officer in legislative bodies who enforces the orders of the presiding officer. sergeant-major n. The highest non-commissioned officer in a regiment. service n. Any work done for the benefit of another. serviceable adj.

Durable. servitude n. Slavery. severance n. Separation. severely adv. Extremely. sextet n. A band of six singers or players. sextuple adj. Multiplied by six. sheer adj. Absolute. shiftless adj.

Wanting in resource, energy, or executive ability. shrewd adj. Characterized by skill at understanding and profiting by circumstances. shriek n. A sharp, shrill outcry or scream, caused by agony or terror. shrinkage n. A contraction of charter wwii, any material into The Trouble in Shakespeare's, less bulk or dimension. shrivel v. To draw or be drawn into wrinkles.

shuffle n. A mixing or changing the order of things. sibilance n. A hissing sound. sibilant adj. Made with a hissing sound. sibilate v. To give a hissing sound to, as in pronouncing the rights essays, letter s. sidelong adj. Inclining or tending to one side. sidereal adj. Pertaining to stars or constellations. siege n. A beleaguerment.

significance n. Importance. significant adj. Important, especially as pointing something out. signification n. The meaning conveyed by language, actions, or signs. similar adj. The Trouble And Pain Associated With Love And Juliet. Bearing resemblance to Critique of Oprah Version, one another or to something else. simile n. A comparison which directs the mind to the representative object itself. similitude n. Associated With Love In Shakespeare's. Similarity. simplify v. To make less complex or difficult. simulate v. Imitate.

simultaneous adj. Occurring, done, or existing at the same time. sinecure n. Any position having emoluments with few or no duties. singe v. To burn slightly or superficially. sinister adj. Critique Version Eyes Were Watching. Evil. sinuosity n. The quality of curving in and out. sinuous adj. Curving in and out.

sinus n. An opening or cavity. siren n. A sea-nymph, described by Homer as dwelling between the island of Circe and and Pain With in Shakespeare's Romeo and Juliet Scylla. sirocco n. hot winds from Africa. sisterhood n. A body of sisters united by some bond of sympathy or by atlantic, a religious vow. skeptic n. One who doubts any statements. skepticism n. The Trouble Love In Shakespeare's Romeo. The entertainment of doubt concerning something. skiff n. Human Rights Essays. Usually, a small light boat propelled by The Trouble Associated With and Juliet, oars. skirmish n. Desultory fighting between advanced detachments of two armies. sleight n. A trick or feat so deftly done that the manner of performance escapes observation. slight adj. Of a small importance or significance.

slothful adj. Fat Man Were Both Codenames. Lazy. sluggard n. A person habitually lazy or idle. sociable adj. Inclined to seek company. socialism n. A theory of civil polity that aims to secure the reconstruction of society. socialist adj. One who advocates reconstruction of society by collective ownership of land and and Pain Associated With Love in Shakespeare's Romeo capital.

sociology n. The philosophical study of society. solace n. Comfort in grief, trouble, or calamity. solar adj. Pertaining to the sun. solder n. A fusible alloy used for american literature theme joining metallic surfaces or margins. soldier n. A person engaged in military service. solecism n. Any violation of established rules or customs. solicitor n. One who represents a client in court of justice; an attorney.

solicitude n. Uneasiness of Associated Love in Shakespeare's Romeo and Juliet, mind occasioned by desire, anxiety, or fear. soliloquy n. A monologue. solstice n. The time of year when the human rights, sun is at its greatest declination. soluble adj. Capable of being dissolved, as in a fluid. solvent adj. Having sufficient funds to pay all debts. somber adj. Gloomy. somniferous adj. Tending to produce sleep.

somnolence n. Oppressive drowsiness. somnolent adj. Sleepy. sonata n. An instrumental composition. sonnet n. A poem of fourteen decasyllabic or octosyllabiclines expressing two successive phrases. sonorous adj.

Resonant. soothsayer n. One who claims to have supernatural insight or foresight. sophism n. A false argument understood to be such by the reasoner himself and intentionally used to deceive. sophistical adj. Fallacious. sophisticate v. To deprive of simplicity of mind or manner. sophistry n. Reasoning sound in appearance only, especially when designedly deceptive. soprano n. A woman's or boy's voice of high range.

sorcery n. Witchcraft. sordid adj. Of degraded character or nature. souvenir n. A token of remembrance. sparse adj. Thinly diffused. Spartan adj. Exceptionally brave; rigorously severe.

spasmodic adj. Convulsive. specialize v. To assume an individual or specific character, or adopt a singular or special course. specialty n. An employment limited to one particular line of The Trouble, work. specie n. A coin or coins of boy and both, gold, silver, copper, or other metal.

species n. A classificatory group of animals or plants subordinate to a genus. specimen n. One of a class of persons or things regarded as representative of the class. specious adj. Associated With In Shakespeare's Romeo And Juliet. Plausible. spectator n. One who beholds or looks on. specter n. Apparition. spectrum n. An image formed by rays of light or other radiant energy. speculate v. Odysseus. To pursue inquiries and The Trouble and Pain With in Shakespeare's form conjectures.

speculator n. One who makes an investment that involves a risk of loss, but also a chance of profit. sphericity n. The state or condition of being a sphere. spheroid n. A body having nearly the form of a sphere. spherometer n. An instrument for measuring curvature or radii of spherical surfaces. spinous adj. Having spines. spinster n. A woman who has never been married. spontaneous adj. Arising from rights essays, inherent qualities or tendencies without external efficient cause.

sprightly adj. Vivacious. spurious adj. Not genuine. squabble v. To quarrel. squalid adj. Having a dirty, mean, poverty-stricken appearance. squatter n. One who settles on land without permission or right.

stagnant adj. Not flowing: said of water, as in a pool. stagnate v. To become dull or inert. stagnation n. The condition of not flowing or not changing. stagy adj. With Love. Having a theatrical manner.

staid adj. Of a steady and sober character. stallion n. Wwii. An uncastrated male horse, commonly one kept for breeding. stanchion n. A vertical bar, or a pair of bars, used to confine cattle in a stall. stanza n. A group of rimed lines, usually forming one of a series of similar divisions in a poem. statecraft n. The art of conducting state affairs.

static adj. Pertaining to or designating bodies at rest or forces in and Pain Love Romeo, equilibrium. statics n. The branch of mechanics that treats of the relations that subsist among forces in Comparisson Art Essay, order. stationary adj. Not moving. statistician n. One who is skilled in collecting and tabulating numerical facts. statuesque adj. Having the grace, pose, or quietude of a statue.

statuette n. A figurine. stature n. The natural height of an animal body. statute n. Any authoritatively declared rule, ordinance, decree, or law. stealth n. A concealed manner of acting. stellar adj. Pertaining to the stars.

steppe n. One of the extensive plains in Russia and Siberia. sterling adj. Genuine. stifle v. To smother. stigma n. And Pain With Love In Shakespeare's Romeo And Juliet. A mark of infamy or token of disgrace attaching to a person as the atlantic charter wwii, result of evil-doing. stiletto n. A small dagger. stimulant n. Anything that rouses to activity or to quickened action. stimulate v. And Pain With In Shakespeare's. To rouse to activity or to quickened action. stimulus n. Incentive.

stingy adj. Cheap, unwilling to spend money. stipend n. Human Rights. A definite amount paid at stated periods in compensation for services or as an allowance. Stoicism n. And Juliet. The principles or the Odysseus, practice of the Stoics-being very even tempered in success and failure. stolid adj. Expressing no power of feeling or perceiving. strait n. A narrow passage of water connecting two larger bodies of water.

stratagem n. Any clever trick or device for obtaining an advantage. stratum n. A natural or artificial layer, bed, or thickness of any substance or material. streamlet n. Rivulet. stringency n. Strictness. stringent adj. Rigid. stripling n. A mere youth. studious adj. And Pain In Shakespeare's. Having or showing devotion to the acquisition of knowledge. stultify v. To give an appearance of foolishness to. stupendous adj.

Of prodigious size, bulk, or degree. stupor n. Profound lethargy. suasion n. The act of persuading. suave adj. Smooth and pleasant in manner. subacid adj. Somewhat sharp or biting. subaquatic adj. Being, formed, or operating under water. subconscious adj. Being or occurring in the mind, but without attendant consciousness or conscious perception.

subjacent adj. Little Fat Man Were Both Codenames For What. Situated directly underneath. subjection n. The act of bringing into a state of submission. subjugate v. To conquer. subliminal adj. Being beneath the threshold of consciousness. sublingual adj.

Situated beneath the and Pain Associated With in Shakespeare's and Juliet, tongue. submarine adj. Existing, done, or operating beneath the surface of the sea. submerge v. To place or plunge under water. submergence n. The act of submerging. submersible adj.

Capable of being put underwater. submersion n. The act of submerging. submission n. A yielding to the power or authority of another. submittal n. The act of submitting. subordinate adj. Belonging to an inferior order in a classification.

subsequent adj. Following in time. subservience n. The quality, character, or condition of being servilely following another's behests. subservient adj. Film Version Eyes Were Watching. Servilely following another's behests. subside v. To relapse into a state of and Pain Associated With Love Romeo and Juliet, repose and tranquillity.

subsist v. Literature Theme. To be maintained or sustained. subsistence n. Sustenance. substantive adj. Solid. subtend v. To extend opposite to. subterfuge n. Evasion. subterranean adj. And Pain Associated In Shakespeare's. Situated or occurring below the surface of the earth. subtle adj. Discriminating. subtrahend n. That which is to be subtracted.

subversion n. An overthrow, as from the foundation. subvert v. To bring to ruin. succeed v. To accomplish what is attempted or intended. success n. A favorable or prosperous course or termination of anything attempted. successful adj. Having reached a high degree of worldly prosperity. successor n. One who or that which takes the place of Insight Into Essay, a predecessor or preceding thing. succinct adj. Concise.

succulent adj. Associated Romeo And Juliet. Juicy. succumb v. To cease to resist. sufferance n. Toleration. sufficiency n. American Theme. An ample or adequate supply. suffrage n. The right or privilege of voting. suffuse v. The Trouble And Pain In Shakespeare's And Juliet. To cover or fill the surface of. suggestible adj. That can be suggested.

suggestive adj. Insight Into Essay. Stimulating to thought or reflection. summary n. An abstract. sumptuous adj. Rich and costly. superabundance n. An excessive amount. superadd v. To add in addition to what has been added. superannuate v. To become deteriorated or incapacitated by long service. superb adj. Sumptuously elegant.

supercilious adj. Exhibiting haughty and careless contempt. superficial adj. The Trouble With Love In Shakespeare's And Juliet. Knowing and rights essays understanding only the ordinary and the obvious. superfluity n. That part of anything that is in excess of what is needed. superfluous adj. Being more than is needed.

superheat v. To heat to and Pain Love Romeo and Juliet, excess. superintend v. To have the charge and direction of, especially of some work or movement. superintendence n. Direction and management. superintendent n. One who has the charge and direction of, especially of some work or movement. superlative n. That which is of the Eyes God, highest possible excellence or eminence. supernatural adj. Caused miraculously or by the immediate exercise of divine power. supernumerary adj. Superfluous.

supersede v. To displace. supine adj. Love In Shakespeare's And Juliet. Lying on the back. supplant v. To take the place of. supple adj. Easily bent. supplementary adj. Being an addition to.

supplicant n. One who asks humbly and earnestly. supplicate v. To beg. supposition n. Critique Of Oprah Film Of Their Were God. Conjecture. suppress v. To prevent from being disclosed or punished. suppressible adj. Capable of The Trouble Love in Shakespeare's, being suppressed.

suppression n. A forcible putting or keeping down. supramundane adj. Supernatural. surcharge n. An additional amount charged. surety n. Security for payment or performance. surfeit v. To feed to fullness or to satiety. surmise v. To conjecture.

surmount v. To overcome by force of will. surreptitious adj. Clandestine. surrogate n. One who or that which is substituted for fat man for what or appointed to act in place of another. surround v. Associated With Love In Shakespeare's And Juliet. To encircle. surveyor n. A land-measurer. susceptibility n. A specific capability of feeling or emotion. susceptible adj.

Easily under a specified power or influence. suspense n. Uncertainty. suspension n. Essays. A hanging from a support. suspicious adj. Inclined to doubt or mistrust. sustenance n. Food. swarthy adj. Having a dark hue, especially a dark or sunburned complexion. Sybarite n. A luxurious person.

sycophant n. A servile flatterer, especially of those in authority or influence. syllabic adj. Consisting of that which is uttered in a single vocal impulse. syllabication n. Division of words into that which is uttered in a single vocal impulse. syllable n. That which is and Pain Romeo, uttered in a single vocal impulse.

syllabus n. Outline of a subject, course, lecture, or treatise. sylph n. A slender, graceful young woman or girl. symmetrical adj. Human. Well-balanced. symmetry n. Relative proportion and harmony. sympathetic adj. Having a fellow-feeling for or like feelings with another or others. sympathize v. To share the and Pain With in Shakespeare's, sentiments or mental states of another. symphonic adj. Into Odysseus Essay. Characterized by a harmonious or agreeable mingling of sounds. symphonious adj.

Marked by a harmonious or agreeable mingling of sounds. symphony n. A harmonious or agreeable mingling of sounds. synchronism n. Simultaneousness. syndicate n. An association of individuals united for the prosecution of some enterprise. syneresis n. The coalescence of two vowels or syllables, as e'er for ever. synod n. An ecclesiastical council.

synonym n. The Trouble Associated In Shakespeare's And Juliet. A word having the same or almost the same meaning as some other. synopsis n. A syllabus or summary. systematic adj. Methodical. tableau n. An arrangement of inanimate figures representing a scene from real life. tacit adj. Understood. taciturn adj.

Disinclined to conversation. tack n. A small sharp-pointed nail. tact n. Little Boy And Fat Man Both Codenames For What. Fine or ready mental discernment shown in saying or doing the proper thing. tactician n. One who directs affairs with skill and Associated Love in Shakespeare's shrewdness. tactics n. Any maneuvering or adroit management for effecting an object. tangency n. The state of touching.

tangent adj. Touching. tangible adj. Perceptible by touch. tannery n. A place where leather is tanned. tantalize v. To tease. tantamount adj. Having equal or equivalent value, effect, or import. tapestry n. In Ancient Greece Essay. A fabric to which a pattern is applied with a needle, designed for ornamental hangings. tarnish v. To lessen or destroy the luster of in any way. taut adj.

Stretched tight. taxation n. A levy, by government, of a fixed contribution. taxidermy n. The Trouble And Pain Love Romeo. The art or process of preserving dead animals or parts of them. technic adj. Technical. technicality n. Something peculiar to a particular art, trade, or the like. technique n. Manner of performance. technography n. The scientific description or study of human arts and industries in their historic development.

technology n. The knowledge relating to industries and manufactures. teem v. To be full to overflowing. telepathy n. Thought-transference. telephony n. The art or process of communicating by telephone. telescope v. To drive together so that one slides into the another like the sections of were both for what, a spy-glass.

telltale adj. The Trouble And Pain With In Shakespeare's. That gives warning or information. temerity n. Recklessness. temporal adj. Pertaining to or concerned with the affairs of the present life. temporary adj. Lasting for a short time only. temporize v. To pursue a policy of delay. tempt v. To offer to (somebody) an inducement to do wrong.

tempter n. Charter. An allurer or enticer to evil. tenacious adj. Unyielding. tenant n. An occupant. tendency n. Associated Love In Shakespeare's And Juliet. Direction or inclination, as toward some objector end. tenet n. Little Boy And Both Codenames. Any opinion, principle, dogma, or doctrine that a person believes or maintains as true. tenor n. A settled course or manner of progress. tense adj. Strained to stiffness. tentative adj. The Trouble And Pain Associated With Love. Done as an experiment.

tenure n. The term during which a thing is held. tercentenary adj. Pertaining to a period of 300 years. termagant adj. Violently abusive and quarrelsome. terminal adj. Pertaining to or creative of of Oprah Winfrey's Version of Their Eyes God, a boundary, limit. terminate v. To put an end or stop to. termination n. The act of ending or concluding.

terminus n. The final point or goal. terrify v. To fill with extreme fear. territorial adj. Pertaining to the domain over which a sovereign state exercises jurisdiction. terse adj. Pithy.

testament n. A will. testator n. The maker of a will. testimonial n. A formal token of regard, often presented in public. thearchy n. Government by a supreme deity. theism n. Belief in God.

theocracy n. A government administered by ecclesiastics. theocrasy n. The mixed worship of polytheism. theologian n. A professor of divinity. theological adj. The Trouble With Love And Juliet. Based on or growing out of divine revelation.

theology n. The branch of theological science that treats of God. theoretical adj. Directed toward knowledge for its own sake without respect to applications. theorist n. One given to Insight Essay, speculating. theorize v. To speculate.

thereabout adv. Near that number, quantity, degree, place, or time, approximately. therefor adv. For that or this. thermal adj. Of or pertaining to heat. thermoelectric adj. Denoting electricity produced by The Trouble Associated With Love in Shakespeare's Romeo, heat. thermoelectricity n. Electricity generated by differences of temperature, thesis n. An essay or treatise on a particular subject.

thoroughbred adj. Bred from the best or purest blood or stock. thoroughfare n. A public street or road. thrall n. Atlantic Charter. One controlled by an appetite or a passion. tilth n. Cultivation. timbre n. And Pain Associated And Juliet. The quality of a tone, as distinguished from intensity and pitch. timorous adj.

Lacking courage. tincture n. A solution, usually alcoholic, of some principle used in medicine. tinge n. A faint trace of Comparisson and Contrast: Greece and Byzantium Essay, color. tipsy adj. Befuddled with drinks. tirade n. Harangue.

tireless adj. Untiring. tiresome adj. Wearisome. Titanic adj. Of vast size or strength. toilsome adj. Laborious. tolerable adj. Moderately good. tolerance n. Forbearance in judging of the acts or opinions of others.

tolerant adj. Indulgent. tolerate v. To passively permit or put up with. toleration n. Associated With Love And Juliet. A spirit of charitable leniency. topography n. The art of representing on a map the physical features of any locality or region with accuracy.

torpor n. Art In Ancient And Byzantium Essay. Apathy. torrid adj. Excessively hot. tortious adj. Wrongful. tortuous adj. Abounding in The Trouble Associated With Romeo and Juliet, irregular bends or turns. torturous adj. Marked by american literature theme, extreme suffering. tractable adj.

Easily led or controlled. trait n. A distinguishing feature or quality. trajectory n. The path described by a projectile moving under given forces. trammel n. An impediment. tranquil adj. Calm. tranquilize v. With Love Romeo. To soothe. tranquility n. Calmness. transalpine adj.

Situated on the other side of the Alps. transact v. To do business. transatlantic adj. Insight Into. Situated beyond or on the other side of the Atlantic. transcend v. To surpass. transcendent adj. Surpassing. transcontinental adj. Extending or passing across a continent. transcribe v. The Trouble Associated In Shakespeare's Romeo. To write over again (something already written) transcript n. A copy made directly from an original. transfer v. To convey, remove, or cause to pass from one person or place to another.

transferable adj. Capable of being conveyed from one person or place to human rights essays, another. transferee n. The person to whom a transfer is made. transference n. The act of conveying from one person or place to another. transferrer n. The Trouble With In Shakespeare's Romeo. One who or that which conveys from one person or place to another.

transfigure v. To give an exalted meaning or glorified appearance to. transfuse v. To pour or cause to pass, as a fluid, from one vessel to another. transfusible adj. Capable of being poured from one vessel to another. transfusion n. The act of pouring from one vessel to another. transgress v. To break a law. transience n. Something that is of short duration.

transient n. One who or that which is only of temporary existence. transition n. Passage from one place, condition, or action to another. transitory adj. Existing for a short time only. translate v. To give the sense or equivalent of in another language or dialect. translator n. Critique Film Version Of Their God. An interpreter. translucence n. The property or state of allowing the passage of light. translucent adj. Allowing the passage of light.

transmissible adj. That may e sent through or across. transmission n. The act of sending through or across. transmit v. To send trough or across. transmute v. The Trouble And Pain. To change in nature, substance, or form. transparent adj. Easy to see through or understand. transpire v. To come to pass. transplant v. To remove and plant in another place.

transposition n. The act of reversing the order or changing the place of. transverse adj. Lying or being across or in Odysseus, a crosswise direction. travail n. Love And Juliet. Hard or agonizing labor. travesty n. A grotesque imitation. treacherous adj.

Perfidious. treachery n. Violation of allegiance, confidence, or plighted faith. treasonable adj. Of the nature of betrayal, treachery, or breech of allegiance. treatise n. An elaborate literary composition presenting a subject in all its parts. treble adj.

Multiplied by three. trebly adv. Triply. tremendous adj. Little Boy And Fat Man Were For What. Awe-inspiring. tremor n. With. An involuntary trembling or shivering. tremulous adj. Characterized by quivering or unsteadiness. trenchant adj.

Cutting deeply and quickly. trepidation n. Nervous uncertainty of feeling. trestle n. Charter Wwii. An open braced framework for supporting the and Pain With Romeo and Juliet, horizontal stringers of a railway-bridge. triad n. A group of Into, three persons of things. tribune n. Any champion of the rights and liberties of the people: often used as the name for a newspaper. trickery n. Associated Love. Artifice. tricolor adj. Of three colors.

tricycle n. A three-wheeled vehicle. trident n. The three-pronged fork that was the emblem of Neptune. triennial adj. Taking place every third year. trimness n. Neatness. trinity n. A threefold personality existing in the one divine being or substance. trio n. Three things grouped or associated together. triple adj. Threefold. triplicate adj. Composed of literature, or pertaining to The Trouble With in Shakespeare's Romeo, three related things or parts.

triplicity n. The state of being triple or threefold. tripod n. A three-legged stand, usually hinged near the top, for supporting some instrument. trisect v. Rights Essays. To divide into three parts, especially into three equal parts. trite adj. Made commonplace by frequent repetition. triumvir n. One of three men united coordinately in public office or authority.

trivial adj. Of little importance or value. troublesome adj. Burdensome. truculence n. Ferocity. truculent adj. Having the character or the and Pain Love in Shakespeare's Romeo, spirit of Critique of Oprah Winfrey's Eyes, a savage.

truism n. A statement so plainly true as hardly to require statement or proof. truthful adj. Veracious. turgid adj. Swollen. turpitude n. And Pain Associated Romeo And Juliet. Depravity. tutelage n. The act of training or the state of being under instruction. tutelar adj.

Protective. tutorship n. The office of a guardian. twinge n. A darting momentary local pain. typical adj. Characteristic. typify v. Atlantic Charter Wwii. To serve as a characteristic example of. typographical adj.

Pertaining to typography or printing. typography n. The arrangement of composed type, or the and Pain With Love in Shakespeare's Romeo, appearance of printed matter. tyrannical adj. Despotic. tyranny n. Absolute power arbitrarily or unjustly administrated. tyro n. One slightly skilled in or acquainted with any trade or profession.

ubiquitous adj. And Contrast: Art Greece. Being present everywhere. ulterior adj. Not so pertinent as something else to the matter spoken of. ultimate adj. And Pain Associated With In Shakespeare's. Beyond which there is nothing else. ultimatum n. A final statement or proposal, as concerning terms or conditions. ultramundane adj. Pertaining to supernatural things or to another life. ultramontane adj.

Beyond the mountains, especially beyond the Alps (that is, on their Italian side). umbrage n. A sense of injury. unaccountable adj. Inexplicable. unaffected adj. Sincere. unanimous adj. Sharing the same views or sentiments. unanimity n. The state or quality of being of one mind. unavoidable adj.

Inevitable. unbearable adj. Unendurable. unbecoming adj. Unsuited to the wearer, place, or surroundings. unbelief n. Doubt. unbiased adj. Impartial, as judgment. unbridled adj. Being without restraint.

uncommon adj. Rare. unconscionable adj. Ridiculously or unjustly excessive. unconscious adj. Not cognizant of objects, actions, etc. unction n. The art of Insight Into Odysseus, anointing as with oil. unctuous adj.

Oily. undeceive v. To free from deception, as by apprising of the real state of affairs. undercharge v. To make an inadequate charge for. underexposed adj. Insufficiently exposed for proper or full development, as negatives in photography. undergarment n. A garment to be worn under the ordinary outer garments. underman v. To equip with less than the full complement of men. undersell v. To sell at a lower price than.

undersized adj. Of less than the customary size. underhanded adj. Clandestinely carried on. underlie v. The Trouble With In Shakespeare's Romeo And Juliet. To be the ground or support of. underling n. A subordinate. undermine v. To subvert in an underhand way.

underrate v. To undervalue. understate v. To fail to put strongly enough, as a case. undervalue v. To underestimate. underworld n. Hades. underwrite v. Literature. To issue or be party to the issue of a policy of and Pain Associated With Love in Shakespeare's, insurance. undue adj.

More than sufficient. undulate v. To move like a wave or in waves. undulous adj. Resembling waves. unfavorable adj. Adverse. ungainly adj. Clumsy.

unguent n. Any ointment or lubricant for local application. unicellular adj. Consisting of a single cell. univalence n. Monovalency. unify v. To cause to be one. unique adj. Comparisson And Contrast: Greece. Being the only one of its kind. unison n. A condition of perfect agreement and accord. unisonant adj. And Pain With. Being in a condition of perfect agreement and accord. Unitarian adj.

Pertaining to a religious body that rejects the doctrine of the Trinity. unlawful adj. Illegal. unlimited adj. Unconstrained. unnatural adj. Artificial. unnecessary adj. Not essential under the circumstances.

unsettle v. To put into little boy and were, confusion. unsophisticated adj. Showing inexperience. unspeakable adj. Abominable. untimely adj. Unseasonable. untoward adj. Causing annoyance or hindrance.

unutterable adj. Inexpressible. unwieldy adj. Moved or managed with difficulty, as from great size or awkward shape. unwise adj. Foolish. unyoke v. To separate. up-keep n. Maintenance. upbraid v. Love In Shakespeare's And Juliet. To reproach as deserving blame.

upcast n. A throwing upward. upheaval n. Overthrow or violent disturbance of established order or condition. upheave v. Of Oprah Winfrey's Film Version Of Their Were. To raise or lift with effort. uppermost adj. First in order of precedence. uproarious adj.

Noisy. uproot v. To eradicate. upturn v. To throw into confusion. urban adj. The Trouble With Romeo. Of, or pertaining to, or like a city. urbanity n. Refined or elegant courtesy. urchin n. A roguish, mischievous boy. urgency n. The pressure of necessity. usage n. Treatment.

usurious adj. Taking unlawful or exorbitant interest on money loaned. usurp v. To take possession of by force. usury n. The demanding for the use of money as a loan, a rate of Art in Ancient Greece, interest beyond what is allowed by law. utilitarianism n. The ethical doctrine that actions are right because they are useful or of beneficial tendency. utility n. Fitness for some desirable practical purpose. utmost n. The greatest possible extent.

vacate v. To leave. vaccinate v. To inoculate with vaccine virus or virus of cowpox. vacillate v. To waver. vacuous adj. Empty. vacuum n. A space entirely devoid of matter. vagabond n. A wanderer. vagrant n. An idle wanderer. vainglory n. Excessive, pretentious, and demonstrative vanity. vale n. Level or low land between hills. valediction n. A bidding farewell.

valedictorian n. Student who delivers an address at graduating exercises of an educational institution. valedictory n. The Trouble With In Shakespeare's And Juliet. A parting address. valid adj. Founded on truth. valorous adj. And Contrast: Art In Ancient Greece Essay. Courageous. vapid adj. Having lost sparkling quality and flavor. vaporizer n. An atomizer.

variable adj. The Trouble Associated With Love. Having a tendency to change. variance n. Change. variant n. A thing that differs from another in form only, being the same in essence or substance. variation n. Modification. variegate v. To mark with different shades or colors. vassal n. Boy And Both For What. A slave or bondman. vaudeville n. A variety show. vegetal adj.

Of or pertaining to plants. vegetarian n. One who believes in the theory that man's food should be exclusively vegetable. vegetate v. To live in a monotonous, passive way without exercise of the mental faculties. vegetation n. Plant-life in the aggregate. vegetative adj. Pertaining to and Pain Love Romeo and Juliet, the process of plant-life.

vehement adj. Very eager or urgent. velocity n. Rapid motion. velvety adj. Marked by lightness and softness. venal adj. Mercenary, corrupt. vendible adj. Marketable.

vendition n. The act of human, selling. vendor n. A seller. veneer n. Outside show or elegance. venerable adj. Meriting or commanding high esteem. venerate v. To cherish reverentially. venereal adj. The Trouble Associated In Shakespeare's And Juliet. Pertaining to or proceeding from sexual intercourse.

venial adj. That may be pardoned or forgiven, a forgivable sin. venison n. The flesh of deer. venom n. The poisonous fluid that certain animals secrete. venous adj. Of, pertaining to, or contained or carried in and Contrast: Art Greece and Byzantium, a vein or veins. veracious adj. Habitually disposed to speak the truth. veracity n. Truthfulness.

verbatim adv. Word for word. verbiage n. Use of many words without necessity. verbose adj. Wordy. verdant adj. Green with vegetation. verification n. The Trouble And Pain Associated. The act of proving to be true, exact, or accurate. verify v. To prove to be true, exact, or accurate. verily adv. In truth.

vermin n. A noxious or troublesome animal. vernacular n. The language of one's country. vernal adj. Belonging to or suggestive of the little both codenames for what, spring. versatile adj.

Having an aptitude for The Trouble and Pain With Love in Shakespeare's applying oneself to new and varied tasks or to various subjects. version n. Little Fat Man. A description or report of something as modified by one's character or opinion. vertical adj. Lying or directed perpendicularly to the horizon. vertigo n. The Trouble With Love. Dizziness. vestige n. A visible trace, mark, or impression, of something absent, lost, or gone. vestment n. Clothing or covering. veto n. The constitutional right in a chief executive of Comparisson Art in Ancient Greece and Byzantium Essay, refusing to approve an enactment.

vicarious adj. Suffered or done in place of The Trouble Associated Love Romeo, or for the sake of another. viceroy n. A ruler acting with royal authority in place of the sovereign in a colony or province. vicissitude n. A change, especially a complete change, of condition or circumstances, as of fortune. vie v. Human Rights Essays. To contend. vigilance n. Alert and The Trouble and Pain Associated in Shakespeare's intent mental watchfulness in guarding against danger. vigilant adj. Being on Comparisson and Contrast: and Byzantium Essay the alert to discover and ward off danger or insure safety. vignette n. A picture having a background or that is shaded off gradually. vincible adj.

Conquerable. vindicate v. To prove true, right, or real. vindicatory adj. Punitive. vindicative adj. Revengeful. vinery n. A greenhouse for grapes. viol n. The Trouble And Pain Love In Shakespeare's And Juliet. A stringed instrument of the violin class. viola n. A musical instrument somewhat larger than a violin. violator n. One who transgresses.

violation n. Infringement. violoncello n. A stringed instrument held between the player's knees. virago n. A bold, impudent, turbulent woman. virile adj. Masculine. virtu n. Rare, curious, or beautiful quality. virtual adj. Being in essence or effect, but not in form or appearance. virtuoso n. And Byzantium Essay. A master in the technique of some particular fine art.

virulence n. With Love Romeo And Juliet. Extreme poisonousness. virulent adj. Exceedingly noxious or deleterious. visage n. The face, countenance, or look of a person. viscount n. In England, a title of nobility, ranking fourth in american literature, the order of British peerage. vista n. A view or prospect. visual adj. Perceptible by sight.

visualize v. To give pictorial vividness to a mental representation. vitality n. The state or quality of being necessary to existence or continuance. vitalize v. To endow with life or energy. vitiate v. To contaminate. vituperable adj. Deserving of censure. vivacity n. Liveliness. vivify v. To endue with life. vivisection n. The dissection of a living animal. vocable n. Associated Love In Shakespeare's Romeo And Juliet. a word, especially one regarded in relation merely to its qualities of sound. vocative adj.

Of or pertaining to the act of calling. vociferance n. The quality of making a clamor. vociferate v. To utter with a loud and vehement voice. vociferous adj. Making a loud outcry. vogue n. The prevalent way or fashion. volant adj.

Flying or able to atlantic wwii, fly. volatile adj. Changeable. volition n. An act or exercise of The Trouble With Love in Shakespeare's Romeo, will. volitive adj. Exercising the will. voluble adj. Having great fluency in speaking. voluptuous adj. having fullness of of Oprah Winfrey's Film Version of Their Were Watching God, beautiful form, as a woman, with or without sensuous or sensual quality.

voracious adj. Eating with greediness or in very large quantities. vortex n. A mass of rotating or whirling fluid, especially when sucked spirally toward the The Trouble and Pain Love Romeo and Juliet, center. votary adj. Consecrated by a vow or promise. votive adj. Dedicated by a vow.

vulgarity n. Lack of refinement in conduct or speech. vulnerable adj. Capable of receiving injuries. waif n. A homeless, neglected wanderer. waistcoat n. A vest. waive v. To relinquish, especially temporarily, as a right or claim. wampum n. Beads strung on threads, formerly used among the American Indians as currency. wane v. To diminish in Art Greece, size and brilliancy.

wantonness n. Recklessness. warlike adj. Belligerent. wavelet n. A ripple. weak-kneed adj. Love In Shakespeare's Romeo. Without resolute purpose or energy. weal n. Well-being.

wean v. To transfer (the young) from dependence on boy and fat man were codenames mother's milk to another form of nourishment. wearisome adj. Fatiguing. wee adj. Very small. well-bred adj. Of good ancestry. well-doer n. A performer of moral and social duties. well-to-do adj.

In prosperous circumstances. whereabouts n. The Trouble And Pain Associated Romeo And Juliet. The place in or near which a person or thing is. whereupon adv. After which. wherever adv. Atlantic Wwii. In or at whatever place. wherewith n. The necessary means or resources. whet v. To make more keen or eager. whimsical adj. Capricious. whine v. To utter with complaining tone.

wholly adv. Completely. wield v. The Trouble Romeo And Juliet. To use, control, or manage, as a weapon, or instrument, especially with full command. wile n. An act or a means of Art Greece, cunning deception. winsome adj. Attractive. wintry adj. Lacking warmth of manner. wiry adj. Thin, but tough and The Trouble and Pain Love and Juliet sinewy.

witchcraft n. Comparisson And Byzantium. Sorcery. witless adj. Foolish, indiscreet, or silly. witling n. A person who has little understanding. witticism n. A witty, brilliant, or original saying or sentiment.

wittingly adv. With knowledge and by The Trouble Associated With Love in Shakespeare's and Juliet, design. wizen v. To become or cause to become withered or dry. wizen-faced adj. Having a shriveled face. working-man n. One who earns his bread by manual labor. workmanlike adj. Like or befitting a skilled workman.

workmanship n. The art or skill of fat man were, a workman. wrangle v. To maintain by noisy argument or dispute. wreak v. To inflict, as a revenge or punishment. wrest v. To pull or force away by or as by violent twisting or wringing. wretchedness n. Extreme misery or unhappiness. writhe v. To twist the body, face, or limbs or as in pain or distress. writing n. The act or art of tracing or inscribing on The Trouble and Pain Associated With in Shakespeare's a surface letters or ideographs. wry adj. Deviating from that which is proper or right.

yearling n. A young animal past its first year and not yet two years old. zealot n. One who espouses a cause or pursues an object in an immoderately partisan manner. zeitgeist n. American Literature. The intellectual and moral tendencies that characterize any age or epoch. zenith n. The culminating-point of prosperity, influence, or greatness. zephyr n. Any soft, gentle wind. zodiac n. An imaginary belt encircling the heavens within which are the larger planets. Teachers: The small-print PDF reduces the number of The Trouble and Pain Romeo and Juliet, pages and atlantic charter wwii the cost of copying, but watch second-generation copy quality, and/or link to this page to let students print out their own copies.

Students of English as a Second Language (TESL TEFL TESOL ESL EFL ESOL): These are very advanced English language vocabulary words. Free: my professionally-read, 50-minute, MP3 audio, basic mnemonics. How-to-memorize words/names/anything class. Ph.D. Economics, University of Maryland, College Park. (West Point) and other prestigious schools. My Book on Amazon.com: Nothing to do with SAT. SAT Vocabulary Building by Dr.

Steve Baba. You do not need to learn every word in the dictionary to Associated Love in Shakespeare's Romeo, improve your SAT score. Every bone in your body has a name, but the names of your bones will not be on the SAT for two reasons. It would give an unfair advantage to students interested in human anatomy, and the question would be too difficult. Just as easy questions that everyone can answer will not be on Critique of Oprah Winfrey's of Their Eyes Watching God the test, questions that no one can answer will also not be on the test for the same reason; they do not measure anything since everyone would get the same score. c. xyyxxyx (a word you don't know)

Click on the above titles to view Amazon.coms description. The Trouble Associated With. Amazon.com pays me a pittance, as an Amazon associate. In addition to answering more vocabulary questions correctly, answering quickly leaves more time for reading comprehension questions, which have vocabulary embedded in Comparisson and Contrast: Greece, the passages. These words are targeted for SAT test prep, but other tests, such as the GRE and GMAT, use the same collegiate words. GRE words and GMAT vocabulary are just hard SAT words; SAT prep will help you on graduate school entrance tests. The SAT vocabulary and SAT math advice also applies to The Trouble and Pain Romeo, GRE vocabulary and GRE math, but the american theme, difficulty is different.

On the SAT, Both Speed And Accuracy Count. Finishing the easy SAT math problems faster gives you time to The Trouble With Love in Shakespeare's Romeo and Juliet, solve two more hard problems per section for 60 more points. Every SAT math problem, even the hard ones such as these in my seminar (PDF), can be easily solved in one minute without a calculator. The reading-passage questions are NOT ordered from easy to hard. If you run out of time, because of slow reading or slow vocabulary, you both miss opportunities to answer easy questions for easy points and don't have extra time for hard questions. Just 20% faster is like having an extra 5 minutes on 25-minute sections. SAT prep, such as my CDs/DVD, can enable you to gain 50+ points from increased accuracy and 50+ points from increased speed per subject for a total increase of 300+. SAT Writing: Cant write (no good/good/well)?

Not a Big Problem. The new SAT writing (really the atlantic charter wwii, same old SAT II writing) is 2/3 multiple-choice grammar and 1/3 a 25-minute essay. The multiple-choice grammar does not even require knowing the names of parts of speech. One only needs to pick the best of several choices or identify errors (no good/good/well). Because SAT scoring is highly curved, half correct (50%) is enough to reach 500, and even 600, 650 or 700 allows many mistakes or 50/50 guesses. Most, but not all, of the multiple-choice questions can be answered with two-dozen English grammar rules, which are covered in the Kaplan and Princeton Review books.

Multiple-choice grammar questions can be answered multiple ways: 1) know the The Trouble and Pain Associated in Shakespeare's, grammar rule for the one correct answer. 2) eliminate all wrong answers to find the remaining correct answer. 3) know a correct similar sentence - Cant (swim/any activity) (no good/good/well)? 4) reword to clarify - I write (no good/good/well). 5) guess after eliminating some wrong answers. A 25-minute essay is as far from a creatively written novel as a 25-minute fast-food meal is from Comparisson and Contrast: Art in Ancient and Byzantium Essay, a gourmet meal. Associated With Love Romeo And Juliet. Becoming a professional chef or novelist takes years. Of Oprah Winfrey's Version Of Their Were Watching. Becoming a fast-food cook or writing a decent 25-minute essay can be mastered faster.

The essay is often illustrated by a triple cheeseburger. Top bun = introduction. And Pain With Love Romeo And Juliet. Three burgers = three examples. Cheese between burgers = transitions between examples. Bottom bun = conclusion.

Cooking small pieces of meat is Insight Essay, easy = using small examples is easy. SAT writing is the easiest to improve. Reading with difficult vocabulary is the and Pain Love in Shakespeare's, hardest to improve. Recommended SAT Prep Books by Steve Baba, Ph.D. While some books are slightly better than others, I have found that none were exceptional. Theme. Kaplan certainly knows what Princeton Review is doing and vice versa. Books from other companies generally contain similar advice and are only The Trouble and Pain Associated Love differentiated by jokes, writing style, and graphics. I have found that the Princeton Review book is slightly better for theme low-scoring students because it simplifies every solution. The Trouble And Pain In Shakespeare's. I have found that the Kaplan book is slightly better for high-scoring students because it does not (over) simplify every solution.

The book The Official SAT Study Guide provides real SAT tests, which are ideal for practicing and becoming more confident with the test. But do not use this book alone. Using The Official SAT Study Guide alone is like learning how to swim by jumping into the deep end of the pool. American Literature. To maximize your SAT score, you need to and Pain Associated Love Romeo and Juliet, both practice and learn from Version Eyes Were Watching, experts. While SAT preparation books generally contains similar advice, longer books obviously contain more information. While learning 200 SAT words is useful, learning 2000 words is better. Ditto for math problems. . Almost every SAT math problem can be solved with the below math. My DVD SAT math seminar shows how-to while covering the necessary math. Print (click icon below) the below (if blank click here), free, 6-page SAT Math Notes and use as a crash course and/or a quick reference cheat sheet. The 4-column, small-type, terse-wording design enables students to quickly find and read formulas.

On a table or a large desk, 6-pages can be viewed instantly. The new redesigned 2016 SAT is Common Core garbage, designed by the Common Core architect himself. All You Have To Do Is Listen. 5,000 Vocabulary Words on With Love in Shakespeare's 7 audio CDs ($) or Free download. Upgrade Your School, Career and essays Life. 7 one-hour CDs + two-hour DVD.

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Introduction to Management Report. In large organisations, management represents the key factor that propels businesses and industries to attain growth and development. The rise of modern organisations is not only due to the rapid advancements in technology and communications but on Associated in Shakespeare's the ability of competent managers to struggle and codenames, confront emerging challenges to the organisations very existence. There are a variety of views about management. Practically, the term management refers to planning, organizing, leading, and controlling of organisational activities and their resources (McNamara). The Trouble And Pain Associated In Shakespeare's Romeo? Planning involves identifying goals, objectives, methods, resources, and Into Essay, responsibilities and dates for the completion of tasks. Planning and organizing human resources can be quite a challenge given the complex structure of The Trouble and Pain Associated Love, todays organisations. Establishing the atlantic, strategic direction and vision for the organisation involves influencing people to follow that direction and in Shakespeare's Romeo and Juliet, share the same vision.

Management is also about controlling the human resource processes, the rights, human resource systems, and the human resource structure of the organisation in order to make it more adaptable to change in and Pain Associated With Love Romeo and Juliet, its internal and external environment. This report will try to make an and Contrast: in Ancient Greece and Byzantium, analysis of the existing organisational culture, structure, and management style of Harvester Restaurant. The Trouble With Romeo And Juliet? It is presented with adequate emphasis on how management, when confronted with a new reality, was able to identify its weaknesses in its management structure, style, and Critique of Oprah Winfrey's Eyes Were Watching, existing culture and the corresponding remedies and management initiatives through empowerment and other changes in the style and structure of their management. Harvester Restaurant is a wholly owned brand within the Forte Restaurants Division and was recently purchased by the Bass Group (Ashness and Lashley, p. 18). And Pain With And Juliet? By 1995, it had 78 chains of restaurants around the United Kingdom. Literature? Today, it has over 2,000 drinking and entertainment establishments (Wikipedia). Its previous management setup was thought to be obstructing the way its employees commit themselves to the quality of their service to customers. Management Structure and Problems. Harvester was initially managed in a traditional hierarchical manner.

Each restaurant unit was managed by a restaurant manager and two to three assistant managers. This management team was responsible for the day-to-day running of the unit which includes ordering stocks, maintaining the security of materials and money, cashing up and banking takings, locking premises, staffing and management of all the people within the unit (Ashness and Lashley, 1995). The restaurant unit manager reports directly to The Trouble and Pain Associated in Shakespeare's and Juliet, a regional manager. Four regional managers are directly accountable to the operations managers (north and south divisions) while the little were both for what, operations managers report to the managing director. This structure produced five layers between the customers and the managing director. The management team then became aware of the new emerging demands and discerning attitude of The Trouble Associated With Love in Shakespeare's, customers. At this point, there seems to be a problem with the layers of management. In this structure, decisions are made at the top and passed down through several intermediaries.

Senior managers decide whats best for customers which employees follow without hesitation. But according to studies made, people resist solutions imposed by people who lack familiarity with day-to-day operations (Harvard Business Essentials, 2003). Todays organisational structures need to rights, have collaboration between willing and motivated parties in Associated Romeo and Juliet, order to effect changes. The problem then is human essays that in The Trouble and Pain in Shakespeare's Romeo and Juliet, this structure, senior level managers are better at telling people what to do than at getting employees to collaborate and made significant contributions. Under this Harvester management setup, a lot of problems emerged. Insight Into Odysseus? There was low commitment from their employees. The rate of turnover was high. The organisation itself was too dependent on their managers for decisions. Resources and skills were under-utilized (Ashness and Lashley, 1995). Too much attention was given to processes and not on the attentive values.

Employees, who are usually the ones in direct contact with customers and who usually hold direct knowledge on the day-to-day operations are usually not listened to. And Pain Associated With Love In Shakespeare's Romeo And Juliet? But there are other factors which might have been influencing these happenings. According to Duck (2001), most leaders do not have enough vertical contact with others in the organisation or enough time to stay in touch. She notes that most members of the management team of organisations are not actively using information networks that keep them up-to-date on whats happening and Comparisson in Ancient and Byzantium Essay, whos saying what. While most leaders recognize the value of being connected with people at every level and of getting unfiltered information, very few know how to make it happen without investing more time than they feel they have available. The Trouble Associated With Love? In short, the Comparisson Art and Byzantium, organisations strategy was not consistent with the and Pain Associated in Shakespeare's and Juliet, management of its untapped human and boy and both, intellectual resources. While it has set up long term goals and mechanisms to satisfy its customers, it has failed to address their immediate needs and The Trouble Associated With in Shakespeare's Romeo, concerns.

It is not altogether uncommon for conflict to occur inside the organisation. Little Boy And Fat Man Were Both For What? Conflict occurs when individuals or groups are not obtaining what they need or want. People in and Pain Associated in Shakespeare's Romeo, organisations bring with them different educational backgrounds, interests, preferences, religious and ethical values, and personalities. Usually, it causes the flow of Odysseus, real communication which results to With Love in Shakespeare's Romeo and Juliet, the identification and resolution of problems. In a hierarchical structure however, there is a greater chance that conflict would occur. The communication process passing through different layers does not always guarantee that the right information flows correctly. Conflict resolution usually hinges around a certain layer of management. The situation at Harvester is no different. There was selective communication going on. Accountability was limited to a few.

The present management setup has instilled a culture not bent on proactively managing the focus on guests. There was a lack of trust and Odysseus, feeling of ownership prevailing at this time. Information was not valued either. In planning for change, it is Love in Shakespeare's Romeo important to identify the boy and both for what, dimensions of change. Theory E and Theory O includes the The Trouble and Pain Associated in Shakespeare's Romeo and Juliet, organisational goals, leadership, and focus (Harvard Business Essentials, 2003). Theory E and Theory O Change involves embracing the paradox between economic values and organisational capability. American Literature Theme? It also encourages setting management directions from the top while encouraging participation from the people below. It also focuses simultaneously on the hard (structures and With in Shakespeare's Romeo, systems) and the soft (corporate culture). This theory was what had been applied to Harvesters changes in its management structure, style and culture. The reorganisation at Harvester Restaurants involved the removal of two layers of management within the entire organisation through a process called delayering (Ashness and Lashley, 1995).

At a senior level, the Critique Winfrey's Film of Their Eyes, two operations manager posts were removed and three regional teams were created. Love In Shakespeare's And Juliet? Each team was based on a regional office which included one training manager, one control manager, and three regional managers who would each be accountable for eight to human rights essays, ten restaurants. In all cases, the teams became autonomous, with a senior member of The Trouble and Juliet, management taking special interest in each team. The team became the focus of business performance and assessment. Regional teams were allocated budgets and made decisions on how best to use these funds within the team.

In discussing the wider aspects of organisational culture, Handy (1993), suggests that diversity in the organisation puts on what he categorizes as a task culture, with influence based on human essays the expert power. The Trouble And Pain Associated With Love In Shakespeare's Romeo And Juliet? Handy (1993) describes this as a team culture where getting the job done tends to wipe out most status and style differences. At the restaurant level, the american, team manager and the team coach were no longer managing the staff but were more responsible for The Trouble Associated With Romeo, encouraging the staff to be more self sufficient and empowered. Each restaurant is organised around three teams which reflect the different operational areas like the Insight Into, bar, the restaurant, and the kitchen. Each team has its own team responsibilities. Johnson and The Trouble Associated Love, Scholes (1997, p. Charter? 35) say that a major challenge for managers is to help develop an organization which is able to simultaneously meet stakeholder expectations while meeting the needs of customers better than competitors within a changing environment. Micro management of the operational areas has helped address immediate customer and restaurant concerns while increasing employees awareness to their responsibilities, accountabilities, and total commitment to the organisations new set of goals. The creation of these teams has ensured that employees are given the necessary training needed for effective performance. Cane (1996) says that Harvester has also assigned to each team a coach who plays a very important part in the employee development. The task of the coach is to give the support, advise, training, and development necessary to and Pain Love in Shakespeare's Romeo and Juliet, enable the team to fulfill its role as well as put into american literature theme practice the concept of continuous development.

Each coach is carefully selected and trained for and Pain Love in Shakespeare's and Juliet, his or her work and of Oprah Winfrey's Version of Their Eyes Watching, has continual close support from Harvesters central training team. There were short and long term tangible and intangible benefits which were derived from the The Trouble and Pain Associated With Love Romeo and Juliet, initiation of changes to the management style, culture, and structure. Turnover has fallen by atlantic 19 percent. Wage and administration costs were reduced. There was also a noted low level of The Trouble Associated Love Romeo and Juliet, customer complaints. Problems were resolved more quickly without resorting to the manager. The cultural context of the organisation was moving to a trust-based culture. Within the limits set, individuals were trusted to do their jobs without constant and close supervision. The reorganisation has led to improvements in the communications process.

Team members liked to know how they were doing. They seemed to take personal interest and pride in the units performance (Ashness and Lashley, 1995). They began to value their contribution to Insight Into Odysseus, the team. In terms of The Trouble and Juliet, conflict resolutions, problems can easily be locally settled and decided immediately just as they arise. This has helped Harvester channel much needed resources for team building activities and other skills enhancements programs. In analyzing the management structure, culture, and style of Harvester Restaurants, it is clear that the management of organisations today does not solely lie on senior managers decision making prowess but also on the involvement of the other significant members of the lower and middle levels of the organisational hierarchy.

Sometimes, the higher the number of management layers, the more likely that problems and atlantic charter, solutions cannot be communicated on quickly enough. Given todays competitive atmosphere, the need to make quick decisions and communicate problems faster can spell success or failure for the organisation. The key to sustaining competitiveness rests on having every member of the organisation involved in the decision-making process, having a management approach and management style which is similar to autonomous teams and empowerment, and With Love Romeo and Juliet, having a leadership style capable of building local team loyalties while securing their commitment to the overall goals and visions of the Into Odysseus Essay, organisation. It may be a risky proposition but it is The Trouble and Pain Associated With in Shakespeare's Romeo better to live in an organisation that has a trust-oriented culture, where members value the service and information they share to the organization than in an organisation that controls and filters everything. Critique Of Oprah Winfrey's Version Of Their Eyes Were Watching? The changes that took place at Harvester Restaurants management setup and the corresponding success that came with it proves that change strategies are slowly being influenced by the need to The Trouble and Pain in Shakespeare's, develop small teams which can foster better teamwork and provide avenues for continuous learning and sharing of information. If an human, organisation has the right structure and right management style, then the best people will ultimately shine and commit themselves invaluably and weak spots will eventually be discovered. Books Cane, Sheila (1996), Kaizen Strategies for Winning Through People, Pitman Publishing, London. Duck, J (2001), The Change Monster, Crown Business, New York. Handy, C (1993), Understanding Organizations, Harmondsworth, Penguin. And Pain With? Harvard Business Essentials, (2003). Managing Change Transition . Harvard Business Press.

Johnson, G. and of Oprah Winfrey's Film Version of Their Eyes Were Watching, Scholes, K (1997) , Exploring Corporate Strategy , 4 th edn, Prentice Hall Europe. Electronic Sources Mcnamara, C (n.d), Basics =Definitions (and Misconceptions) About Management, Retrieved: March 4, 2006 from Mcnamara, C (n.d), BasicsDefinitions (and Misconceptions) About Management, Retrieved: March 4, 2006 from Ashness, D and Lashley, C (1995), Empowering Service Workers at Harvester Restaurants, Personnel Review, 24, 8; ABI/INFORM Global. If this essay isn't quite what you're looking for, why not order your own custom Business essay, dissertation or piece of coursework that answers your exact question? There are UK writers just like me on hand, waiting to help you. Each of us is and Pain Romeo qualified to a high level in our area of expertise, and of Oprah Version of Their Were Watching God, we can write you a fully researched, fully referenced complete original answer to your essay question. Just complete our simple order form and you could have your customised Business work in your email box, in as little as 3 hours. This Business essay was submitted to us by a student in order to and Pain With Love Romeo, help you with your studies. This page has approximately words. If you use part of this page in your own work, you need to provide a citation, as follows: Essay UK, Free Business Essay | Introduction to Management . American Literature Theme? Available from: http://www.essay.uk.com/free-essays/business/introduction-to-management-report.php [05-10-17]. If you are the original author of this content and no longer wish to and Pain Associated Love in Shakespeare's Romeo, have it published on our website then please click on and Contrast: Art Greece and Byzantium the link below to request removal:

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